Lesson 7 ---------------------------------------------------------------------- On Stage Preparation. Relax your whole body as completely as you can, beginning with the top of your head, your forehead, face, throat, chest, abdomen, legs, and feet. Count slowly from ten to zero, while mentally tracing the progress of your relaxation. The Exercise. Now you are completely relaxed, from the top of your head to the very tips of your toes. Imagine yourself standing on stage in a theatre auditorium behind closed curtains, just before the start of your talk. The house lights are dimmed, and the noise in the audience quiets to an expectant hush. In your mind, count silently from one to three. When you have reached three, the curtain will open, and you will see yourself on stage, standing behind a lectern, dressed as you plan to be on the actual occasion. Behind you there is a screen, for the visual material you are planning to use to illustrate your talk. Now focus on yourself on the stage. See your self-confident poise -- just the right combination of formality and relaxation. A glass of water stands within reach of your left hand. The microphone is directly in front of you, and you welcome it as an extension of yourself, an added means of reaching out to your audience. The manuscript with your speech rests on the lectern before you, but it is really no more than a prop. You see the pages with photographic recall, knowing exactly at which point each page ends and the next one begins. As you speak, you turn the pages at the appropriate moments, but it is not really necessary, because you see the manuscript clearly enough in your mind's eye to "read" it off. You do this while you look straight out at your audience, at the many upturned faces reflecting friendliness, interest and close attention. Once in a while you pause to take a sip of water, using the brief silence as a change of pace. Your voice needs neither rest nor lubrication. You can hear how effective it is. It is perfectly clear, perfectly modulated, expressing your thoughts without any strain. You speak as if you were addressing some close friends in the familiarity of your own living room. There is no need for greater volume. The microphone does the extra work for you, carrying your words to the farthest corners of the auditorium, to all these people who think well enough of you to devote an evening of their time to you, who have come to hear what you have to say and to be stimulated by you. And you know you are fulfilling your part of your contract with the audience. You know that you are doing your job well. You feel completely at ease, completely in tune with your environment. NOTE: Repeat this sequence at least once a day for a week or so and, as always, strive for the most vivid visualization you are capable of. When the real occasion is at hand, it will lost whatever menace it may have had and will turn into a thoroughly enjoyable experience. End of file.