THE EQUINOX Vol. I. No. IX 2nd part of two. ASCII VERSION March 8, 1991 e.v. key entry by Bill Heidrick, T.G. of O.T.O. First proofreading against first edition November 16, 1991 e.v. by Bill Heidrick --- could benefit from further proof reading. Copyright (c) O.T.O. disk 2 of 2 O.T.O. P.O.Box 430 Fairfax, CA 94978 USA (415) 454-5176 ---- Messages only. Pages in the original are marked thus at the bottom: {page number} Comments and descriptions are also set off by curly brackets {} Comments and notes not in the original are identified with the initials of the source: AC note = Crowley note. WEH note = Bill Heidrick note, etc. Descriptions of illustrations are not so identified, but are simply in curly brackets. 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Copies may be made for others at reasonable cost of copying and mailing only, no additional charges may be added. ************************************************************************ ERCILDOUNE A NOVEL <> BY ALEISTER CROWLEY "A Red Star and a Waning Moon Rede me this true rune; A Gray Sun and a bastard loon Ding doun Ercildoune." {175} ERCILDOUNE CHAPTER I THE GLACIER CAMP MIDNIGHT on the Chogo Lungma La. Moonlight. The steady sweep of the icy blizzards of the north cuts through canvas and eiderdown and fur. Roland Rex, peering out for a moment from his tiny tent upon the stupendous beauty of the snows, almost wonders that the stars can stand before the blast. Yet, dimly and afar, a speck of life stirs on those illimitable wastes. How minute is a man in such solitudes! Yet how much man means to man! No avalanche, not the very upheaval of the deep-rooted mountains could have held his attention so close as did that dot upon the wilderness of snow. So far it was, so heavy the weight of the wind, so steep and slippery the slopes, that dawn had broken ere the speck resolved itself into a man. Tall and rugged, his black hair woven into a web over his eyes to protect them from the Pain of the Snows, as the natives call the fearful fulminating snow-blindness of the giant peaks, his feet wrapped round and round with strips of leather and cloth, he approached the little camp. Patient and imperturbably are these men who face the {177} majesty of the great mountains: experience has taught them that it is useless to be angry with a snowstorm. A blizzard may persist for a week; to conquer it one must be ready to persist for many weeks. So, quiet and at ease, just as if he had not made his two-and-twenty marches in six days, the messenger fumbled in his clothes and produced the mail. Two years and more since Roland had been lost in the waste; within a month of Skardu he had arrived, and sent forward a swift runner with a letter to the Tehsildar, the local official, and a budget for his friends at home. The wind had failed just after dawn, and the sun shone strongly on the glacier. Every particle of bedding was hung out to dry; the coolies were right merry; it would be easy to cook food to-day. Roland had thawed his penultimate tin of sausages, and boiled up his chocolate. Seated on one of the leather-bound baskets which contained his few effects he was now enjoying the warmth, and his pipe, and the rapture of news from home. For though he could expect no letters, the thoughtful Tehsildar had sent him up a newspaper. Mr. Justice Billington had hay-fever; Lord Wittle had obtained his decree nisi; Consols had fallen a point; Sir Julius Boot had left town for his country seat; three pigs had been killed in Staffordshire, and a land-agent in Galway; coal would probably soon be dearer; Tariff Reform meant lower income-tax and work for all; Peter Briggs, alias "Peter the Pounder," had got three years; Buncombe's Bottlettes Cured Constipation; Should Women Wear Braces? and all the weariness of the daily drivel. But the haunting unreality of the rubbish for a Londoner {178} gives place to a vivid brilliance and charm for one who is far off. Clearly the stuff that dreams are made of; therefore --- strange paradox! --- convincing. Lord Wittle became for the moment as real as Mr. Pickwick. Roland Rex was happy. Nor was his satisfaction confined to the news of the world. After the starved brain has got every stupid phrase by heart, it turns, still eager, to the report of the Monthly Medal Competition at Little Piddlingborough, and the P. and O. sailings for next month. Even the dull personal column with its hairpin imbecilities and its bogus assignations gives a certain thrill. All is so deliciously fantastic; in the dreary maze of glaciers, in the grim silence of the rocks, in the splendour of the vast, sheathing as they did the iron of reality in the soul of the explorer, the fatuous piffle of the penny-a-liner is like a fairy story told for the first time to a child. Rather a shock to the child when it learns that its Cinderella is not true, but merely a lesson in humility and punctuality; so to the man should he find in his fairy newspaper a paragraph which directly concerns him. Roland Rex found two. The first, in the memoriam column, read as follows: "In memory of Lord Marcus Masters, who died --- [a date two years earlier] --- never forgotten by his affectionate wife. 'Blessed are the dead that die in the Lord.'" He drew in his breath. "Poor Marcus!" he exclaimed. And then --- Roland Rex looked himself over. His hair and beard had been innocent alike of brush and scissors for three years; his skin was darker than that of his coolies; he would have been taken for a savage in any country of the world. {179} And he laughed. "If the Marquis dies to-morrow, I suppose I could hardly take my seat like this!" Next his eye fell on the personal column. This time he started in genuine surprise. The paragraph read: "ss. 887. Austria to John. Come home. F." Ronald translated thoughtfully. "Austria to John"? Now what the devil can he mean by that? I ought to know. But I suppose three years of wilderness dulls the intelligence. "Come home!" And the old boy has put that message in the paper 887 times! Go home I will. He called his headman, Salama. Laconic as ever. "Bas! Safar ho-gaya. Panch roz-ka dhal-bat bana'o; Askole-men jeldi jaebne." (Enough. The journey is over Take five days' provisions. We will go quickly to Askole.) Right enough, in an hour's time, the whole caravan was hurrying down the slopes, tentless and on most meagre rations, if haply they might do fifteen days' march in four. At Askole he paid off the men; and with his gaunt old headman for sole companion, made headlong down the Bralduh valley to Skardu. CHAPTER II THE RIVER OF MUD ROLAND REX had chosen the certain passage down the valley in preference to the dubious short cut over the Skoro La. Moreover, he wanted news pretty badly, and local {180} rumour had it that a Sahib was now ascending the Bralduh on a sporting trip. So down they slogged over the rough track. About noon on the second day they met the servants of the sportsman in question preparing his lunch; learning from these that he was probably an hour behind, they pushed on, and found him sitting on the banks of that strange river of mud which flows into the Bralduh. Sluggish and even is its course; in normal weather of the consistency of very thick tar, it moves down inch by inch, until at last it oozes over into the pale amber froth of the grey Bralduh, and is lost. Roland Rex had worn his English clothes threadbare long since; he wore the inevitable turban, that best of headgear against both heat and cold, and the rest of his costume was the handiwork of a Yarkand tailor. Small wonder if the natives failed to mark him as a Sahib, and salute; smaller that the Sahib sitting by the river equally mistook him. He called authoritatively to the travelers as they approached. Amused at the jest, Roland made his best salaam. Are there any Sahibs shooting or travelling in this nala?" he asked. Roland said that he had heard of one or two. "Is Rex Sahib in this district?" Roland was startled, and showed it; but the spirit of mischief moved him to deny it. What should this stranger want with him? "You are lying, son of a pig!" said the Englishman cooly, noticing the momentary confusion. It is easy to frighten the truth from an Asiatic by this simple plan. But Roland was really confused, and the stranger accordingly emboldened. {181} "You are his dak-runners!" he exclaimed. "Where have you left the Sahib?" Roland's headman, Salama Tantra, took up the tale. An expert liar for over forty years, he was equal to the situation. Seeing that his master for some reason desired to deny his identity, the grey old hunter began a long tale of woe, beginning nowhere in particular, and ending up, after a series of magnificent falsehoods, with the statement that the Sahib had sent them on with letters, he himself having turned back up over the Hispar pass with the intention of visiting Hunza and returning by Gilgit. The stranger was apparently convinced. "I am going to join him," he said. "My own dak-runners shall take the mail, and you shall return with me and take me to him. I am glad I have met you." And with truly royal generosity, he fished out some rupees of his shooting-coat, and bestowed them on the willing shikari. Roland jumped to his meaning in a flash; it was the letters he wanted. "It is not the order, Sahib," he explained, with an artistic cringe. "It is the order to take these letters to the Tehsildar of Skardu, and receive a paper from him." "Nonsense!" said the stranger. "My own men can get this paper; I would not lose you for anything. See, I will give you each one hundred rupees." "We cannot break an order, Sahib!" He assumed a gorgeous despair. "The master would punish us." The stranger began to storm, but in vain. The travellers murmured the polite request for permission to leave the presence of the highness, and began to move toward the {182} river, crossable in fairly dry weather by dint of many stones thrown in by gangs of villagers. Suddenly out lashed the Englishman's revolver and a shot rang through the air. But he only pierced Roland in the thigh. Long before his finger could press the trigger again, the huntsman had him by the waist; flung him far into the river of mud. Roland ran to save him, but in a trice he was tripped, and down, and the grey old ruffian kneeling on his chest. "Useless, Sahib!" he hissed, "we have no ropes. He tried to kill you, Sahib, O my father and my mother." The poor old fellow was in tears. Shriek after shriek came from the struggling murderer. "Allah has written it," the old man went on, "I saw the mark of death upon his brow." In vain did Roland threaten, command, entreat. To all Salama answered, "The writing!" and kept his hold. The pain of his wound came home to Rex, and he half fainted. Horrible were the curses of the wretch in the river. The whole valley shuddered. Yet he, too, ceased to struggle, slowly sucked in and down by the insidious mire. The lucid prologue of death's tragedy came upon him, of a sudden, at Roland's cry as he sat up, weak and bleeding, held now in his faithful servant's arms. "Who are you, in God's name?" he shouted in English, "and what do you want with Roland Rex?" "I am mad --- I am dying --- help! help!" cried the unhappy man. "How is it you seem to talk my tongue?" "Why, I am Roland Rex; what do you want with me?" "A curse on my wry shot," he shrieked, and fell back to {183} his old raving madness. The calm again. "I wanted the great reward --- the great reward! For news of your death, you fool. So near! So near success!" and again his fury foamed; blood broke black at his lips. But now the midstream strength took him; looking over as he lay half-strangled in the slime, he could see the horror of the Bralduh fifty feet below. The roar of it drowned his choking yells. Then, with a last heave and gurgle through its oily mire, the river fell with him and mighty silence swallowed up the scene. Even as he fell, the storm rolled up the valley, and the blaze broke upon the wounded man and his companion. By now the wound was staunched, for it was but a slight flesh-wound. Limping from the bullet, shaking from the dread mystery of the scene, Roland Rex crossed the treacherous stream, and came to the apricot orchards of Gomboro. * * * * * * * Stretched upon the green turf in the moonlight, Roland nursed his wound, whose ache, with the fiery events of the day, kept him from sleep. He mused upon the cipher. The darkness of the letter and the darkness of the deed conspired; and there was light. "Austria to John!" Aha! Ivanhoe! --- his thought burnt up ---" The devil is unloosed. Look to yourself!" Then he must mean --- oh! but that is too impossible. Let me consider. And his mind ran back to the strange history of his family. {184} CHAPTER III THE DOOM OF ERCILDOUNE EWAN, fourth Marquis of Ercildoune, was riding alone through the park one drear November day, some eighty years before the beginning of this story. A proud man was he, tracing his descent from True Thomas, the holiest of the ancient Scottish Bards. Of his own house he had predicted glory and earthly power, yet closed it with the weird: "A Red Star and a Waning Moon Rede me this true rune; A Gray Sun and a bastard loon Ding doun Ercildoune." High in favour with King George and his ministers, his name renowned in Wellington's campaigns, his power absolute as God's for many a mile beyond the eagle-sight from his castle, his wealth well-nigh boundless, four stalwart sons to bear up his age, and lift his honoured coffin to its grave, no man was more enviable in all the realm that the brave sun controls. Yet his face was dark, and his hand closed convulsively upon the dagger that lurked at his hip. Also his mouth worked strongly. Presently he dismounted, and, tying his horse to an oak, plunged deep into the glade. Familiar was the way, though obscure; yet even a stranger would have taken the self-same track, for the steady music of a cascade allured the step. High from its narrow channel it tumbled far out into a rock-bound pool, which overflowing rolled forth into a less dominant {185} music among lesser obstacles. Here the Marquis paused a moment, then blew shrill upon a whistle. Instantly, as by enchantment, the volume of the falling water whitened and glowed, shot through by some interior light; then all was dark again. But the Marquis, seeming satisfied, probed his wary way around the base of the pool; the slippery rocks, the mossy knobs and treacherous fern-roots lent an ambiguous aid. He passed behind the water, and the path grew easy. Up into the cave he pressed, and after many twists came to the central hollow. Fashioned more by man than Nature, the room was large and nearly square. A curious table of brass stood in the centre, and a blue flame burnt variably thereon. Behind it stood a man of great stature, his face hidden by a monkish hood. This man addressed the noble. "Who art thou?" "Ewan Dhu, Marquis of Ercildoune." "Where is then thy brother the Marquis?" "Under the heather." A second pause. "Shame!" the Marquis added, "have I come there that you should twit me with this paltry scandal? I never slew him." "Not with the sword, but with the pen. Where is the Marquis, his son?" "Who are you, to press the claim of that bastard brat?" "I wished to see if the coward who did it was coward enough to lie to me about it." The Marquis controlled himself with courage. "You come to me," continued the other, "because your foolish dabbling in the false science of the stars has given you fear. You see a baleful planet threatening your house; you {186} invoke the aid and counsel of the Brethren of the Rosy Cross. With unclean hands you come, Ewan Duh," cried the adept, raising his voice, "and the mire that you have played with shall engulf your proud head. For once your ignorance has taught you all that knowledge could. This is the doom of Ercildoune; your sons shall die before your eyes; your house shall fail utterly, and all your rank and wealth pass to the King. Solitary and silent I see you dying, dying through long months, and no man to take pity." "I came to you," replied Ercildoune, "that you might aid me, not that you might curse me. I withdraw." "Stay!" cried the adept, "what do you offer me for freedom?" "Penitence, sincere penitence." "You will make amends?" "Never!" flamed he out, "for the boy is the vilest of mankind. Before God I say it, I will not believe him of my brother's blood." "Then you must suffer the doom." "Then be it so! Farewell." And he turned to go. The adept strode swiftly forward. "Now are you a man, Ewan Dhu!" he cried aloud, and grasped his hand. "The doom you must dree, for doom is doom; nor you nor I avail; but in --- the right --- you shall not suffer, and the End is with Him. Vale! Frater Rosae ---" "Et Crucis!" answered the nobleman. Silently and gladly they parted. The fulfilment of the curse is matter of history. Taking shelter in a storm during a hunt, Malcolm, the {187} eldest son, died by the lightning flash before his father's eyes. Duncan, the second, plunged into the sea, while they all strove to save a shipwrecked crew, and was drowned. Ivan, the third, racing his horse against his father, was thrown and died. Angus, the fourth, surprised some knowledge of the doom. Maddened by the fear of it, he hanged himself from his own window, even as the Marquis returned from London town, and cried his name to greet him. Then the old man turned melancholy, and shut himself into a Trappist Monastery, where in silence and solitude he died. Title and estates passed to a cousin, one Lord Barfield, not yet to the King. This doom remained undone. * * * * * * * This Lord Barfield, who had succeeded to the title and estates of Ewan Dhu, was an elderly man of recluse and studious habit. Many years in India had given him the secretiveness and cunning of that strange congeries of nations. He was a widower; his wife had borne him three sons and a daughter; the last had married a Mr. Rex, and Roland was the only issue of the marriage. The Marquis had brought up his sons to follow the colours. Nothing had stirred his placid life until the Mutiny in India, where his eldest son, the Earl of Bannockburn by courtesy, was killed before the walls of Delhi. Hard upon the news followed a curious box of ebony and silver from the East. Within he read the carved inscription, "Lord Barfield, with the compliments of the Marquis of Ercildoune," and, lifting the tray, discovered, wrapped and embalmed in costly spices, the head of his best-loved son. This was all mystery, and he sought the clue in vain. {188} Three years later Lord Arthur, the second son, who was studying Russian in St. Petersburg, wrote wildly home that he was stricken by a terrible disease, and the old man, eagerly seeking aid from the Government, learnt that "studies in Russian" meant little more to Arthur than the acquisition of the gilded vices of that barbaric society. Hastily he dispatched his doctor, a wise old friend of the family, if haply skill and counsel might avail; but in vain. The next month's mail brought irretrevable disaster; Arthur was dead by his own hand. But oh! strange horror! Clad in fantastic jewel-work, there came a little casket. Within was an empty poison-bottle and the diamond device, "Lord Barfield, with the complements of the Marquis of Ercildoune." The old man, mastering his grief, was roused. He devoted his whole time and intelligence, his wealth, and influence, to the discovery of who had woven this chaplet of hell's vine for his grey head. Who was this devil dressed in the grand name? Why did he pursue and faint not? If human power, and power of prayer, might serve, he would know. But these availed him not. In the end, an accident lifted the veil. As duly shall follow. CHAPTER IV CONTINUES THE DOOM 'TWAS a pleasant morning in early October, and the birds were plentiful and strong. The old Marquis, in the joy of his {189} skill, was half forgetting the misfortunes of his family; dwelling rather on the splendid appetite that his morning's pleasure had given him, and the glorious lunch that awaited the party at the corner of the next spinney. The guests were few. Lord Adolphus Dollymount was an ass, but his friend, Guy Pendragon, was as fine a young man as England can show. Breeding without snobbery, intelligence without pedantry, marked him for a great place in public life. He had been brought up on the Continent, where (it appeared) his family, notorious Jacobites, had long lived in exile, and had, as it were, taken root in the strange soil. But, he explained, we had had enough of that. England for him, and to serve her was the only life worth living. Besides these were Lord Marcus Masters, the last of the sons of the house, two peers, a cabinet minister, and a famous surgeon, Sir John Bastow. Guy Pendragon was in the line next to the Marquis, and as they walked, from the fault of one or the other, drew a shade too close together. On a sudden, birds rose, and one fine low-flying cock-pheasant whirred between them. Both swung round, but Pendragon, unable to get a fair shot without danger to his neighbour, withheld his fire and lowered his gun. The Marquis killed his bird. Then the young man tripped and fell. His gun exploded, and the charge struck the old nobleman in the body. Instantly arose a mighty hubbub. All sprang to his aid; the despair of Pendragon was dreadful to witness. Yet he had sprained his ankle in the fall. Sir John hurriedly examined the wounded man, pronounced the injuries grave, but not hopeless, rendered first aid, bound {190} up the luckless sportsman's ankle, and saw to the improvising of an ambulance. The two invalids were carried into the house. The Marquis, in pain as he was, could hardly refrain a smile, as one of the old keepers, boiling over with rage, shook his fist in Guy's face, while he hissed, "Ye damned fool!" The fidelity of the servants of a great house like Ercildoune is a thing to restore confidence in human nature. Soon, too, the old man declared that the accident had shaken him sadly; he would like to spend his last years with his brother's son in far Virginia. The Marquis gave him leave, and in due time he departed. Pendragon, too, recovered, and went off to Monte Carlo. * * * * * * * So much for Man; but Fate stepped in, and the carefully skinned poker hand was flung wide on the table by a sudden gust of the Everlasting Wings. It was left to a nameless Anarchist to save the house of Ercildoune. His brain, tortured and diseased by famine of food and surfeit of cheap philosophy, conceived that the death of a few harmless folk would ease the evil of the Universe. So he dragged a log of wood across the path of the Marseilles Rapide, and screwed it to the sleepers. The train staggered, left the line, tore up its universe, crashed into a chaos of blind, foolish agony. From among the wounded and slain young Guy Pendragon extricated himself. "Here!" he called to another man, uninjured like himself, "help me to save my father --- my father!" Stolid and self-possessed, the stranger set himself steadily {191} --- for all his rabbit's face and meek shabby-gentility --- to the task, and in an hour's hard work that part of the wreckage was cleared. Night unto death, they dragged out an old grey man, and bore him to the relief train. Then the stranger returned to the work of rescue, musing. What was this man to Guy Pendragon? Father. How father? For this man was the old keeper from Ercildoune! He knew it all; since long he had been chief of the detectives employed by Lord Ercildoune to track the murderer of his sons. Yet now? Inscrutable. Not altogether, perhaps: a seek-thought had sprouted in his mind; he smiled grimly, seeking amid the tangle of the train for further clues. He found at last a small pocket-book in the wreck of Guy's portmanteau. The little therein was enough for his trained intelligence; the whole infamy lay bare. He set wires to work; the authorities came in; and, torn howling from the yet warm corpse of his father, Guy Pendragon faced the rigours of an English court of justice. Grayson, alias Lord Guy Masters, alias Pendragon, alias Schmidt, alias Laroche, etc., was informed by the Judge that the claim of this father to the Marquisate of Ercildoune was of no importance in the eyes of justice. It had been clearly proved that he did feloniously of his malice aforethought attempt to kill and murder one of his Majesty's subjects, a gentleman of high rank and dignity, who stood to him moreover in the position of host; further that he did conspire with his said father to commit the said murder; further, that all the sentimental considerations which his counsel had so eloquently urged were balanced by the fact that the accused had for years lived by fraud and robbery; and though he (the Judge) regretted {192} that counsel for the Crown had seen fit to try and connect accused with the deaths of Lord Ercildoune's two sons, yet the main charge was abundantly clear, and he had no hesitation in sentencing him to Penal Servitude for Life. The prisoner had but time to say: "I am Lord Ercildoune, my Lord, and you shall live to repent it," before he was removed. * * * * * * * Nine days, and London had forgotten. CHAPTER V DERELICT CORRESPONDENCE LONDON had forgotten! yes, even Roland Rex had forgotten in the intensity of his three years' wandering in Central Asia. Now, as he lay in the moonlight in the apricot orchards of Gomboro, the whole history rolled its sinister waves upon him. That devil unchained? Marcus dead? Was there a link between these evil-omened happenings? What of this strange sahib who travelled nine thousand miles, and risked, lost indeed, his life in the hope of meeting Rex or stealing his letters? As the Bralduh roared below, bearing high the funeral dirge of that murderous man of mystery, Roland echoed its eternal restlessness, its unmeaning wail. He could have plunged into the river, and wrested out the heart of that dead mystery. ... So came the dawn at last; so, sleepless and stiff, weak from the loss of blood, he and his faithful shikari bent {193} themselves to the endless track that leads through that desperate valley at the end of the world to the green glories of Shigar and the whirlwind-haunted circuit of Skardu. Two days of hellish agony; the torture of the wound, the torment of the sun, the atrocious thirst upon the bare rock walls through which the path winds up and down, and above all the agony of doubt. What should he do? Two years had passed and more. He knew nothing of affairs. To go home as Roland Rex might be the blindest walking into the trap. What might not have happened since? "Look to yourself" had said the message. Just then a native passed, giving no salute. Roland started. There was the missing word of wisdom. A native he seemed, a native he would remain. Nothing would be easier; he need not even lack money. He could draw small cheques to his new self as Habib Ju, the first name that came to his mind; he need lack nothing. And it should go hard but he discovered much ere he reached England, and came secretly to his grandfather's house of Ercildoune. Now they got a raft of swollen goat-skins, and sped down the rushing stream to Skardu. There he wrote a letter to the Tehsildar, stating his intention to remain in the Bralduh Nala for some weeks, and that the native stories of his disappearance were to cause no anxiety; their origin was quite inexplicable. Thus he calmed official curiosity, and killing one horse on the Deosai Plains and two more between Burzil and Bandipur, came to Baramulla before alarm, either on his account or that of the other man, had yet disturbed the nights of the Tehsildar, a man naturally lazy, incredulous, and slow to action. {194} When alarm arose, indeed, it diminished almost as quickly. It was only necessary to construct a plausible, probable story of the death of the two sahibs. So the Tehsildar manufactured an avalanche, and was so thoughtful as to include among the victims not only the two white men, but also those of their servants who might possibly be implicated in any inquiry, and therefore thought that it would be best to lie low for awhile. Thus, six months after, news came to England of the death of Roland Rex. Meanwhile that worthy was ostensibly engaged in the pilgrimage to Mecca. But he slipped off at Jeddah and took passage in a coaster up the Red Sea. At Cairo he disclosed himself with all due caution to an old schoolfellow at Headquarters, and was able to continue the journey with a bronzed face, a trim foreign beard, and a suit of Greek-cut serge. Here, too, he was able to telegraph to his grandfather that all was yet well. He had only dared to send one other, from Bombay, and that expressed so cautiously that even the recipient might have been pardoned for failing to guess at its meaning. Roland had not called for his letters at the agent's there, else he would not have missed the following epistle, which had lain awaiting him for more than two years. "MY DEAR ROLAND," wrote his grandfather, "heavy news, heavy news! I fear grievous trouble. Young Grayson has escaped. It seems that while a working party were out in the fog he made a sudden dash for liberty. The whole affair must have been devilish well arranged, for no trace of the {195} fugitives has ever been obtained --- save one, of course. A month after the escape I received a parcel from Leipsig which, on being opened, revealed a convict costume with the inscription, beautifully embroidered in silk: "'Lord Barfield, with the compliments of the Marquis of Ercildoune. Merely a memento.' "As usual! Leipsig is of course worse than no clue at all but one thing we know at least: there is a woman in it. I hope to send more and better news very shortly. I have wired Arkwright, the man who caught him before; he must do it again. "Your affectionate grandfather, "ERCILDOUNE. "P.S. I am advertising you daily in many papers as your movements are so uncertain; it is but a chance if this letter reaches you. --- E. "P.P.S. For God's sake, dear lad, take care of yourself. Three years since Marcus married, and no child." Receiving no answer to this, the Marquis did not write again. Shut up in Ercildoune, he read deep into the night, and always on the one subject. As a criminologist he had no rival; from his castle he directed a vast army of detectives. Yet with no result. Grayson was lost again. {196} CHAPTER VI FATHER AMBROSE NOT only did Ercildoune seek Grayson to avenge his dead sons, but to save his heir. Lord Marcus Masters was a soft youth of a religious turn of mind. Only at his father's urgent command had he married. Even so, he married out of his class; it was the niece of the parish priest of Ercildoune that led him at last as a sheep to the slaughter. Meek and pious, like the hybrid of a praying mantis and a mouse, she had but little thought for worldliness. And that caused no grief to the old Marquis, who thought Marcus safer in the chapel than in the ball-room. So sped their placid sheepish life; no bucolics were theirs to be disturbed by some such fiery line as "Formosum pastor Corydon ardebat Alexin." The idea of passion was foreign to them. Their idea of love was verbal; Caroline Masters would have resented the pressure of her husband's hand. This indeed would have maddened the old noble, had he guessed it. But Arthur's debauches in Petersburg had determined him to keep Marcus innocent, and the frigidity of Caroline was a rare accident such as the wisest might fail to foresee. As maturity grew, so religious ardour took the place of virile fervour. Day by day Marcus and his wife grew closer to Christ, so that in the end no hour of the day but was given to some devotion or another. Their guests were itinerant evangelists; their friends converted Atheist cobblers; their enemies imaginary Jesuits. {197} It so happened one fine summer that the fame of a certain Father Ambrose went abroad. He gave himself out to be a renegade monk from the Benedictine Monastery at Fort Augustus. Convinced of Protestant Truth, he had (it seemed) suffered a martyrdom comparable only to that of Polycarp, and had eventually made his escape in circumstances only paralleled by those of Paul at Damascus. The statement of the Lord Abbot that the said person had never been a monk at all carried little weight with those who, like Lord Marcus Masters, were acquainted with the depths of the Duplicity of the Devil in particular and the Roman Communion in general. From town to town the fame of the young convert, who lent piquancy to his personality by retaining semi-monastic garb and traces of the tonsure, leapt like a beacon. He who at Glasgow was starving with a dozen draggle-tailed hearers, was dining well at Manchester, and, under the wing of a leading Elder, addressing some thousand enthusiasts in the local Bethel. At Birmingham the largest hall in the city overflowed. At London all the cranks of all the sects combined to welcome him; the new revival was in every mouth. Even the street-boys whistled the refrain of his famous Redemption Song, which ran: --- "There's salvation in Jesus! in Jesus! There's salvation in Jesus for you! for Me! There's salvation in Jesus for all of us! There's salvation in Jesus, salvation in Jesus, Salvation in Jesus for you --- and for Me!" The very numerous other verses differed by substituting for the word "salvation" such words as "redemption," "grace," "resurrection," "immortality," "glory" and the like, I rejoice to say with little consideration for so purely pagan a matter as metre. No society is so easily carried away by its cranks as London Society. "Father Ambrose" might have stayed with almost any Duchess in the Kingdom; but when at the end of a long and glorious season, with a ragged throat and a record bag of sinners, his medical adviser insisted on rest, it was the invitation of Lord and lady Marcus Masters that he accepted. Absolutely perfect rest! was the doctor's last word; positively "no" society! So we lose this interesting trinity for a moment and return to the Albert Hall at the close of the last of his meetings. "Had the man a brother?" asked a rabbit-faced little nondescript of a man with a meek voice. "I assure you he had not," replied his interlocutor --- who might have been a dog-stealer out of work. "But it is he himself then!" insisted the first. "I cannot mistake the voice and the gesture. The face is all wrong, I know, but. ..." "Of course; what's in a face? But I went close, I tell you. I went to the 'glory form,' as they call it, and he prayed with me for twenty minutes." "In full light?" asked the first. "Quite full; yet I can't swear to it that the face is made up." "Come, come!" interjected the first speaker, reproachfully. {199} "I can't, sir!" he insisted. "But what I can swear to is the eyes; a man can't fake his eyes." "Well?" "Our man's were grey, pale grey. This man's are a strange dark iridescent purple --- very catlike." "That settles it, of course. But yet --- I wish I could feel satisfied." A third man touched him on the arm. "News, sir!" he said: "strange, grave news!" "Yes?" turned the other, swift as a snake. "Father Ambrose is leaving London to-morrow." "I knew that, Smithers;" he snapped. "--- with Lord and Lady Marcus Masters." "Damn your eyes!" he yelled in excitement ---" sorry, Jackson! I mean the evidence of "his" eyes; there's something up, depend on it. Follow to the office; I must work out a new plan to-night." They moved off separately, the man Jackson cursing his superior for a dreaming fool who preferred intuition to plain fact. CHAPTER VII{WEH NOTE: Had "VIII" by typo.} LITERALISM IN PRACTICE DESPITE the merry detective and his gallant men, or possibly because of their unceasing vigilance, nothing whatever happened. Yet Lord Marcus grew ever more pious, and gloomier; he had strange fits of weeping which alarmed his gentle wife; curious blushes would come over him without {200} apparent cause. He grew morose, unkind to village children, who lacked the accustomed smile. He began to neglect his appearance. "If thy right hand" (he cried one day, reproached for cruelly beating a dog --- how unlike our gentle Marcus!) "offend thee, cut it off! For it is better for thee to enter into Life maimed, than having two hands to be cast into the lake of fire. How much more then, if my dog offend me?" Father Ambrose was genuinely distressed by these scenes. His influence, and his alone, seemed to calm the unhappy pietist --- yet these interviews, beneficial as they seemed at the time, left a deeper irritation behind. Lord Marcus began to treat his wife with contempt and aversion; his temper grew daily more uncertain. One day his wife took Father Ambrose aside, and suggested that medical treatment would relieve the strain. But the good man forbade all profane interference with "the wonderful workings of the Lord with the soul." "Believe me, dear lady," he would say, "in His own good time the dear Lord knows how to bring our dear Marcus into His marvellous light." And she was fain to be satisfied. So far no open scandal. What brought matters to a climax was this. One fine holiday, Lord Marcus, in his aimless way, was wandering in the village. Children were sporting in one corner with their big sisters and brothers; some game of forfeits was being played. Lord Marcus looked on moodily, hardly seeing, save to regret that these children were not all groaning over Sin in some damp Bethel. A great clapping of hands. A buxom wench had broken {201} some rule, or failed in some test; and must pay forfeit. The judge solemnly condemned her: --- "By Peter and Andrew and Mary and Anne You must go and kiss the prettiest man!" They all laughed shrill. But the wench, with a snigger, slyly approached the unconscious Marcus, threw her arms round him, and kissed him loud upon the lips. Marcus started from his reverie, struck her fiercely in the face, and, crying "Accursed! accursed! accursed!" fled up the street. The shrieking girl, with her lip bleeding from his signet ring, stared after him --- as one who has seen Satan. Sobered, the children ceased their game, and fell to weeping. Some of the lads threw stones at the maniac; some started to follow, with coarse oaths. But he ran like a hare, and shut himself into his house. For three days he would see nobody; at last Father Ambrose, who was going to America to start a great revival there, insisted on bidding him farewell. The good man found his noble patron in bed, looking like death, yet with a strange light in his eyes. What passed none knew; but the ex-monk, pale as ashes, came to bid adieu to Lady Marcus. He was deeply moved. "Do not intrude upon him!" he said, "the crisis is over. Your husband is a great saint!" But the American crusade never caught fire. Or the preacher lacked the flint, or his audience the steel, and after a futile fortnight the revival fizzled out. Ambrose gave notice that he must seek counsel of the Lord; something (he thought) was the matter with his personal holiness that the dear Lord {202} no longer saw fit to use him. He disappeared, and none knew whither. But the Marquis? One day by post from Lagos came to him a shameful, an atrocious, an abominable packet --- a nameless horror. And on the wrapping there was written: "Lord Barfield, with the compliments of the Marquis of Ercildoune." CHAPTER VIII THE CHAPEL OF REVENGE MARCUS MASTERS never rallied from the shock. Tubercle caught his enfeebled frame in its grip; in less than a year he shrivelled to a corpse. With the aged Marquis of Ercildoune the enemy had become a nightmare, an incubus, an obsession. The poor old man trembled at every whisper. Why did they whisper? What did they wish to hide from him? Some new misfortune? What did this stranger want at the house? Who was he? Lord Barfield feared even his own detectives. Surely the shadow of the curse lay heavy on the House of Ercildoune. A certain trusted valet, an old man whom he had known and loved from boyhood, long ere he took on him the fatal marquisate, was his daily companion. Deeply did he scrutinize each visitor to the once great house, now fallen and neglected. What did the Marquis care? Even his giant fortune-tree was somewhat lopped by the maintenance of {203} what had grown to practically a standing army. In every country of the globe his men sought ceaselessly for traces of the escaped convict. Grayson had Ten Thousand Pounds upon his head; yet he seemed safe as Prince Charlie was among his Highland hearts. Some men doubted nine-tenths of the history. At the worst Grayson must have died somewhere. A desperate life and a desperate death. Why not ere now? He had not been heard of assuredly for years. Wise men remarked that Father Ambrose was certainly not young Grayson. The Marquis was a madman who saw family feuds in stones, and Grayson in everything. The detectives would joke about it. When one took cold, he would laugh, "Grayson getting at me again." A funeral in the force was called a "Grayson." Grim laughter must have filled the soul of that strange man, wherever it was that he lurked. Ay! the great house of Ercildoune was hushed. Men did not care to pass those portals. Even as the ivy gripped the walls of the castle, so the curse clung upon all the hearts of great house. Long and earnestly, therefore, did the old watchdog of the Marquis gaze into the eyes of the strange bearded turbaned man that stole to the side gate one night and asked for admission. Even so, he refused him. Then the Indian drew off his sandal, and from between the leathers took a scrap of paper. In the well-known cheirograph of Roland Rex, of late so longed-for, were the words, "Good news of my by mouth." The suspicion old man was not yet convinced. This {204} devil Grayson of all devils was most clever to disguise himself as an angel of light. But the Marquis thought otherwise. "Bring him in!" he cried. Some intuition told him that the words rang true. Yet the obstinate old servant took his precautions like a wise general. He led the messenger through a dark passage, and, stumbling, took care to feel him for a hidden weapon. Nor, leading him into the very sight of Ercildoune, did he fail to cover him with his own pistol. The old man lifted up his head. "You bring news of my grandson?" he asked in Hindustani. "The best of news," was the answer in English, and Roland Rex, shaking off his turban, stepped forward and kissed his grandsire's trembling hand. Like a stone god, steeled against all emotion, the ancient noble told in chill bleak words the hideous story of Marcus. Then he rose. "Come!" he said. At one end of the apartment was a tall door concealed by curtains of black velvet. Beyond lay a strange chapel. Here hung upon the walls the portraits of those dead Ercildounes. Above the altar with its lighted candles flaming was the terrible face of God, a God of Wrath and Vengeance, the awful God of Judgment, who visiteth the sins of the fathers upon the children. Upon the altar, draped all in black, stood the ghastly trophies of the curse, each in its casket, each with its sardonic inscription. And on the empty monstrance was the scroll, "How long, O Lord, how long?" {205} Roland started. The terror of the place ate like a cancer into his soul. The curse came home to him. Unreal, in a sense, these old catastrophes had been. These monuments of infernal hate meant little. Now he saw himself as the very target of those frightful arrows, and utmost fear smote him. He feared even lest his old grandfather were an enemy, some appalling avatar of his unresting foe. Roland sank down before the altar and abased himself, reaching his hands up too Heaven. Awhile he prayed; then he arose and swore that by God's help he would root out this monster from the fair earth polluted by his infamy. The old man followed him in silence, approving. Together they left the chapel, with the echo still afloat in their ears. The pair spent hours of dreary, profitless talk, wasting days in interviewing detectives, and drafting new plans of campaign. The only profitable work done was the reading of all the reports by Roland, afraid lest he should miss one clue. At the end he shrugged his shoulders. "Accident helped us before," he said, "and may help us again. But before all let no man know that I am still alive, and I will enter that dark hall of namelessness where Grayson lives. There is, I fancy, one man that may help us, the man that sentenced him --- Mr. Justice Laycock." {206} CHAPTER IX MR. JUSTICE LAYCOCK MR. JUSTICE LAYCOCK was a capital whip, and his four-in-hand was one of the sights of the Park in the season. If, during the off-season, he chose to keep his hand in by practice in St. John's Wood, at midnight, and indoors, well --- it was his business, and not ours. And a very merry old gentleman he was. Roland Rex just missed him at the club. There was nothing for him to do. He was big and strong, and very tired of tragedy; he had not tasted the over-ripe fruits of London for four years; nor indeed had he the disposition to set his teeth in a hard sharp apple. He lounged off, with a tired man's eagerness for pleasure, rolled in and out of the Pavilion, stood speechless on the brink of Scott's for minutes that passed like hours, too stupid to go anywhere. To one who has fallen so far there is but one refuge: --- the Continental. Put your foot on the rung of "that" ladder, and your are safe to reach the bottom! In sooth, a little past midnight he got away from the drunken turmoil --- himself a little enlivened by the light and the laughter and the wine --- at the cost of having pledged himself to protect from molestation a beautiful maiden with cheeks far too natural, teeth far too regular, hair far too well-groomed, shoulders far too white, breasts far too well-shaped, {207} dress far too well-cut, to be anything but a hideous monstrosity in the eyes of the healthy man. The chivalry of his conduct melted the frosty hesitation of the fair one; on arrival at her house she asked him in to rest for a few moments. The sound of childish laughter from within assured him that he need not fear to disturb the household; so he followed the lady, who took her latchkey and slipped in. Like an adder he darted back. "For God's sake, Kissums," he whispered, catching her by the priceless Mechlin sleeve of her, "there's the very man I want to see --- and if he sees me now there's an end of it!" For within the door stood Mr. Justice Laycock. He had harnessed four pretty girls in reins of blue ribbon, and was driving them gaily up and down the stairs with a whip, while he occasionally blew on the horn that hung from his neck. It is said that Archimedes, having discovered the principle of the lever, leapt from his bath, shouting "Eureka" as his sole contribution to the usual toilet of a philosopher; and an equally brilliant idea must, one may believe, have seized the learned judge with equal intensity and suddenness. But if in this respect his costume as coachman seemed incongruous, the same complaint could not have been laid against his steeds, who reproduced the normal costume of a horse with the most scrupulous fidelity. In the event, Roland suitably bestowed his fair charge at a great West-End Hotel, and repaired early in the morning to try and interview the judge in chambers. But he had not appeared; and after an hour of useless {208} waiting Roland strolled back to lunch at the Savoy, and a little later to his rooms. About four o'clock the posters caught his eye --- MYSTERIOUS DISAPPEARANCE OF A JUDGE and a brief notice --- vilely padded out to trick the public into the idea that the paper possessed some information --- told him that it was Mr. Justice Laycock that was missing. "Asses!" chuckled Roland from the height of his superior knowledge. "Somebody has run off with the old boy's clothes for a lark! Oh! won't I roast him over this!" By ten o'clock the affair had grown fearful and wonderful. One paper had it that he had been seen at Folkestone: another said that he had received an urgent call to his sick son in Paris; and so on. All to be squelched by the official statement that he was not missing at all, but confined to his room by the very slightest of all possible indispositions, and would almost certainly be at work as usual on the morrow. So simple was this admirable lie that even Roland believed it. Two days elapsed, and he learnt only that "the indisposition of Mr. Justice Laycock had proved more severe than was at first supposed, and his medical advisers had recommended perfect rest for a week. There was no cause whatever for any anxiety." But a few noticed that all this did not explain why he was at first reported missing; it did not explain why numberless strangers called at the judge's house: it did not explain the {209} extraordinary activity of Scotland Yard in certain parts of the metropolis. On the following Sunday "Reynolds's" asked broadly in fat type "WHERE IS LAYCOCK?" and Roland was still far from an answer when his bell rang, and an Inspector from Scotland Yard, accompanied by a little rabbit-faced man, asked for a private interview. "It's about this business of Mr. Justice Laycock," began the Inspector. "I must ask you to keep it absolutely private, sir, but he is not ill at all. He is really missing; he left his club at nine o'clock last Friday and has not been seen since." "Oh, yes, he has!" Roland cheerfully retorted. "I saw him myself at one o'clock the following morning --- I must ask you to keep it absolutely private --- driving a very pretty four-in-hand up and down the stairs at 40, Roumania Road, St. John's Wood. The Inspector whistled. "That's the biggest lift yet," he said. "Well, this gentleman" --- indicating the rabbit-faced man --- "will have it that there's some connection between this case and ----" "This," said the rabbit-faced man, coming forward. "What make you think so?" "This parcel is addressed to Lord Ercildoune, sir, and I think I know the writing." He really trembled as he said it. "You are fully responsible to his Lordship," he went on, "I take it; and between you and me, sir, I fear this parcel may be something of a shock, so we took the extreme liberty of delaying it." "You did right," said Rex kindly. {210} "With your permission, sir, we will open it here and at once." The Inspector cut the string and tore off the wrapping. A beautiful box of tortoise-shell inlaid with finest filigree of gold lay exposed. The rabbit-faced man searched for the spring. "Pull yourself together, sir!" he said sharply. Lifting the lid, he disclosed a human tongue. To their horrified imagination it seemed still warm and quivering. "Look! Look!" --- the Inspector recovered himself quickly enough. Indeed, the inner lid of the box bore this inscription, beautifully chased in gold --- "The tongue that sentenced me. "Lord Barfield, with the compliments of the Marquis of Ercildoune." They stood, rooted to the ground. Upon that stupendous moment the hateful clamour of the telephone broke in. Rex rushed to it, more to silence than to answer it. But the voice came stern and loud --- "Is that Mr. Coffyn?" "No --- yes, of course! What is it?" It was Rex's assumed name. In that supreme moment he forgot all accidents, stifled with the very breath of hell. "Is Inspector Maggs with you, sir? May I speak to him?" Roland handed across the receiver. "Yes, I'm Maggs. Who are you?" "Innes. Old Madame Zynscky has owned up: she's here now. Can you come?" "Right. Ring off, please." {211} "Will you come round with us, sir? Your evidence may be useful, if only to get the truth from Mother Zynscky." Roland took his hat. The scent was getting warm. CHAPTER X MADAME ZYNSCKY MADAME ZYNSCKY was the Flaubourg St. Germain of the underworld. She had been magnificent, and retained alike the appearance and the pride. She was only too ready, once having taken the step, to throw herself into the arms of justice, and grease the wheels of the chariot of the Law. Yet it was a black enough business. There was not only the corpse of one of his Majesty's Judges to explain away, but the corpse of a child to whom the most liberal cynic could not give fifteen summers. The police had started sniffing around on the very morning of the murder, which she had not discovered till eleven o'clock, when, having no sign of her distinguished guest, she had applied her eye to the peephole of the room, and seen the two dead bodies, and a sickening stream of blood, already chill and clotted on the floor. So much was easy to tell, even if she risked a dose of penal servitude --- one could never tell what these police would do! Somehow, she fancied, the matter would not come into court. But what the Inspector did want to know was this: Who had been there that night? This she rolled off glibly, though she risked her livelihood. {212} But the police were a good sort; they would not hurt an honest woman's trade; she was useful enough to them in a hundred ways, God knew! They would not let her clients know that she betrayed them. Well, thank God, there was one question that he did not ask; what women were there? That is, other than the ordinary. Did the Inspector know who had done it? She thought perhaps he did. This was no ordinary crime. Yes! it would be all right for her. They could never bring up the little girl against her; she had her answer for that! She was a cowardly fool not to have come straight to the police on that dreadful first morning, when a thousand expedients worse than foolish jostled each other in her shrewd old skull. No! perhaps it was better to give the man a chance to clear out. The police would prefer that too. "Mr. Fitzgerald would like a word, sir!" came an interruption at the door. Mr. Fitzgerald was Laycock's best friend. "Any news, Inspector?" he whispered. "The worst, sir, I'm sorry to say." "Dead?" "Ay, sir, and worse!" "Worse? You are mad!" "Murdered, so that if I had Grayson here in this office, I wouldn't dare to lay a finger on him. I can't bear it, sir; it's a shame to the force. Go, sir, you must break it to his wife --- bear up, sir. We must face it all like men. But --- look what I've seen to-night, sir! And he silently handed over the tortoise-shell box. {213} "Look here, gentlemen," said the rabbit-faced man, who with Roland had joined them at the door. "That man Grayson has never made but one mistake. He loved his father, and it cost him nigh two years in gaol. He won't do a silly thing like that again! He has committed every crime from petty larceny to murder, these thirty years --- and tripped but once. Catch him!" and the little man laughed screechily. It jarred them, one and all. Indeed there seemed a fate about it. "I shall go to Lady Laycock," said Fitzgerald shortly. "To you, Inspector, I only say one word: there is a God above." The Inspector shrugged his shoulders. They went back to the adorable Zynscky, who was now quite at her ease. Indeed, had she been Queen of England for a decade she could hardly have borne herself more majestically. The physical appearance of all her guests supplied her with an inexhaustible fund of talk. Suddenly the Inspector stopped her. "By the way," he said, "who was the little girl?" Madame Zynscky was equal to the occasion. "Inspector Maggs," she said solemnly, "I pledge you my word that it has nothing to do with the case, and I strongly advise you not to ask." "H'm" --- the Inspector was but half convinced. "The whole affair will be hushed up --- you know it as well as I do! Well!" the placid old voice rippled on, "I will tell you a little story." "Nonsense!" said the Inspector sternly. {214} "I knew a very clever policeman in Vienna --- never mind how many years ago! who was engaged in a very similar case. That young man had his fingers on a very great criminal --- one of the lowest blackguards in Vienna --- but the night before he arrested him he had a very curious dream." "Yes?" said the Inspector, amused. "We don't dream much in London, Madame!" "You'd better learn," retorted the old woman grimly. "This young man dreamt that he was hunting for a superintendent's badge in the mud; his fingers closed on it, and --- it was a Royal Crown. A red-hot Royal Crown, and it burnt him! 'Twas only the girl with his shaving water that touched his hand with the hot jug to wake him; but while he shaved he thought, and, while he thought, the criminal slipped out of Austria; and the very same post that brought that disappointing news consoled him with news of his appointment to that very 'surintendance' he had dreamed of. "Now wasn't that funny?" she concluded, with a chuckle. "The Inspector is a witty man," interposed Roland, "but you go and try the joke on the most Noble the Marquis of Ercildoune. You'll find, Inspector," he added, "that this affair won't hush up quite as smoothly as all that. I shall see you later. Good-bye!" and he strolled off. "You may go, Madame," said the Inspector; "we shall always know where to lay our hands on you --- and I'll think it over." "Good afternoon, gentlemen!" and the disgusting creature swept out of the office with the airs of a duchess. Left to themselves, the two men silently produced their {215} pipes. They were nearly through the first before the rabbit-faced man opened his mouth. "Tell you what, Maggs," he said, "if I had Grayson here, I'd choke him right away, and change what happened after." The Inspector reached out his hand. "And not think twice about it," was his only comment. CHAPTER XI THE CROWN PRINCESS THE more Maggs thought about it, the less Maggs like it. But the certainty of Ercildoune's resentment was bound to outweigh the dubious threats of the old harridan of Roumania Road. After all, she might be bluffing. He determined to go into the case with even more than his accustomed zeal. But this peculiar case seemed to object to the process. All his clues were woolly --- everybody had a quite straightforward story to tell, and not a soul had heard or seen anything. Of the five or six dapper young men that frequented the house there was not one in the least like the missing Grayson. Every one of them was a fine strapping upstanding healthy clean-living youth, such as England is proud of. Every one of them lived in an honourable way and could be traced back to the cradle. But they were frankly indifferent to the detective, and had all made a point of seeing and hearing a little less than nothing. Only one, a Mr. Segrave, the private secretary of {216} the Crown Princess (as she was called by every one), offered to assist him. "Look here, Inspector," he said, "for private reasons of my own I should like to see this matter cleared up. Now you're on the wrong tack altogether. Everybody knows all about old Zynscky's men. You have a look round at the women." "Well," said Maggs, "I have quite certain information that it was done by a man." "Or by a woman at his command. You're a smart man, Inspector Maggs; but if you leave out the women, they'll call you Maggots. You have a look round at the women." "What do you know, sir?" "I can tell you of two or three who were there that night --- but I shan't. You can find out easily enough from other sources, and ------" "Thank you!" said Maggs, "you needn't change my name yet; you've told me." And off he went. "There was a Segrave in this case before, too," mused Maggs. "Of course. Captain Segrave, killed with Roland Rex in that avalanche. But, Great Scott! Mr. Rex was not killed. Where is Captain Segrave, then?" These lying official reports! Perhaps even Mr. Rex himself would hardly know the truth of that story. Nor did Roland, on being questioned, think the facts of the case good to report, and fubbed off the Inspector with the usual commonplaces of official stupidity. Rex could hardly have explained this reticence, even to himself. Perhaps the shock of the affair had a good deal to {217} do with it. In any case he held his tongue, and a really priceless clue was lost. The Inspector left young Segrave to himself, and busied himself with other threads. Yet, had he but known it, young Seagrave was like a silken skein of Ariadne, to lead him to the hell-heart of the labyrinth. * * * * * * * The young man went over to his mistress, to perform his daily secretarial duties. The Crown Princess was known and beloved all over England. The infamous conduct of her vile husband was perhaps but guessed; yet the one shameful bargain, the refusal to accede to which had cost her a throne, was well enough understood to make her the idol of that mean and obscene class of English people that love to think themselves generous and pure. Divorced though she was, she commanded the esteem and affection of the Court as of the crowd; and if, as a few blackguard busybodies hinted, she sought elsewhere that solace which our beautiful social system had denied her, it was surely her own affair. Not that any decent person listened for an instant to the breath of scandal; in fact, one or two men had been soundly horsewhipped for something less than a whisper to her discredit. The secretary found his mistress awaiting him. She lay on a magnificent divan of tigers' skins, seriously smoking a cigarette with long deep inhalations. There was more Eastern blood than Austrian in her veins; nay! but the naked Tartar showed clear as noonday in her supple gestures and savage face. She rose as he entered. She was a woman of full six feet, her body strong and lithe as a leopard's; too slight almost to support the weight of her marvelous head. Of the semi-Mongolian {218} type, with long sleepy eyes, and eyebrows bushy and black as a raven, the nose more snub than straight with the nostrils jutting like an animal's, the mouth a scarlet slit with thinnest lips crowned with a black down, the teeth strong and projecting, the jaw square and portentous. The cheeks were hollow, and they and the whole face glistened with that coarse dead blue (only enlivened by the purple of two moles upon the chin) that one only sees in Eastern Europe. All this was on a mighty model; its poise on the slight shoulders served to accentuate its great size; so did her lustrous hair. Of gleaming dead blue-black, it rolled and twisted tightly about her in innumerable coils. One would have said Medusa with her snakes! Yet all the wonder and horror of the head was instantly blotted out when she spoke. 'Twas like some gentle far-off silver bell borne down on the Zephyr to one's listening ear. 'Twas of no great volume, but most utter sweet. So also the sleepy nectar of her long oblique eyes set deep in the rocky fastness of cheekbone and eyebrows stole out to give you of the nectar of her soul. Verily a marvel! That all the tenderness and truth of a Madonna should force itself to expression through so dark a veil! Yet it did so. little children ran to kiss the ugly face. When she smiled, it was a world of beauty --- and she always smiled. A marvellous artifice of beauty thus to hide itself in repulsion! She stood upright on the tiger-skins, her body draped in a clinging cascade of scarlet and silver sequins in the half-light against the deep azure tapestry of the wall, and waited. {219} CHAPTER XII MISS ARUNDELL "MR. SEGRAVE," she said at last, "I have no letters this morning; but I have a task of some difficulty for you: well, of absurdity rather, but I assure you that it is of the last importance to my interests. You will please go out and buy at the first ironmonger's a hammer and three long French nails; with these proceed to Gildford Street near Russell Square. You will perceive upon a hoarding a poster bearing the words 'APPLE SOAP.' Kindly drive a nail into the centre of each letter P. You had better leave the motor at the corner of the street. Return, instantly and without looking round, to the car, drive to Brighton, and drop the hammer from the pier-head into the sea. Then leave this cipher message on the ground, and return. You may wait on me to-morrow morning at the same hour." The secretary bowed and withdrew. "Send Miss Arundell to me as you go out," she added: "I wish to be read to." In a few moments the door opened quietly, and Eileen Arundell appeared. What a difference to her mistress was this true-hearted English maiden! Neither tall nor short, but of a graceful habit, the supple beautiful body was crowned with the daintiest face in the world. A shade piquant in expression, yet the glorious sincerity of her fearless eyes stamped her as no coquette. The lips were not too full, not too red; curved, yet not curved too much; and deliciously tiny was the whole mouth, set in the delicately chiselled face with its blush ever {220} flaming over the creamy languor of her cheeks. The eyes were grey shaded with blue; the hair was of that fine gossamer gold of which the angels make their harpstrings. She and her mistress loved each other like twin sisters; the gentle innocence of the one matched well with the sagacious kindliness of the other, and the subtle fascination of the ugly Princess was a splendid foil to the frank appeal of her lovely companion. Princess Stephanie greeted her with an affectionate caress; then sank back upon her rugs. "Je suis enervee! read me of Flaubert --- no, of Balzac. Ah! but not that horrible "Peau de Chagrin," my beautiful. Read me "La Fille aux yeux d'or." Eileen knew the mood. Silently she found the book, and seating herself at the edge of the divan, close to the exquisite feet of the Princess, interpreted in her low melodious voice the inspired words of the great magician of Touraine. "Eileen," said Stephanie, after an hour had passed, "old Mr. Jukes will be here this morning. I expect very important news of this projected loan, and I shall require to be quite undisturbed. You must lock the double doors, and see that nobody approaches. You understand quite clearly that a single whisper in the city at this juncture would ruin the whole scheme --- and then where would your little fortune be?" she added playfully. "Do you really mean it, Stephanie darling?" murmured the timid child. "You will really give me a thousand pounds of stock? I hardly believe there is so much money in the whole world." You have earned it well kitten!" laughed the Princess. "You have been very useful to us, I assure you. Who would {221} suspect my beautiful kitten of negotiating a scheme that will startle four capitals when it is made public? Go now, darling one, and see that Mr. Jukes enters unobserved." The fair girl kissed her mistress, and glided out of the room. Left to herself, Stephanie gave rein to a tempest of warring passions. She rolled to and fro on the divan like one in grievous pain of body; she lighted a cigarette, and threw it away again; she tried to read, and was revolted by the stupidity of the author in not casting a dazzling light upon her immediate perplexity. She even tried to pray before the dim-lit icon in the little eastern niche; but the Madonna had no message for her. The paroxysm was luckily soon cut short; the door moved slowly inwards, and the old financier stood before her. The door closed behind him, and Stephanie heard the swish of Eileen's dress, and the turning of the key in the outer lock. She herself made fast the inner door, and turned to greet her visitor. Mr. Jukes was a bent old man of a pronounced Jewish cast of countenance, with bright eyes gleaming from under his shaggy eyebrows. He walked somewhat lamely, and leant upon his serviceable oaken staff. Stephanie drew the curtains over the window. The consultation was prolonged and intense. It seemed that the Princess was torn by the claws of many conflicting emotions, those vultures that scent the carcass of the dead soul from afar. What awful grief had stunned her? What dreadful passion moved her? {222} How should the cold concentration of high finance admit elements so incongruous? Nor was the old jew unmoved by the strange episodes of which she had to inform him. Anger and fear held the situation in a fiery grip. Only the most dazzling brilliance of imagination could inspire dull ingenuity. Long they talked loud; their voices slowly lessened in volume as the minutes passed; but it was an hour before the conversation sank to confidential whispers. The fusion of these two great intellects, triumphing over personal interest, had produced a gigantic masterpiece of intrigue. Silently and secretly as he had come, the old Hebrew departed; and Eileen returned to her mistress and friend to find fresh vigour and delight replace the apathy and ennui of the morning. "You have read me Balzac, dear," she said; "I in my turn will tell you a stranger story than he ever imagined. First, I have good news for you. A certain young gentleman we know of is not dead at all, but in London." Eileen flamed all over with joyful blushes. "Ah, but there is ill news, too. There are enemies of him and his family; desperate, powerful enemies --- and they may seek his life." The fair girl paled, but kept her courage. "I am your friend," the Princess said, "and we will try and find a way to defeat them." Warmly the two women embraced; the child nestled into the strong white arms. The tale of family distress that she unfolded has already been in part disclosed. {223} Some of the earlier, some of the most recent events were yet dark. Indeed, the long tale which the Princess told to her dependant was but a partial and distorted view of the events. We shall understand it better if we look on the affair from the impersonal standpoint, if we go back in time a hundred years, to the generation before Ewan Dhu. CHAPTER XIII THE ROOT OF THE MATTER LONG years before, John, third Marquis of Ercildoune, had begotten two strong sons upon Margaret his wife. The elder, Dugal, had proved but a wild lad, and cared more to wander with the gipsy folk and run for lace and French brandy with the smugglers than to acquire the artificial polish of a noble, and to bow and scrape in the gilt flunkeydom of Court society. The old Marquis cared little; 'twas the wild old blood. If he risked life, what care? But the wildness grew; the heir went wandering for a year and more at once; still the old Marquis went his way, and took but little heed. Yet suddenly his folly's crown came on him. Dugal, after an absence of some months, returned one Lammas Eve with a black-browed wench from Brittany for his wife. Here was a tangle not to be cut; the devout Catholic was bound to respect the blessing of the Church. He could but {224} pray for death to take her. A week they stayed in the castle; the woman sickened of the fine food and fair clothes; she bore herself like an harlot --- as indeed she was --- bold and impudent and free with the very lacqueys. Nor did her husband care; all day he drank in the great hall, and shamed his father's roof-tree, while his lady, almost as drunk as he, romped with the scullions. Then the old man, hard stricken, drove them forth to their mates, the outlaws, and set a curse upon his house that he should never enter it. A year passed. Ewan, a sober goodly lad, did what he could to assuage his father's shame. But that was little. Still, he rode among the people, and sought to fit himself for the duties of a good magistrate. One winter's night, as he rode homeward, he saw the red flame glitter over the fisher-village by the sea. He set spurs to his horse, and rode in. A band of smugglers, it seemed, had landed their cargo that night, and were carousing in honour of success. Merriness turned to madness, and in their frenzy they set light, for laughter, to some fisher's cot. The flames spread; the fishermen took alarm, and when the smugglers fought against their attempts to extinguish the fire, attacked them. When Ewan arrived, he saw the riot in the darkness lit by the fitful glare of the blazing huts. He joined the fight, and his long sword turned swiftly the issue. The smugglers fled, save one who wheeled a burning brand caught from the fire, and smote therewith lustily about him. The two champions faced each other, knew each other. Ewan let fall his sword. "Dugal!" he cried. "Jacob!" answered the other; then laughed: "But your hour is come, man Ewan!" {225} and lifted his club to strike. But a fisher lad darted in, and with his clasp-knife struck him in the throat. The wild Lord Dugal fell without a sigh. Death sobered all the storm: the winds and clouds joined in to aid the peace; a clamour of great rain rushed down and quenched the last of the fire. Ewan knelt by his dead brother in the darkness. Death atoned for all; he bore him to the castle, and they buried him lordly; his life was forgotten, only his birth remembered. Four years passed by, and the old Marquis slept with his fathers; Ewan Dhu inherited the fiefs of Ercildoune. Again twelve years; Ewan was married, and bright sons were born to him. All was at peace; the land prospered exceedingly. Yet trouble was in store. A hundred miles away in the hills lived an old witch, a miser. News came that she had been robbed and murdered. The runners were hard on the track of the murderer, and but a day after this news arrived Ewan, riding lonely through the park as was his wont, was held by an old woman and a youth. "Save me, mine uncle!" was his cry. Then Ewan knew his brother's wife. "This is Lord Dugal's boy," she wept, "Lord Dugal's foully slain when facing you in fight!" She wove a web of falsehood as to the cause for their plight; and he, always accusing himself of his brother's misfortunes, must haste to hide them in that cavern under the waterfall where, later, he was to meet the Rosicrucian, his master. But he had cherished snakes. The hue-and-cry after the murderer died away; Ewan conveyed the fugitives safely to America. Then they turned and struck. {226} By force of law they sought to oust their benefactor from the Marquisate. But Ercildoune had learnt that it was the murderer of an old woman (though a witch) that he had hidden from the the gallows; he determined to hold what he had. "Wild and foolish was Dugal," he exclaimed, "but never sire to this hell-brat, born in wedlock through he may have been." He sent a trusty servant to the priest who had married his brother, and by money and finesse obtained the mutilation of the register. With his wealth and influence he fought them to the death; it was held not proven that the boy was Dugal's son. It was held proven that two years before his death she had left him for a master-thief named Grayson, whom she had married. This marriage was held good, the former null. Ewan had triumphed; but his sensitive nature left him never at ease. He sought consolation in the study of the stars, in the companionship of wise and holy men; he was admitted postulant to the mysterious brotherhood of the Rosy Cross. This availed him, maybe, to his own soul; but how could it avoid the Doom of Ercildoune? As we have seen he surrendered to the curse, and put his trust in God. Now even as the third distillation of a spirit is purer than the first, so in evil the thief Grayson was but a watery mixture, and the harlot but a child in iniquity. Their son was murderer and traitor from the breast; but genius leapt in him. Conquering his early errors, his futile pettiness of murdering an old woman for her hoarded sixpences, he rose to eminence in infamy. While yet young, he amassed a fortune in the New England States by a supreme exercise of the pharisaical {227} hypocrisy and smug dishonesty for which the people of that part of the world have been and still are justly celebrated. At thirty-five he had shuffled his now useless old mother into the workhouse, had married the only daughter of the richest man in Boston, had gotten a healthy son, and was ready to devote his life to restoring the rights of primogeniture. A year in London, and the aid of the cleverest counsel, convinced him that he had no shadow of hope in law. Might should make right, he said, and let loose the leashed passions of his boyhood. A hideous plan leapt full-armed from his mighty yet devilish brain. His achievements and failures have already been recounted, even unto that colossal stroke of irony that Fate so glibly played on the railway just north of Marseille, where this master-Anarch fell by the hand of the meanest of his tribe. CHAPTER XIV THE FLOWER OF THE MISCHIEF THAT which was the dream of the father became the hope of the son. Rich enough to maintain an obsequious band of clever blackguards, it was easy to arrange his escape from prison, and assure himself a hundred safe retreats. Handsome and fascinating, with a subtle brain, he could bend to his will many of those beyond the lure of gold. He was sharp enough to see from the first that his only chance of regaining the lost glory was not only to carry out his father's ghastly revenge and so stamp out the house of Ercildoune, {228} but to gain such domination in the houses of power that it should become the necessary interest of England herself to gloss over his offences, and establish him in the enviable seat. To this end, therefore, he worked steadily. Many a lady of high rank was ready to throw herself into his arms, under one of his numberless disguises, which, deep as they might be, could never conceal the essential force and genius of the man. But he threw them aside as quickly as he picked them up. A month to subdue them, a month to test their influence and find it wanting, and a day to rid himself of them. At last he met and conquered one who could answer fully his ambition. What mysterious levers she controlled he knew not; enough that she controlled him. It was through her that he found a man like Captain Segrave to sink himself in the nullity of a number --- 163 --- in his accurst band of cutthroats. It was through her that Ercildoune had fallen from favour in the Court; and was openly flouted as a madman. A prevailing inner sense that Grayson was indeed the rightful Marquis, and likely innocent of all the crimes imputed to him, ruled in the inner circles round the throne. Nor had he failed to bind this woman to him by the deadliest bonds. Little by little he had led her from fairways to foul; at last he had wrought upon her even to this crowning horror --- he had made her commit a crime to serve him. So thought the impostor; but even the most desperate criminal is not always right. Was it possible that for the love of him she had done a deed at whose very contemplation many a hardened ruffian would have blanched? Was it she who had lured Laycock to his doom by the innocent bait, and the {229} knowledge of his hideous greed for maidenhood? Would she not have quailed as she took the knife and did a deed which --- had any dared to publish it --- would have set the world aghast? But, whoever had done the deed, none dared to make it public. The newspapers reported all in good faith that Mr. Justice Laycock's indisposition had taken an unexpectedly serious turn; that pneumonia had supervened, and a weak heart had proved his bane. Barely a dozen people knew the dread secret; barely a score of others suspected some guile, they knew not what. And every mouth was sealed by interest or fear. What was the use of Maggs and his determination to see the matter aired? What could he do to upset the bulletins and the death certificate? He threatened this and that; the holders of the secret smiled. He even forced himself upon Lady Laycock, and begged her to avenge her husband --- glossing his crime. She half relented; bade him come again. But before the appointment the too zealous detective received a quiet snub from his official chief, and the same evening found in his mail an offer to go to Milan at a very large salary to organize the police force in that city. What could he do but throw up the sponge? In vain Roland Rex, with whom he had a last stolen interview, urged him to continue his endeavours. Bribes and entreaties were alike of no avail; Maggs had had enough of the task, and rolled off to Italy easier in his mind. There was but one hope in the fast failing house of Ercildoune. Roland yet lived, and might avenge. The toils closed fast; only this lion might haply break them. Yet {230} hope might well have staggered, had but Ercildoune once guessed that Roland's escape was known to his pitiless and powerful foes. Nor had they grasped, even with all the evidence before them, the all-reaching mastery of that awful brain. All they had drunk was but the froth upon the hell-brew; they were yet to come down to the dregs. For while the bastard Marquis yet lay hidden in London, gloating over his last hideous stroke of vengeance, his wily soul grasped out at an idea yet greater than aught he had yet planned. One master-stroke, one quintessential draught of utmost villany, and the whole problem should be solved, alike on one side and the other, to complete the doom of Ercildoune not only with death but with disgrace. How? On what obscure and desperate fulcrum would he lean his lever? What lure or menace could bring him to the grievous end? Hath Euclid proved in vain that two circles which cut one another cannot have the same centre? Ah, but geometry is not life. Even as Roland in despair reached to his youth's dream as his one last hope, so did the deadly malice of the false Ercildoune spit out the name "Eileen Arundell." CHAPTER XV LOVE AMONG THE HOOLIGANS SO far the adventure of Roland had led him no great distance. He haunted all the dens of vice in London; he {231} consorted with the vilest criminals, and flattered with attention all the old ghouls that batten on the grave of England's youth. He even gave himself out in various quarters as one of Grayson's gang; but to no purpose. Soon, too, he saw that so far from tracking his quarry, he was on the contrary being most adroitly stalked. An unpleasant sensation, as any who have followed a wounded tiger into thick jungle may admit. Thus, one day a load of bricks fell over him from a ladder, but luckily scattered, so that he escaped with a graze; a second day, his hansom took the wrong turning, and whirled him down strange streets before he was aware. In the upshot, he was free at the cost of a scuffle with a bully. Several more incidents of this sort occurred. It never stuck him that these were the clumsiest stratagems, that Grayson, if he were so minded, could probably have put him out of the way with ease. That did not occur to him: he attributed his escape to Providence and redoubled his precautions. But the long search sickened him. Were it not for the terrific evidence of the arch-fiend's presence, he too could have believed him dead. "I will take the risk," he said to himself, "and declare myself to the Beloved One." For, ere the shadow of the Curse of Ercildoune fell on him, Roland's youth had been idyllic. Boy and girl together, he had worshipped Eileen Arundell. What came between them but this doom? His grandfather had taken him aside, and told him all the woe; after that day he had withdrawn himself, and gone to the unknown, if haply he might find forgetfulness. And she? She never {232} guessed --- how could she guess? For he had not trusted himself to say "Farewell!" to her --- and so she kept the sorrow at her heart. Old Colonel Arundell died not long after, and left her well-nigh penniless. Fortunate that she had so good a friend as the Princess, who let her lack nothing. She turned the cold scorn of her eyes on Seagrave's measured passion; wherein her faithfulness, though 'twere but a memory --- as it chanced --- availed to save her lover's life. How, shall be told in its due place. But how to disclose his identity to his beautiful without letting the world into the secret was harder even than his resolution to trust her had been to take. It might well chance that her great and holy happiness in seeing him alive again would be swallowed up in some dire and irremediable catastrophe. Yet he saw no other road. Her influence with the Crown Princess might restore Ercildoune to favour, and set once more the engines of administration at work upon his side; true! Yet even more important to himself that her simple faith and purity might in some inscrutable manner pierce the awful mask that had so long baffled wealth, intelligence and power. Of her truth he never doubted; but his late experiences had made him distrust even the Post Office, that sheet-anchor of a Briton's faith. Even as he sat in his little room in Stepney, where he was hiding since the numerous attempts upon his life had assured him that his enemies had discovered the fraud of the avalanche and were hot on his scent, the problem was solved, and that most strangely. From the street came a sudden tumult of coarse laughter {233} and jeers, then a cry of anger and alarm above them, then a growing clamour and clatter. He looked out, and saw --- Great God! --- the very woman of his phantasy --- his own Eileen! --- running hard with flushed face towards him, pursued by a yelling crowd of young hooligans, the flower of our wonderful social system, and our masters to-morrow when the ideals of Keir Hardie have triumphed over manhood. In a second he had reached the street door and flung it wide, at the same moment blowing a police whistle with all his force. "In here, Miss Arundell!" he cried. She knew him instantly, and obeyed. In another minute some half-dozen of the hooligans lay sprawling on the pavement; the rest sheered off. Roland wasted no more time on them; the police, strolling up sulkily, would attend to them. He found Eileen on the stairs in a dead faint. Lightly he bore her to his room, and revived her. For awhile nothing was said; the tension of the silence grew and grew. Without a word or a look he compelled her by sheer will. For her, fear held her back, but as she gazed she lost the nauseous disease of personality; rapture suddenly overcame her, and with one intense exclaim: "Roland, ah Roland!" she found herself sobbing in his arms. Closer and yet closed he caught her; his head bowed down --- was it in prayer? I believe it --- then willed her face to his. ... That sun of glory looked up through the showers; the sweet chaste lips kindled, despite themselves; the world was blotted out; they kissed. An hour later Eileen Arundell, with his mother's ring upon her finger, a new woman by the might of love, was telling her adventure. {234} The Princess had sent her with a message to one of the many Christian missions, offering her great house for a lecture on the East-End; she would gather many an exalted, many a wealthy listener. Eileen had barely completed her errand and turned homeward when far along the street a dozen boys had begun to follow her with insult. She took no notice; they increased, drew closer, threatened her. At last one bolder and coarser than the rest tore at her hat; she turned, menacing; and at that moment received a cruel blow. She cried for help, and seeing none, began to run. Roland began to see. The clumsy failures to strike him down were to be followed up more subtly. First, they would perhaps kill her before his eyes. And a blind anguish filled him; a sense of helplessness, like that which grips men in some great earthquake, swallowed up his soul. If they had hope at all, it was surely in the power and intellect of the Princess. They would go to her and tell the whole strange story; she could not but be moved; she would help, she would save. Yet Eileen hesitated. Might it not be to bring her into the danger? Was any one so strong, so high, as to escape? Would the hand that had pulled down a Marquis and a Judge be stayed for a Princess? On the other hand, was not the doubt an insult? Would not the great lady burn red with shame if she could hear? Surely it was a crime to doubt her all-but divinity. Would she ever forgive Eileen if one sorrow of that child-heart were kept back from her? In Roland's absence, her father's death, what sympathy but hers? At the false news of Roland's death, had she not held her up with hope, fed her with sister tears, been as it were mother and sister and husband in one? {235} Had she not already some knowledge of the great conspiracy, and offered her protection? Then they would go to her. Together, an hour later, they mingled their tears and kisses at her feet, while the royal woman, in a very tiger rage, had sworn by her own soul to save them, to bring them back to happiness, and peace to Ercildoune. CHAPTER XVI THE MENTAL CONDITION OF MR. SEAGRAVE UNDER the aegis of this Kalmuc Minerva, Roland Rex enjoyed a measure of safety. The attempts on his life ceased; it seemed that the bloodhounds had lost the trail. The Princess hid him in a small house she had in Chelsea; he was wonderfully disguised by an old Hebrew named Jukes, a very master of the art of altering the human face. Luck was with him from the start; he fell in with one of Grayson's gang, and by nearly throttling the fellow in a certain low opium-den to which they had retired with the purpose of discussing in private various blackguard schemes, had obtained all sorts of valuable knowledge. Grayson had gone away; the Laycock scent was still warm; he would be back (and God knew Grayson would kill him if he discovered who had betrayed him) in some three months' time. Then let old Ercildoune beware of him! With much more of the same sort. Roland could enjoy, too, now and again, --- but not too often! --- a stolen interview with exquisite Eileen. Hope and faith and love flowed back into the young man's soul: he felt no {236} doubt as to the issue. When Grayson returned --- by God, let him beware of Ercildoune! It may or may not be true that every pleasure of ours is balanced by some other's pain, but in this instance it was surely so. The mind of Mr. Segrave needed all his ultra-British hatred of visible emotion to hide its anguish from the world. He knew nothing of Roland's return; but he marked the love-light in the wondrous eyes of his adored Eileen, and knew that the flame was none of his kindling. While she was yet a virgin heart (or so he deemed, for the mask of sorrow hid her love) he could afford to wait, to work quietly, to win at his ease. As a jockey in the straight who should have eased his horse to a canter, and finds suddenly some despised outsider furious at his heels, he lost his head a little and lashed in a frenzy at his horse. One evening he caught Eileen alone, and poured out his whole passion. Gently she put him by. He could better have borne contempt. He caught her roughly, bruising her almond arms; he called her by the foulest names. Then, suddenly penitent, he flung himself upon the floor in a passion of hysterical weeping. She pitied him, caring little for her own pain and shame; she left him softly and said nothing. Segrave soon conquered himself, and shut himself up in his old suave mask of gentle courtesy and silent devotion, as from afar. The Princess never guessed what beast might lurk beneath the cultured gentleman, dull in spite of all his intellect, that she had known so long. Yet the beast grew in cunning and insight; the more {237} Segrave disciplined and controlled it, the mightier it grew. Just as the discipline of physical exercise makes the man stronger at the end, so the first foolish brute impulse, working in ordered channels, became a force to be reckoned with. Nor was there any one to reckon with it; Eileen herself never guessed that it was there. She thought his angry fit a passing flash; and her innocence slept sound. Segrave's awakened judgment soon warned him of what was going on. The absences of Eileen became suspicious; his own foolish missions took on a sinister aspect; it was certain that the Princess was tricking him. Even his brother's story (which had before seemed commonplace enough) loomed up as a mystery to his newfound subtlety. He reflected upon the sudden mad infatuation that had seized the straight-living soldier; the change in his way of life; the reticence that sat so ill on the frank face; the sudden senseless journey for a sport he had never affected; and the tragic end of him. Young Segrave brooded overmuch upon these matters. He began to lose sight of the endless kindnesses of the Princess Stephanie; the fascination of her faded; he began to picture a monster, a vampire that fed upon the lives of men. Ah! but he would be her master yet. And he began to look about him for a weapon. Always he had felt that he had little share in her true thought, that invisible bars fenced him from her soul. Well, he must penetrate. Perhaps Maggs could have helped him; Maggs knew a deal about most people and their ways. But Maggs was gone abroad. By chance he met the rabbit-faced man one day in Leicester Square. He knew him for an old intimate of Maggs, and the impulse {238} came to him to talk to him. That evening he dined him at his club. It was a royal pumping-match. During dinner, by common consent, the talk was sterile; yet each casual futility that passed on politics was meant and interpreted alike as a feeler and a thrust. Over their cigars they turned from the skirmish to the battle, and far into the night they plied feint and attack, till the night itself seemed to weary rather than they. Yet neither obtained much but the increased resolve of silence, and on Segrave's part, an icier gleam in his hatred of the Crown Princess. As he walked back through the clear morning he swore again to penetrate her fastness, by whatever loophole offered, and to defeat some plan of hers, however trivial, so that he might not feel his manhood shamed. If he could utterly rout her, and avenge his brother, whom he no longer doubted to have been a victim, in some ambiguous way, to her designs, so much the better. Thinking over it, he decided to track down first his rival. He paid a man to follow Eileen to what were doubtless assignations. But the girl was clever at throwing off pursuers, and it was not for some weeks that the truth came out. What, then, was Segrave's wrath to find his rival in the person of Roland Rex. Like all suspicious and jealous persons, he could put two and two together very quickly. But the sum was never less than five, and often reached three figures. So it took him but a moment to convince himself that Rex had killed his brother. Not so bad either! That is the worst of lunatic's arithmetic, {239} the law of chance ordains that now and then the answer shall come right. All threads, then, were but one. He had but to slay Roland, and the Princess was beaten, his loved Eileen set free (maybe his victory would bring her to his feet --- and, by God! how he would trample her!), his brother avenged. Mr. Segrave began to wish that he knew Grayson. That man should have at least one staunch ally. In the meanwhile, he would shadow his victim, even as the silent and terrible man-hunting snake of Yucatan. CHAPTER XVII THE HOLY DIRK LORD ERCILDOUNE kept lonely vigil in his ancient castle, brooding over the past terrors that had whitened his still luxurious locks, the future fears that threatened to overwhelm his house thus utterly. Yet to-night he was more cheerful than his wont. Roland's letters had been uniformly hopeful; he seemed to have felt at last upon his own true steel the hitherto invisible foil of his fiendish antagonist; surely, moreover, there was an end to all. "How long, O Lord, how long?" he murmured with more reverence and confidence than he had felt for many years. Before, the prayer was like a wild outcry for some doubtful justice; now, it seemed that the answer "Soon! soon!" came like a benediction on his brows. Also, the familiar words wooed him to the familiar way, and he moved solemnly into his little chapel, and bent him in prayer at the altar. {240} Then he was aware --- as we all are at times by some strange sensorium whose paths are yet unknown --- that some other person had been before him. A thing surely incredible? His first emotion was of fear. Had the murderer found him? Had the last hour of Ercildoune struck upon the clock of Destiny? Yet a glance reassured him. There was no place of concealment in the chapel. He betook him again to his prayers. Again the strange sensation caught him, and more strongly. Yes, there was something new. And on the altar --- how did this come to pass? Strange, strange. There lay upon the black cloth a silver-hilted dirk, sheathless. To his amazement he beheld upon the hilt the well-known cipher of the Rosicrucians. They who had befriended his cousin the late Marquis --- had they come at last to his aid? The mystery was explained, for the old man credited the Brotherhood with powers beyond the common. He reverently lifted the dirk. On the sharp shining steel he read in tiny letters of gold the legend --- "Master, ye shall sheathe me soon And break the curse of Ercildoune." With a sudden impulse he glanced once fearfully around, and hid the blade in his vest. Then, lingered long, mingling the accustomed prayer with new heart and hope into strains of praise, such as that gloomy chapel, the monument of so many iniquities and woes, had never yet echoed. The day broke, and Ercildoune still grasped the dagger, and still prayed. The days passed, and news increased both in volume and {241} excellence. The rabbit-faced man had missed Grayson in Vienna by an hour; Grayson was in hiding, in flight; his band seemed broken up; he struck back no more; the little army of Ercildoune was closing on him. Any moment news might come that he was taken. One day, too, when he chanced to be confined to the castle by a cold, there came a kindly message of inquiry from the King. It seemed he was restored to favour. He had not lived as he lived now since he inherited the fatal Marquisate. Surely Fate had tired of her enmity; he should yet go down to the grave in peace. Then a telegram reached him from London. "Grayson trapped. Your presence necessary." It was signed by Eileen Arundell. All the hope of the last month had strengthened the old man; his virile force came back in floods of anger. "Now is the time to strike!" he thought; "now shall I sheathe the holy dirk in the heart of that devil of the pit!" And, feeling younger and lighter than he had done for many a day, he hurried off to London. Imagine his joy on reading the morning poster: "The Scottish Vendetta; Lord Ercildoune's enemy reported under arrest," as he passed Warrington; his positive rapture at Euston when the "Owl" flamed at him --- "GRAYSON SEEN IN LONDON --- "EXCITING CHASE" --- at his hotel when the newsboy followed him with --- "GRAYSON CAUGHT." {242} He bought a paper and read the following --- "The mysterious enemy of the Marquis of Ercildoune has, it is alleged, been at last identified. He was seen by one of Lord Ercildoune's private detectives in the act of leaving a famous house in the West-End. As he jumped into a private motor and drove off with all possible speed, it was impossible to arrest him at the moment; but the detective, who was fortunately the chief of Lord Ercildoune's numerous staff, and a man highly esteemed by the police --- we break no confidence in mentioning his name, Arkwright, who aided the police so greatly in the recent Elmstead Tunnel Mystery --- was able to set innumerable activities to work. "The motor-car was seen last speeding through Ware, and hopes of an arrest at any moment are largely entertained. It will be remembered that Grayson broke prison some years ago ------" the paragraph trailed off into a washy "resume" of the whole affair. In the stop press column --- "Grayson has been caught at Royston." But as the old man went gleefully down to dinner the tape-machine caught his eye. It clicked out --- "The reported arrest of Grayson is denied. Turning the sharp corner at Royston the suspected motor ran into a hedge and overturned. The chauffeur, arrested, proves not to be the convict at all. He declares that his master, an undergraduate at Cambridge University, can entirely clear him, and is indignant at his arrest. On the urgent demand of London, the man is, however, being detained for inquiries." So the Marquis enjoyed his dinner but little after all. Much less, though, the rabbit-faced man Arkwright. His {243} story as he told it to his most trusted colleague was as follows --- "I was strolling down Hill Street, thinking of nothing in particular, when I saw the door of a great house open --- and out walked my man. "Grayson in the flesh, I tell you. Grayson as I saw him at Marseille; Grayson as he was in the dock and the prison. There wasn't a doubt of it. Well, my gentleman flipped into a motor and is off. You know the rest." "No, I don't!" returned the other. "You're keeping back the best." "For God's sake let us be careful," said Arkwright, "this is the biggest thing for years. I know now what old Zynscky meant." "What! Whose house was it?" He whispered --- "The Duchess of Eltham! There's his influence and this fool talk of his having been innocent all along! There's his base, and his cash, and his every mortal thing he wants!" "Oh rot!" said his Thomasian colleague. "Well, hear what I did! I inquired. Her Grace was ill, had been ill for three weeks. The very time, mark you, when Grayson's plans began to go a bit groggy! Where could I find the gentleman who had just left the house? My boy, they denied the whole affair!" "Arkwright," said the other, solemnly, "did not one thing strike you as very peculiar about that house?" "No, by Jove! what?" He was rather annoyed if his usually stolid subordinate had an idea that he was missed. "What was peculiar?" {244} "Why, my boy, the blue rats on the ceiling and the pink leopards strolling up the stairs." Arkwright was too worried to be angry. He just gave him up. "My dear man, you're absurd," continued the critic, "Here's one of the first ladies in the land, a lady of stainless reputation --- "Umph!" grunted the rabbit-faced man. "A lady with the devotion of the handsomest husband, and the three prettiest children in London --- I am to believe, am I, that she moves heaven and earth to harbour this convict, on your theory a triple murderer and mutilator and Lord knows what beside? --- I'm sick of you! You've talked Ercildoune until you've caught the craze. Why! you ought to be in Parliament! That's the place for "you." "Yes," retorted the other, "and I'd make a law to drill your head full of holes and pump a little sense into it. All your argument is "a priori" drivel. Who stole Lady Oldbury's pearls? A prince of the blood royal!" "Well, but he was mad," said the sceptic, though a little shaken. "Of course he was mad. So may Lady Eltham be mad! We're all mad --- read your Lombroso, you nincompoop!" After which the conversation became profoundly theoretical, its obscurity hardly illuminated by the fact that neither party to the discussion understood the subject in the least. We gladly draw a veil over so painful a scene. {245} CHAPTER XVIII THE CUP FLOWS OVER ROLAND REX was down in the mouth. For one thing, he had been --- so Jukes said --- spotted during his morning walk by one of Grayson's creatures, and the whole afternoon had been spent in disguising him as a semi-clerical character. Old Jukes had been particularly careful with the make-up, altering it a dozen times till it exactly fitted his ideal. Which had been tedious. On another side, too, he had expected Eileen on the previous evening, and she had not appeared. The failure to capture Grayson had exasperated him, the more so as he knew his foe could not be far away, and might strike home at any moment. He seemed safe enough, yet --- what if his previous surmise were correct, and the villain struck at him through his love? Eileen Arundell could not lurk in an obscure nook as he could do, she must be seen and known; she must wait on the Princess. Ah! there was hope. Would she who had helped him so splendidly fail with her own twin soul? Not much! And even as he thought it, and laughed, came a peculiar knock, the familiar signal of old Jukes. He rose and admitted him; but the old man, usually so calm and steady, seemed perplexed, distressed. His trembling hand thrust a letter into that of Roland. The latter tore it open. "Where is Eileen?" it ran. "She left the house to see you last night at eight, and has not returned. I only got back from Brighton this morning, and {246} of course the servants knew nothing. For God's sake, do something, Mr. Rex, I shall go mad. "Your distracted STEPHANIE." "I will go to her," de decided without the waste of a moment. "There must be some more facts to learn than these." And snatching up his broad-brimmed hat he ran madly to the great house. He found the Princess in violent fits of rage and tears. She had telephoned to nearly everybody in London, useful or no. For once the giant intellect seemed to have broken down. Roland strove to make light of the affair, though the blackest certainty blotted out the light of all his hope. Ten minutes, and the great lady was herself again, though now and then she broke into a moan, calling on her loved companion's name, and upon God. Yet she controlled herself, and sternly set herself with Roland to face the situation. Before she had finished imparting the full details of what had passed, the door opened, and a footman entered, with a small package on a silver tray. The Princess took it and opened it mechanically. A card dropped out. She read --- "The Marquis of Ercildoune presents his compliments to ex-Princess Stephanie" (she stamped her pretty foot with anger at the outrage) "and begs her to hand the enclosed small parcel to Mr. Roland Rex, whose present address he despairs of discovering." The parcel bore the words: "For Mr. Roland Rex." He took in in his hand. "I no longer fear," he said, "I know. There is no God. Leave me alone." "No!" she answered, "you must bear yourself as a man should. I will stay with you, and show you what even a woman may endure." {247} In the certitude of calamity they had both grown preternaturally calm. "So be it!" said Rex, and tore off the wrapper. A gleam of ivory set with rubies met their eyes. Roland steeled his nerves and pressed the spring: the lid flew open and revealed a little tray beautifully engraved with the fantastic irony as of old ---" Mr. Roland Rex, with the compliments of the Marquis of Ercildoune." He lifted out the tray. There lay, fresh-lopped, the flaming lips of his beloved, in their nest of gossamer gold --- the hair, the lips he had kissed a thousand times. "I think, Princess," he said, "our jester goes too far. I think the occasion an excellent one for putting to the test our little theories about the existence of a God. You shall soon hear------" There was a sinister significance about his words. He kissed the little box and put it tenderly away. But the Princess never answered. She sat like Memnon in the uttermost desert, and her eyes were hard and tearless. Roland went softly from the room. "There "is" a God! There "is" a God!" he kept on muttering as he walked idly down the street. But for the ashen pallor of his face, men might have though him a mere curate walking early to his work. A pity old Jukes had not imagined a more rubicund parson! His eyes sought out some clue --- Nature seemed intelligible to him. He felt that every flag of the pavement was a clue, leading him straight to his enemy. Or --- was he mad? Was the dear God a heartless mocker as well as a cruel tyrant? What was this strange hallucination, then? {248} Across the road, cheerily striding, was the bronzed and bearded figure of --- himself! Himself as he came back to England, hardly a year ago. Then the truth flamed out in him --- this was the very man! Grayson's last surprising masterpiece of insolence was to pass as Roland Rex. "O Lord!" he cried, "Forgive me for my blasphemy --- for Thou hast delivered mine enemy into mine hand!" Just then the man jumped into a hansom: Roland into another, ordering the cabman to follow. Up the Edgeware road they turned, and Roland began to wonder whether the pleasure of an interview with Madame Zynscky was to be included in his little outing. Strangely enough, he never gave a thought to his dead love. The horror of his heart had transcended itself, become a compelling purpose, far from the sphere of emotion. He had no doubt of the issue; God, who had shown the quarry, would speed the bolt. So he laughed gaily. The cabman may have wondered at this clerical gentleman apparently engaged in some joyous practical joke. They went on into St. John's Wood; the first cab suddenly stopped at a large house with a garden. The false Roland paid his cab, and swung the gate open. Roland flung half-a-sovereign to his man, stepped up to him, and said gravely, "Mr. Rex, I believe?" "Yes," said Grason, smilingly, "What can I have the pleasure of doing for you?" "A few words in private, if it is not troubling you too much." "Not at all. Forgive me if I precede you." And he led the way round the house to a conservatory, and opened {249} the door. Just then a motor-car came noisily up, and stopped. "It is nothing," airily explained Grayson, "Only my grandfather, Lord Barfield!" Roland's politeness took a little jar. Yet one more act of self-control, and the wrath of years should leap out and wither this cynical devil. He merely bowed his head at the taunt. CHAPTER XIX THE TRAP CLOSES GRAYSON noticed that the gate did not swing open behind them. It was not the old Marquis. Who was it then? Grayson dismissed so idle a query with a slight shrug. "A seat, Mr. ------? I have not the honour of your acquaintance," he said smiling, and pointing to a chair. "Thank you, I will stand." He cast his eye around. Heaven was still on his side; there was some loose rope in the corner. "My name is a small matter; I think I have had the honour of hearing from you --- from your lordship, perhaps I should say --- already this morning." Grayson laughed out loud. "Yes! I could not deprive you of such treasures." "Come, sir," said Roland, moved out of all patience: "this is my errand, to hand you with these hands. "Stir!" he said, as Grayson looked about him for a weapon, "and I will shoot you like a dog." {250} The murderer held up his hands. "The best way, Grayson, perhaps; for as the Lord liveth and as my soul liveth, I will surely hang you with these hands!" "Ah!" smiled his enemy, "I am unarmed." "I take you are your word," said Roland; "do you think there is no God?" And he laid aside his pistol. "Really, I cannot discuss theology, even with so learned a divine," he sneered, "at this early hour of the morning. A divine?" he seemed to muse. Roland stood ready. "Ah! I have it," suddenly yelled Grayson in a voice that shook the house. "You are Father Ambrose! Father Ambrose! Father Ambrose!" --- then he closed with Roland in a death grip. They rolled over, fighting like cats. But an answering cry woke in the house. From an inner door appeared two figures. Ah, Roland, had you seen her! had you seen her! There stood Eileen in life, scatheless and radiant, yet wild with a strange joy, and by her side the old Lord Ercildoune. "There!" she cried, pointing to Roland, "Is the false priest the murdered poor Lord Marcus." Ercildoune with a boy's joy ran down, waving the holy dirk. "I sheathe thee," he cried, "and break the curse of Ercildoune!" But as he lifted up his arm the outer door was burst, and Segrave, ever hot on Roland's track, rushed in and struck away the blade. Roland had Grayson by the throat. He looked up. "Grandfather!" he cried. {251} The old man started back in fear and wonder. How did this Ambrose speak in Roland's voice? Eileen dashed in. "Don't you see," she cried, "they are all wrong? That gasping cur is Grayson." Segrave cried out in terror. "I have saved the very man I meant to slay," he roared, entirely losing his self-control. Ercildoune's shrewd old mind grasped the situation. "Mr. Segrave," he said, "If you would save your skin, be a true witness of these proceedings. But if you move or cry, I fear there is but one retort." He calmly possessed himself of Roland's abandoned revolver. "A chair, Mr. Segrave," he added, courteous and calm even in that headlong hour. Segrave subsided, scowling. "Eileen!" went on the old Marquis, "you will perhaps be good enough to report to the Princess. She may be anxious about you. I regret to have interrupted you, Roland my lad," he went on, when she had left the room, "you had some business with this gentleman." "Sit up!" commanded Roland, whom the appearance of Eileen had transfigured with rapture. "You have been condemned to be hanged; we shall execute the sentence in a quarter of an hour; spend the short minutes in a confession of your sins to God and man." "Ah! you want a few things explained!" he jeered. "Well, then, what is it?" "No parley," answered the old Marquis. "Commit yourself to God!" "You may as well know all," he said wearily. "The whole thing's been a plant right along. The game was to get you --- Lord Barfield! to kill your own grandson. Then we should have got you hanged out of the way, had myself {252} declared innocent and my branch legitimate, and --- there was I with my rights." He flamed up; it was plain that the man had been utterly sincere. His fancied wrongs had preyed upon his mind, and turned its mere original evil to a masterpiece of criminal genius. "But how could you build up such a scheme?" asked Rex. "It was Miss Arundell herself who called on my grandfather to kill me." "Why, you fool, it was our plot from the beginning. We paid the hooligans who threw Eileen into your arms; old Jukes --- I have been practically living with you for weeks as old Jukes!" The voice had an ineffable scorn. "I sent that dodderer his ridiculous dirk." "Those eyes of Father Ambrose?" "Fluorescein," he retorted; "why don't you teach your detectives just the rudiments of some one thing?" "How did you get Lady Eltham to lie for you?" "Not at all; I had a footman in my pay. I waited till I saw that rabbit-faced idiot nosing about and then gave him the trail --- and the slip." "But why bring Miss Arundell into it at all?" "How else could I get him to the intimacy of the Princess? Through that ass Segrave?" he snarled at the embarrassed secretary. "If I had you to myself for a minute, my boy, I'd teach you something about murder. How did you get here anyway?" The poor coward winced. "I saw you hanging about," he said; "I thought you were Mr. Rex. I wanted Eileen." "Pah!" said Grayson. {253} "But what has the Princess got to do with it?" asked Roland. There was a rustle behind them, and two women swept into the doorway. "Everything," cried the Princess. CHAPTER XX THE CURSE BREAKS "You must hang me too," said Stephanie, seeing Roland busy at his rope. "Why, I did everything. It was I that lured up the Marquis, and I that arranged for you to think Eileen was killed. Ah! sweet," she purred, "you know I would never have let you come to harm. How it hurt me to sacrifice that lock of your gold hair you gave me!" But the girl turned away in horror. "You plot to kill my lover," she said, "and say you would do nothing against me!" and she laughed harshly and hatefully. "God! I have lost you too," wailed the wretched woman. "Ah! let me die! ..." "Ah! you do not know! Yes, it was I that tore the lying tongue from Laycock, and killed the poor innocent that his ..." she choked with rage and tears. "Ah! you shall never know what happened in that house! It is between me and God, and I shall not fear to meet Him." They all shrank back from her. She towered tremendous above them in the throes of her passion. "My child," she sobbed, "my child!" Even Grayson gasped. Their loathing turned to mere terror; they were in presence of an elemental force. This was {254} not a woman, but a tempest; they shrank from the right of judging her. The voice of the storm of heaven is louder than man's petty cry. Only Segrave was so little of a man that his querulous question broke --- "But why did you do it at all? What is this Mr. Grayson?" She turned on him. Like a tree smitten by the lightning he shrank into himself, withered and dumb. Swifter than an arrow she launched herself at the doomed Grayson. "Ercildoune!" and her voice was again the gentle far-off bell, "Ercildoune, my darling, what I have done is for you!" Again they were still. A sort of mist blinded their apprehension. All this was all so new, so impossible. For a moment Roland dreamt that she was acting a part. So indeed; yet like all great actresses, the part rang true because she felt its truth. She kissed him. For an instant the whole world was blank. Lord Ercildoune rose to end the scene. But she was swifter. With one deft motion she drew a bottle from her bosom and dashed it on the ground. Dense choking fumes arose, and before anybody could recover from the confusion she had disappeared into the house with her lover. Eileen had been nearest to the bottle when it broke, and priceless moments were spent in restoring her in the fresh air of the garden. When aid came, no trace could be discovered. Before half the rooms had been searched, the house was found {255} to be on fire. When the engines appeared, it was already but a spout of flame. Nobody had been seen to leave the garden; it was most sure that they had perished. * * * * * * * "Roland!" chuckled the old grandfather in the smiling halls of Ercildoune. "The curse is lifted from us all at last. Eh, my dear? You are all the curse we have at present," he laughed across at Eileen, now his grandson's six months' bride. "Well," answered Roland, with a half-serious shrug, "the Doom says that the lands shall go back to the King." "How stupid you men are!" said Eileen. "Where were you at school, Roland, not to have learnt that Rex means King?" "By heaven, she's hit it!" and they all shook hands. A stalward ghillie brought in the mail. Eileen, taking her letter, gave a little wondering cry. The Marquis had a small flat package; his eye fell upon it, and he groaned and fell forward. Roland raised him. "Wait till you know!" he said. The packet was addressed --- "The most noble the Marquis of Ercildoune." Within was an old miniature on ivory. "With this portrait of the fierce old father of all our mischief," the enclosing letter ran, "I resign the last of the links with Ercildoune. A great sinner asks your pardon for a great wrong." "Children!" said the Marquis, "come with me." Again he led them to the Chapel of Vengeance. But within there was a change. Fro the fierce God of {2567} Genesis had gone, and in its place was the loving and compassionate figure of the Christ. The monstrance with its angry reproach against the Master had been removed. Instead was a memorial tablet to the Claimant wreathed in flowers, with these words --- "God willeth not the death of a sinner, but rather that he should turn from his wickedness and live." "Children," said the old man, with tears running down all over his cheeks, "you see there is a God that answers prayer." Eileen looked at her letter, short and pointed: "Forgive and forget my jealousy, dear one, and all the disastrous passions of an unhappy woman. The madness and misery are over for both of us; we too are married, and all the storm-beacon is burnt out to bliss. "My love, ever my love! "STEPHANIE." Eileen kissed the letter; and, fondly glancing at her husband, slipped it into her bosom. * * * * * * * Arkwright sat still with his dull colleague, and pulled more gloomily than ever at his pipe. "So the Ercildoune case is over," grumbled the dull one, "and a blessed lot of credit it brought you!" "Umph!" grunted Arkwright, "'slong it "is" over, I won't complain. I call it a fair sickener." {257} "Come, come!" returned the other, "'tain't as bad as all that. Come to think of it, you must 'a' made a tidy bit o' money out o' mad Lord Ercildoune, fust to last." "Well," said the rabbit-faced man, "I suppose I did. Fust to last, a tidy bit o' money. 'Ave another beer?" FINIS {258} ATHANASIUS CONTRA DECANUM {259} ATHANASIUS CONTRA DECANUM [To comfort him with the thought that a Dean may be damned without being a liar and slanderer, I offer this poem to the Rev. R. St. John Parry, M.A., D.D., Dean of Trinity College, Cambridge.] I THE Anglicans (whose curious cult Still entertains "Quicunque vult") Boasted a grave and pious Dean Ecclesiastically lean, Grey-haired and spectacled, sharp-nosed, Whose tract on "Truth," it was supposed, Had in its day done much to stem The tide of Error among them Who, though well-meaning, nearly ripped your Church up by wetting tusks on Scripture. II Some men arrive at ruin's brink By dice and drugs and dogs and drink; Some drab, some dissipate, some drench Life through a weakness for a wench! {261} Our Dean, immune from all of these, Reached threescore years in honoured ease, When, controversies being over, He found no thistles in his clover. Who sleeps too soft is slow to wake, And finds himself with limbs that ache. No wolves were prowling round his fold; He noticed he was getting old. Leisure, the vampire of the earth, Conceived by Satan, brought to birth A fiend, who said: "Respected Dean, You're not as young as you have been. The time is not far distant when Six other worthy clergymen Will put your body in a hole --- And what will happen to your soul?" III The blameless Dean conceived a doubt. As humble as he was devout, All he would utter was a trust That God was good as He was just. Though he had doubtless been the means Of saving others, even Deans (Since St. Paul said it) well may say "If I myself were cast away!" "Ah!" said the demon, "simple trust Becomes the ignorant, who must. But you have means whereby to test Your faith. I shall not let you rest, {262} Till under cross-examination You prove your title to salvation. Let us begin --- who runs may read --- With Athanasius his creed." IV He got through "neque confundentes" Gay as a boy is in his twenties. With sang-froid mingled with afflatus, He gladly uttered "Increatus." "Immensus" and "omnipotens" Were meat to his "divinior mens." "Tamen non tres dii" he smiled, "Sed unus Deus," suave and mild; Reciting thus the Creed verbatim To "Quia, sicut singillatim." He slapped his vernerable femur: "Religione prohibemur." V "A haughty sprite," (said Solomon) "Goeth before destruction!" "Pride goes before a tumble!" we Learnt early, at our mother's knee. This was to crush the cleric's crest: "Filius a patre solo est." Incomprehensibly, to us, He boggled at "sed genitus." {263} VI The good Dean knitted noble brows That had been wont at ease to rouse Solution from the deepest lair Of whatsoever thoughts were there. Yet, here he stuck. If he were walking, "A patre solo" stopped him. Talking? "A patre solo" dammed the flood Of discourse, or it made it mud. "A patre solo" spoiled his sleep; "A patre solo" soured his sheep; "A patre solo" made him ill; His thought-chops burned on conscience' grill. The grave, acute, enlightened mind Contemporaries left behind, Yet was an abscess crammed with pus Round that sand-grain "sed genitus." "Non possum" (inquit) "tanquam volo" Credere hoc 'a patre solo.'" He corresponded for a year With doctors there and doctors here; He wrote to brethren near and far, To Ebor and to Cantuar; He even risked (half fear half hope) A private letter to the Pope. These creatures of a clotted church Left our inquirer in the lurch; There was not one could reconcile By ancient thought or modern style, Two knights, each fit to lay his foe low, "Genitus" and "a patre solo." {264} VII "A matre sola" were enough To make anatomists grow gruff! Yet he could postulate a post --- "Colomba," scilicet "The Ghost." A thousand ways of thought he'd trod, Where God seem bread and bread seemed God. It did not ruffle up his plumes To think that one should open tombs. He thought it simple work to see That Three in One was one in Three. But he thought lost whoe'er affirms A contradiction in terms: "Without a mother" (was his reading) "'Begotten' merely means 'proceeding.' 'Begotten' to my mind implies Some anatomic qualities. Seed cannot sprout without a soil; Oil fills the cruse, the cruse holds oil. A Word begotten of I AM Is nothing but to milk the ram! We know of things whose modest mission Is to give life by simple fission. The hydra, too, where pools are flooding Gemmates, "i.e." gives birth by budding. The earliest forms of sex are seen Nor male nor female, but between. Do these 'beget,' may one affirm, In the strict meaning of the term? {265} Even so, did we admit this right, God would appear hermaphrodite!" VIII This thought so shocked the worthy Dean Black bile corrupted his machine. Limbo of many a likely lad, The Dean went melancholy mad. It is with sorrow like a sword Cutting my heart that I record, In this account I dare not "cook," The fatal form his madness took. By Athanasius still obsessed, He was The Father, and his quest To solve the problem that had turned His spirit's sword-edge, that had burned His mental fingers, by a means Fitter for schoolboys than for Deans. Theology has never lent Her sanction to Experiment! IX At death his sanity's last glimpse Scattered the cohorts of the imps. Yet on all hope the door was slammed; He knew that he was surely damned. Despite his gaiters and his hat, He failed with "Ita" on the mat "De Trinitate sentiat." {266} It said as plain as words can say "Haec est Fides Catholica," Adding a warning of the risk we All of us run: "Quam nisi quisque Fideliter crediderit, Non salvus esse poterit." X Horribly frightened and alone, Before the awful judgment throne The poor Dean stood, the myriad eyes Of Wheels and of Activities, Glitterers, Fiery Serpents, Kings, Gods, Sons of Gods (and other things) Fixed on him. "Waste no time!" he cried, "I own me guilty. I denied --- Or could at least not acquiesce In --- Athanasius. I confess 'A patre solo' hard for throats. 'Genitus?" --- put me with the goats!" XI "Is this recorded?" asked the Lord. "No," said the angel. "Yet Thy sword Of wrath avenging is his meed. Alas! he played the goat indeed. The life Thou gavest him, full store Of opportunities galore, He wasted all and brought to naught. Ass-feeding thistles were his thought. {267} He used his intellectual hammer On minor points of Latin grammar, Ruined an excellent digestion By brooding on a sterile question, And went beside himself through fretting About 'proceeding' and 'begetting.'" XII Damnation's tones in thunder roll: Gehenna caught the accursed soul. XIII "Satan," said God, "has always been Too clever for us with a Dean!" ALEISTER CROWLEY. {268} MY CRAPULOUS CONTEMPORARIES NO. VII A GALAHAD IN GOMORRAH {269} A GALAHAD IN GOMORRAH IT is very fortunate that even in times when the greatest laxity of morals prevails, in England at least there is always found some austere and noble soul to protest against decadence; to be a witness in the midst of corruption, that there is a standard of pure and lofty thought, a City of the Soul, fortified against all evil, and whose artillery can overwhelm the savage hordes of impurity. We do not think any one will accuse us of flattery in saying that Lord Alfred Douglas is just such a person, and this is the more striking phenomenon as it is so rare to find true moral greatness associated with poetical genius. We write thus in order to direct his attention to a little book published some years ago in Paris, but reprinted in an expurgated form in England; a book of so abominable a character that I am sure it is only necessary to direct his lordship's attention to it to raise a very considerable turmoil. We quote one or two passages: --- "Their (men's) eyes for beauty are but sightless holes, Spurned in the dust, Uranian passion lies. Dull fools decree the sweet unfruitful love, In Hellas counted more than half divine, Less than half human now." And again: --- "O food to my starved eyes, (That gaze unmoved on wanton charms of girls) Fair as the lad on Latmian hills asleep." {271} There is a good deal about Perkin Warbeck, a poem called "Jonquil and Fleur de Lys," of a very unhealthy character, and really very little else in the book. There there is a poem called "Prince Charming," incredibly sickly and sentimental; but, worse than all, the poem called "Two Loves," beginning with the celebrated quotation from Shakespeare --- "My better angel is a man right fair, my worse a women tempting me to ill." In a vision the "poet" sees two people; the first is joyous, and sings; the second walks aside: --- "He is full sad and sweet, and his large eyes Were strange with wondrous brightness, and staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death." This poem ends with a controversy between these two persons: --- " . . . I pray thee speak me sooth: What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame; But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing said the other, 'Have thy will, I am the Love that dare not speak its name.'" But the great joke is a tragedy in one act entitled "When the King comes he is welcome." There are two characters in it, Giovanni and Francisco. Francisco cannot sleep, having {272} a presentiment that something unpleasant is about to happen. Then there is a knock, and at his private door. It cannot be Giovanni, for "that honey-bee is hived in Florence." It is Giovanni, however, and they slobber for several pages. It turns out that Giovanni had written to Francisco, but the letter had miscarried. It was an important letter. Giovanni had written to say that he was betrothed unto a noble lady. On learning this, Francisco remarked: --- "Blood of Christ --- Betrothed! --- What word is that? Curled flame of Hell! Thou art betrothed? Giovanni! thou, my friend! O! five red wounds of God, and Mary's mouth! How hast thou dared it?" A mock-terrible scene follows, in which Giovanni tries to persuade his friend that it will make no real difference to their relations. Francisco pretends to be convinced, but determines to poison himself and his friend. So Francisco proposes to drink the health of Death as a kind of Joke, saying: --- "Giovanni:" "I will drink to our love and Death and thee." "Francisco:" "Nay, nay, I favour not that toast, Sweetheart, What have we two to do with Death?" "Francisco:" "Sweet feather! How soon hast thou forgot thy troth of faith. Consider, chuck, the toast has but this weight, That thou and I are friends, and that King Death Is friend of both, and will not harvest us Before the time of our ripe harvest comes." We have surely said enough to establish clearly the abominable character of this book. We are sure that the moment {273} it is brought to the notice of Lord Alfred Douglas he will take the proper steps to crush the perpetrator. The title-page discloses, as might be expected, both the title of the book and the name of the author. The former is "Poemes," and the later is Lord Alfred Douglas. {274} HOW I BECAME A FAMOUS MOUNTAINEER BY PERCY W. NEWLANDS, P.R.A.S, P.R.B.S., P.R.C.S., . . . . . . . . . . . . P.R.Y.S., P.R.Z.S., ETC., ETC. {275} HOW I BECAME A FAMOUS MOUNTAINEER I WILL open this little paper for "The Billionaire" [The "Billionaire" has nothing to do with it. But it hurts Mr. Newlands to talk about things that cost less than a guinea. ED.] by remarking that mountaineering fame shares the great advantage of the Order of the Garter --- there is no d----d merit about it. Speaking personally, I took it up because in the first place the dear King likes to hear me chat about mountains, which he himself, dear old chap, is hardly the figure to climb; and in the second place there is a certain curious pleasure in the art of writing in a very even flowing continuous style, like a placid river whose banks are adorned at due intervals by the flowers of felicitous quotation. [We have cut two-and-a-half miles of said flowers --- mostly Greek and Latin poetry --- with which Mr. N. had embellished his manuscript. ED.] Of course I have always had such a number of friends that mountaineering has been very easy. All my relations are very highly place in the various services all over the world, --- it facilitates things immensely. Our family has always been very well, and it is a great advantage to have friends and relations in high places. At the same time it gives me real pleasure to say that I have become {277} sincerely attached to many simple Swiss peasants, which shows conclusively to any unprejudiced mind that I am far from being a snob, and though some have thought, no doubt, that I lose dignity by addressing Fransois Devastation (for example) as "vieux chameau" or "mon coco," have we not the very similar instance of the touching friendship between the late dear Queen and John Brown? I have never had any ambition to climb mountains, but accident (as it were) has at one time and another brought me to the top of a good many. It is really a very pleasant and exhilarating mode of mild exercise. A skilful guide never jerks the rope or slacks it suddenly, so that there is one long even strain upon the waist --- not at all unpleasant, but, "au contraire," rather suggestive of the embrace of a mountain-spirit. No: I have never taken any active steps to become a famous mountaineer, except to make it my habit to speak authoritatively on all these questions just as if I were one, a most impressive course of action; and to take quite a little trouble to expose all sorts of impostors. What can Mr. Eckley mean (by the way) when he says that this habit of mine shows my strongly gregarious instinct? I grasp it, as it were, you know, and then I seem to lose it again. It was I that exposed de Rougemont, and Landor, and Graham, and ever so many more. Now this Mr. Eckley is always attacking me; he has not that sense of "comme il faut" that the dear King (for example) has; his controversial manners have not that repose that marks the caste of Vere de Vere. Why do I not expose him? Why do we allow ourselves (I speak for the Alpine Club) to be called common {278} cheats and impostors in the public press year after year without a word of reproach or denial? It is the Christian spirit, my dear readers; and when we turn the other cheek, this Vulgarian --- nay, hush, hush, I must not use such terms --- this charmingly witty controversialist says "No wonder! I couldn't buffet all the cheek you've got from now to the Last Trump." It is disheartening; kindness does not melt that flinty heart; nothing will content him but one thing. "Let Englishmen climb mountains unaided," he says, "just as they are unaided in every other sport; and with those Englishmen I will shake hands. I think even Mr. Newlands would kick if I hired Hayward to bat, and Haigh to bowl for me; while I, sitting in the pavilion, had their records published as my own, and went about the world as 'the famous cricketer.' Which is exactly what these heroes of the Alpine Club do. They hire one man who climbs rocks, another who can cut steps, and the only thing they do themselves is to take the credit. And because mountaineering (as distinguished from the everlasting repetition of well worn routes) is a sport needing high qualities of brain in a great degree, and high qualities of body in a small degree, therefore the Moral Science Tripos is a better school for the mountaineer than Sandow's, and the English amateur who has studied mountains in mass as well as in detain becomes a very much better man than the Swiss professional who has nothing to guide him but rule-of-thumb. A club of such amateurs might be formed in two years, were it not for the dishonest and unsportsmanlike methods of the Alpine Club in discouraging the production of genuine climbers from the {279} matchless raw material which England can supply. It was the end of Rome when her citizens paid substitutes to fight; it will be the end of England when professionalism has eaten up all her sports, as mountaineering is already swallowed whole." These are not his actual words, of course --- his method is more lurid --- but I think it fairly represents his case. He forgets, like all Radicals, the question of vested interests. The Alpine Club has invested many thousands of pounds in Reputation. If we once admitted that mountains could and should be climbed by Englishmen without aid, all this money would be irrevocably lost --- worst of all, lost out of the country. So that Mr. Eckley, under the guise of patriotism, is really sapping the very foundations of our National Wealth: in an earlier sterner age he would have passed through Traitor's Gate and suffered the supreme penalty which awaits the wretch who plots against his fatherland! The matter is an exceedingly ticklish one; if we admit the existence of even one guideless climber, our whole position is threatened. We have to get out of it by saying that he was a wonderful genius, and an exception to all rules. But to admit two, three, twenty would sweep us away. So we have to conceal the existence of the hundred or so first-class amateurs of Austria, Germany, and Switzerand. We have to prevent it becoming known that nearly all first-class climbing is now done by guideless parties. We keep it dark that amateurs hold all the world's records except one; and we cover with calumny and reprobation the aspiring youth who proves intractable. We were at one time in most serious danger. Mr. A. F. {280} Mummery was an Englishman, and could not be so easily ignored; it had become notorious that no Alpine guide --- though he had formerly climbed with guides --- could be considered in the same class with him: and unfortunately some of our young bloods who had been investing very largely in that sensitive stock Reputation, had made things much worse by under-estimating his importance, and trying to extinguish him in the usual way by blackballing him for the Alpine Club. Of course one could not openly blackball him because of his guideless propensities; so the inaccuracy --- I must confess the inaccuracy --- that he was a bootmaker was sedulously circulated, and the result achieved. Luckily, the simple, good-natured fellow accepted our apologies for the "mistake," and consented to join us. Had he found out the real secret of the Alpine club before his admission we might have been badly off indeed --- the value of our securities down to nothing! But his loyalty prevented him from giving us away too dreadfully, though that terrible last chapter of his book came as a great shock to many of us. However, we got out of it by saying "what a brilliant mountaineer he was; and of course one could excuse a little unsound theory in so wonderful an exponent of the sport." And we put it very neatly, I think, and rather turned the tables, by saying that he was an example of the way in which an exceptionally gifted amateur could become after long practice very nearly the equal; of the best Swiss guides. However, I have wandered much from my subject. Yet I must flow on --- it is the law of my nature --- and the truth of the matter is that "How did you become a famous mountaineer?" is answered in a phrase (as above) by referring to my habitual tone of authority; while the question "How do {281} you propose to remain a famous mountaineer, with people like this Mr. Eckley about?" is one which takes all my time and thought to answer. Even my little jokes are turned against me. The other day I said in the Geographical Society that "I think people should say Mount Everest, not Everest "tout court;" for I have just seen in an account of some climbs in Canada, where there is a Mount Newlands, [What incomparable puppies these people are, who give these personal names to presumably dignified peaks! ED.] the phrase: "Newlands has proved to be rather an impostor. I hope the same may never happen to Colonel Everest." And the wretched newspaper fellow comments: "Nobody appears to have laughed. Perhaps they were thinking it over." ---------------------------- [B] BY SIR MEDIUM COELI IT was an ingenious thought of my mother's --- for I was so unfortunate as never to know my father --- to christen me Medium Coeli, for the astrologers [With Reason! ED.] prophesy honour and glory to the lucky children at whose nativity this house is on the cusp of the ascendant. But on no natural grounds should such a prediction have been formulated; for my story --- it is nearly a case of "From Log Cabin to White House," though the local colour is wrong --- is one long (and stirring) example of the triumphant conquest of difficulties (of course I do not mean mountain difficulties) {282} by persistence, judiciousness, and adroit manipulation of facts. Indeed the "great natural defect" of George Washington, that "he could never tell a lie," has at no time thrust its ugly head in my path. Nor was it, as ordinary people might be tempted to think, such a great drawback that I never possessed the smallest natural gift for climbing or mountaineering, or the wish or ability to learn these (to the dilettante) fascinating subjects. Even at this day, when my name is practically synonymous with the sport, I am as ever quite incapable of climbing the simplest rocks, or even of descending unaided an unusually rough mule-track, while the ensanguine banner hung out in my cheeks is invariably blanched at the very suggestion of a native bridge. [Brandy does pull one round.] But my intellect was naturally acute, and, on looking round the world of sport, I soon fixed on mountain climbing as the only one in which an absolute duffer can acquire fame. It is quite impossible to pass oneself off as a fine cricketer --- people look up your average; but a climber can do his work secretly, and the "Alpine Journal" which seeth in secret will reward him openly. I speak of the man who goes exclusively with guides; for the guideless man has friends who cannot be bribed to silence. Everybody will remember poor Smith, and the trouble he had about that guideless ascent of the Steinbockhorn, which read so well in the pages of the "Journal," when his honest but deluded companions found out that they had not been to the top of the mountain, and that Smith knew it. In fact, young Lazarus and his brother deserve a great deal more credit than myself; for they have worked up a reputation in the English hills where an honest body can hardly {283} announce having made a new climb without a yapping chorus of "To-morrow we'll all come and "see" you do it." In my own case, I had merely to engage competent guides and wander about the Alps. It was easy to do new climbs in those days, once the idea of varied routes was hit upon. My guides pulled me up a few dozen, and in due course I was admitted to the Alpine club. To throw a little variety into things --- in England at that time it was not good enough to be solely an athlete --- I got a little reputation by a really good work on a quite different subject --- I forget exactly what; though, owing to the disgusting conduct of one of her relatives, I have every reason to remember the name of the lady who wrote it. (Of course the title-page would not refresh my memory on the point.) It is a genuine example of actual memory on my part, and I confess to an honest pride in the matter. I am even prouder of my next step. Merit alone is useless without money, and I was in sore straits. But the distinguished mountaineer was as rare a bird in the 'seventies as the successful general in the days of Venice, and I was able with my tale of moving accidents by field and flood, to swoop down on a stray Yankee heiress, and hustle her into the halls of Hymen before the Hon. Patrick N. O'Flaherty (essentially of Tammany Hall, and incidentally her father) came upon the scene. I had not bargained for quite such a vulgar fellow; of course we had to compromise, but his idea of compromise was this: "Waal, young f'ler, I had calculated upon my daughter marrying a peer; I guess you've done me there; but every red cent you get from me has got to be honestly laid out in running for the House of Lords, and don't you forget it!" {284} And I had been looking forward to a quiet life! No more beastly mountains! No more filthy Swiss inns! No more hunting for impoverished persons of talent to write my books! The Club, and the Park, and ------ O! my heart is breaking. The worthy Boss mapped out my life from day to day; and before long some silly fool hammered it into his head that the best chance of a peerage for me was that I should go exploring to all the most inaccessible regions of the uninhabitable globe! Useless to point out that I had no scrap of ability in this direction; that plain lump sums to a party caucus would be a more efficient means to the end. He was adamant, and after a week without --- my blood boils! --- without the very commonest necessaries of life, I gave up and started for New Guinea or some beastly place like that --- I forget where, it's all in a book of mine that I never could read --- though I have several times honestly tried to do so; people will question one about one's exploits. So the devil of it was that at the very moment when I was on the top of Mount Thingumbob, I was actually recognized in Coney Island by an Alpine Club man, and, as they have to draw the line somewhere, that did in my chance of becoming President. If Pa found out about that --- why, I'm afraid to think about it. The next few years are a positive nightmare. I was driven from one end of the earth to the other; some of the expeditions I actually had to do, because there were English people all over the starting-point. Then I had to invent the most ingenious explanations about things; one time they actually sent Englishmen with me --- that was the most awful experience of all. However, I managed to get rid of one by {285} disgusting him with my mismanagement, and persuading the others that he was bad-tempered. A second I bribed to quit; a third luckily damaged his leg; and I was left with only a fool artist who knew even less about mountains than he did about art, and was easily bamboozled into thinking that the snow-hump we struggled up was a great peak!<> But fate was against me; my faithful guide was "got at" in England by a friend of my very worst enemy, and blurted out the whole story under the influence of alcohol. Oh, the terrible curse of drunkenness! Oh, that man should put an enemy into his mouth to give away my game! In this heartbreaking manner year after year flew by, and the House of Peers seemed as far off as ever. Pa knew more about England by now, and the wealth of Pittsburg or wherever it was swelled the party chest [I forget which party --- I could never understand politics]. We spent thousands --- thousands, I tell you! of what ought to have been my money on contesting hopeless seats. At last it was intimated that I might look for my reward. I made all sorts of inquiries in the ermine market, and Benson's sent me a really reasonable estimate for a coronet. Then the blow fell. A Knighthood! A knighthood for the Hercules of the Himalayas, the Charlemagne of the Caucascus, the Attila of the Andes and the Alps! A knighthood. Think of it, dear readers --- a knighthood. A common cheap calico knighthood. The sort of thing they give away at Harrod's Stores to all purchasers to the value of over Five Pounds! [However, when abroad, I may be able to pass as a baronet.] There was only one advantage to be got out of it --- I would settle Pa. I settled him. Of course, I said sarcastically, I "can" go down the crater of Vesuvius if you "like." But it won't do any good. You haven't bought the British Empire, and you can't, and they've done you, and that's all there is to it. I'm tired; I'm going to sit down a bit, and you let me have a decent allowance, or I'll blow the whole gaff, and show up your silly vulgar ambitions and then where will your daughter be, and that's all there is to "that." He consigned me, I regret, to a hotter place than Vesuvius, but he gave in, and there are ripping easy-chairs in the club. If I could only shut that beast Eckley's mouth I should be perfectly happy; but it don't really cut any ice [I picked up this language to try and appease Pa], for the Britishers are that easy it takes a thousand years to nail a fakir to the counter. After all, then, I really am an example of a great and famous mountaineer, and let's leave it at that! ---------------------------- [C] BY THE BROTHERS LAZARUS I MUST apologize to ladies and gentlemen who read this for using "I" instead of "we" but nobody can distinguish between my brother and me when we write and it's all very confusing but it only makes one mountaineer the two of us. I am born of poor but honest parents in the country so a kind gentlemen said we were both Arcadians like some people {287} in a book because I was so simple-minded sincere and guileless. We never knew why they laughed so when he said it but that doesn't matter what I want to say is we were really nicely brought up, and have always been brought up to be respectful to ladies and gentlemen and I hope we shall never speak rudely that is why I am so much liked by ladies and gentlemen who buy our beautiful pictures. Of course we would not lie about anything for I have been brought up very strictly and the camera cannot lie. I always use the camera to prove our statements for though as we said it cannot lie it can be inclined in all sorts of directions and this is very useful. If a lady or gentleman is lying on a floor and you take a picture of them and then look at it sideways it looks as if they were climbing up a perpendicular wall or climbing down it head first. Like all great discoveries (a gentleman told me one day) this is very simple and was made by accident. I once took a picture of a lady climbing a rock needle and we didn't know how to use a level so it all went wrong and the picture came out with the needle all cock-eyed but the lady like it because it was so much steeper than it looked we mean that it looked when you looked at it. So there was a very nice gentleman called Jones who couldn't climb rocks but was very clever at jumping up them when he caught hold of something he got up and when he didn't he fell down and hurt himself so he was making a tremendous reputation. So I said to him we'll photo you all over all the rocks and we'll tip the camera so that it always looks as if you were on an overhanging precipice. So he said yes and I went into partnership and it was all very famous. But there were rude people who wanted {288} to do new climbs and so we had to prevent them climbing things until we had jumped up them. There are some horrid rocks that you "must" climb because there is nothing to jump at but our partner found a good way to get round that. I used to go out with him (he was a very nice gentleman and treated us quite like friends) and we would stand at the top and let him down by a rope and he would go up and down and up and down and up and down hundreds of times till it was quite easy for him you know it is only a new rock that is difficult because as a kind gentleman told me one day if you don't know exactly where the handholds and footholds are you waste a lot of strength in trying useless things and you get tired and when the pull comes you are too tired to do it. So I kept it all frightfully secret and by and by our partner would say at breakfast "I think I'll stroll over to Gully X to-day and have a look at it." Now everybody would know that Gully X had never been done and was awfully dangerous and all the ladies would begin to cry and say Dear Mr. Jones don't don't go to that awful place! And a gentleman friend of Mr. Jones's (though he wasn't really a gentleman only a farmer) would say "If you climb that place I'll never speak to you again" and everybody would look pale except us and I would try not to laugh. So we would all go to see it and Jones would take his coat off and just cast one glance at the rock as if to take it all in and go straight away up without any hesitation at all and everybody would clap their hands like mad and say what wonderful skill and there would be Mr. Jones at the top not out of breath even and call down it's quite an exhilarating little climb and everybody come up it's quite easy. So everybody would just worship {289} him and when a rude man would say go up that other little gully at the side which would be a much easier place really he would say no it would look like showing off and give the other men a chance. And get out of it that way. And everybody would write in the book what wonderful skill and strength and all that. And the way I would prevent other people doing climbs by climbing was we would make great friends with everybody and say quite secretly I know a gully that hasn't been climbed in such and such a place and we want to do it with you don't tell anybody. So he would be awfully pleased and treat me quite like a friend and I would say the same to everybody but there would always be a reason why we couldn't actually go and try and I would say the same to everybody and by and by Mr. Jones and us would do it and be famous. Because having arranged to try with us the others were too honourable to go without me. There were rude people who said no we always climb by ourselves and your old gully isn't one you found. It's in the book and was described ten years ago, and the only reason it hasn't been climbed yet is because of your dirty tricks taking advantage of people's ignorance and their sense of honour to run your blackguardly advertising scheme to boom Jones. These people were not real gentlemen we feel sure though they had been to Oxford and Cambridge and all I can say is if they are we're very glad I'm not. So sometimes other people would do new climbs and it was horrid but we went and practised them and wrote in the book how easy I wonder people are so vain as to record such silly things. Anyway we got a lot of new climbs to ourselves and got very famous. It was very nice for us because I {290} never took any risks and we knew I should have the field all to ourselves soon because I knew Mr. Jones would kill himself one day the way he jumped about instead of climbing and sure enough he did. We had a dreadful fright one year everybody knows that if you sleep with your window open you go into a decline and die but there was a gentleman who said rubbish you won't and my brother believed him just because he was a gentleman though we know now that a gentleman can be wrong just like common people. So one night he said his prayers twice over and opened his window nearly an inch but it was no good he went into a decline and went to the Alps as a last chance and spat blood and all the ladies said poor poor boy to die so young and he got thinner and thinner. So a medical gentleman said send him to what's his name where there weren't any doors or windows and my poor brother was out in the rain all the time with only a towel on and they fed him on twelve raw sheep a day and he came back so fat I didn't know him and his cheeks flapped against his waistcoat and he broke the weighing machine at the station and we were afraid the railway company would put me in prison. So then we went to everywhere and tipped the camera more and more every time and learnt to scratch out things in the picture that prevented it looking dangerous and I did a lot more new climbs on the old plan and read Professor Collie's nice articles and Mr. Mummery's nice book which is in very much that style and Mr. Jones' nice book which is a very careful imitation of that style and so we learnt that book by heart and wrote a book in the same style with the same kind of photographs in the same type and the same binding {291} and printed on the same paper and sold at the same price and you can't tell which part I wrote and which part my brother wrote because it isn't our style ("this" is our style) but Mr. Jones' nice style and even that isn't his nice style but Mr. Mummery's nice style, and even Mr. Mummery owes a little to Professor Collie's nice style. And that is how we became a famous mountaineer. ---------------------------- [D] BY MADAME BOCK BRUNE HOW sweet it is in the starry morning to set out from some daintily furnished club hut with one's faithful guides! Deliciously primitive, in a strange sad way, to lick the last drops of fragrant olive oil from the slim svelte tin of sardines on the frowning brow of some historic peak, as, lying with one's dark sweet face to the blue azure of the cerulean sky with its cobalt-ultramarine shade of hyacinthine --- hang it all! "blue" again; there are no more words --- between one's faithful guides one can reflect upon the deep problems of Life and Death, and above all, marriage. [Better have reflected on grammar. --- ED.] Yes! I have been married twelve times; but what is marriage after all? Surely a husband is less intimate, far, far less intimate in many, many ways than one's faithful guides! With a husband, if the rope breaks, one can get another; but there are so few, few faithful guides, none as faithful as mine! Such are my reflections as I lie between --- [Possibly. This is not "at all" the kind of article we want. Don't maunder, tell us how you became a famous mountaineer and I'll make it a dollar. --- ED.] Very well, that's talking. I've done some of the commonplace climbs that everybody from cows to Alpine Clubmen has been up millions of times every year, and written about them in the style you don't seem to appreciate. That's straight. [It is. We understand. Here is the dollar. Thank you. Good-morning. --- ED.] ---------------------------- [E] BY MRS. BLOOMER-GREYMARE CONFOUND and dash these drivelling newspaper donkeys! George! What am I to say, I wonder? George --- G-e-o-r-g-e! What the deuce was I about when I married one of these scurvy, feckless, futile, scrimshank, scallywag men? George! Oh, "there" you are! Take that, then! And that! and that! and how dare you come to me with your tie all round at the back of your neck! No, don't speak --- nothing but gabble, gabble, gabble all day long --- why aren't you some use? I pulled your tie and collar awry, did I? Then why did you "make" me do it? I've told you a thousand times if I've told you once, that I won't have it, you idle gawky good-for-nothing stuck up idiot? Why did I marry you? tell me that! [No answer; but a profound feeling that in a previous existence he must have killed his father and mother, or a holy universal King, or wounded the body of a Buddha!] And on the top of everything the "Daily Mail" wants to know how I became a famous mountaineer. Will you write the article now at once? {293} Mind what you say! Enlarge on the natural timidity of woman, and the wonderful courage --- What! speak up! and don't stare and yammer like a dropsical owl! O! Of course! --- an appointment in the City! Oh, yes! I know what men do in the city --- you can't deceive me. But you'll write the article in the afternoon, eh? Will you? Yah! you idle silly gowk. What? Do you want me to take the "stick" to you? I see you remember! Oh, "you're" no good --- I know the sort of wishy-washy muck you'd ladle out to the public --- leave it to me! I'll show them what a good true tender beautiful woman can do. Oh, you men! Why, you even kicked at calling the silly mountain Bloomer-Greymare after me! And you positively wouldn't call the other one Lavinia though I beat you till the very coolies ran away for shame! I know you did climb them and I didn't but what's that got to do with it. What the public wants is the Poetry of Married Life and the spectacle of a timid shrinking woman doing what has beaten all you hulking bullying brutes of men ---- see? you pasty-faced monkey jumping about like as if you were on hot bricks. Stop it now or take that! and that! Get out, can't you? How the blazes can I write my article with you maundering about all the time muddling my mind with your cackle cackle cackle. . . . . . [And that is how "she" became a famous mountaineer. ED.] {294} THE TANGO A SKETCH BY MARY D'ESTE AND ALEISTER CROWLEY {295} PERSONS OF THE PLAY FISCHER, "proprietor of a night cafe in Paris" PAUL, "a young man about town" A LORD, "about to marry" JAJA<> "NEGRO," "a bully" JAJA, "the Tango dancer" MADELINE, "engaged to be married to" FISCHER LILLIE, "in love with" "NEGRO" "Guests, Waiters, etc." {296} THE TANGO SCENE: "Fischer's Cafe." TIME: "Midnight." ["A waiter is laying the tables for supper, in a lazy manner, whistling. Enter" FISCHER "silently, and observes him. The waiter does not see him."] FISCHER. Hurry up, you lazy dog. ["The waiter, startled, springs to attention and bustles about."] I am expecting a lot of big people to-night. Aha! I have a fine new song for them! ["Hums tune of 'The Tango.'"] "Enter" PAUL. FISCHER. Good-night, Paul, how goes it? Glad you managed to turn up. PAUL. Madeline will be here in a minute. FISCHER. Ah, do you envy me? PAUL. Devil a bit. She's a dear, though. I suppose you'll have a crowd of Americans to-night? FISCHER. Yes; I've got a new song. PAUL. Queer lot, those Americans. Lord, but it's dull here without the Tango. That "was" dancing, if you like! She was an American, wasn't she? FISCHER. Half-French. ["Enter" PIERETTE "with three young men; they sit and take up the menu, attended on by the waiter." PIERETTE "is drug-drunk, and acts unseemly." "Enter" MADELINE, "runs to" FISCHER, "and kisses him." MADELINE. Who's half-French? {297} FISCHER. Jaja. MADELINE. Oh, the Tango girl? Half-devil and half-child, by my reckoning. FISCHER. Well, she's reformed now. Going to take up the White Man's Burden! MADELINE. So she's really caught that millionaire lord after all. Whew! I'm sick of millionaires. Any one can have mine. PAUL. But not his money. MADELINE. Bah! Now we've got all we want for the Cafe. What do you think money means to us women when we love? PAUL. Yes, when you "do" love But when do you love anything but money? MADELINE. Perhaps you think we can't love. Why, it's the only thing we live for. FISCHER. And if women must have money, it's only to look their best --- to hold their love the longer. MADELINE. And to give it to their love. FISCHER. You saw how Negro threw Jaja over the minute Lillie turned up in a Poiret frock! PAUL. Well, Jaja never cared for anything but dancing. MADELINE. And Negro. PAUL. Perhaps. MADELINE. I suppose you think she's only marrying this fool lord out of pique. FISCHER. Anyhow, she's got money enough. The idiot is trying to buy Paris for her! They're to be married to-morrow. PAUL. Ass! {298} FISCHER. He thinks her an angel who has side-slipped. PAUL. Ho! ho! ho! FISCHER. And believes that she'll give up the life here for Mrs. Grundy's drawing-room! PAUL. Poor fool! It can't be done; I've tried it. Once you come here it's for better or worse, for richer or poorer, in sickness and health, till death do us part. MADELINE. You don't understand what love can do. PAUL. Oh, love! MADELINE. Perhaps it's true that after having loved one of us there is no other love. FISCHER. Absolutely. Marry or die you may, but the soul clings to the old love. ["During this conversation the cafe has been filling up with girls and men." "Enter" LORD "and" JAJA. "Some, recognizing her, begin to beat on the tables, and call out welcomes."] JAJA. I've only come to say good-bye; to-morrow we sail for America. LORD. She's finished with all this. FISCHER. One never finishes; it's in the blood. PAUL. Tell the truth, Jaja; you just couldn't keep away a minute longer. JAJA ["Nervously"]. For me, it's finished for ever; I've decided to be a Society Bud! MADELINE. Ah, but you bloomed here! JAJA ["Spitefully"]. There are some who have never bloomed. MADELINE. I, for instance. That's why I have kept my perfume! PAUL. And what a perfume! {299} FISCHER. Ladies and gentlemen, I will sing you my new song "Sings"] --- <> "What is money to the bliss Of the honey of a kiss? What are rank and fame and fashion To the ecstasy of passion? "Chorus." Give me dancing! Give me wine! Bright eyes glancing --- Yours in mine! Kisses sucking Up my breath --- Give me passion! Give me death! Were the town of Paris mine, Its renown should drown in wine I would pay the land of France For a day and night of dance. "Chorus" Dreams entrancing float above Music, dancing, wine and love. Sober sinks the sobbing breath; Smiles the sphinx of sleep and death." "Chorus." ["All applaud vigorously." LORD "begins a conversation with" FISHER]. JAJA. Bravo! ["To Madeline, aside."] Has "he" been here? MADELINE. Who, Negro? [JAJA "nods."] He's coming; he's trying to teach Lillie to dance the Tango in your place. JAJA. No one can ever take my place. MADELINE. So you're really going to marry the young English millionaire? {300} JAJA. Yes; to-morrow morning. MADELINE. You're not happy, dear. JAJA. Oh yes, I am. Once I get into the new life ------ MADELINE. You will begin to weary for the old. You will come back to us. JAJA. Never; it's finished, I tell you. FISCHER ["To Lord"]. But --- one never marries this sort of a woman! PAUL. As if there was any other sort of a woman! LORD. Ah, you don't know her real self; she's an angel who fell by accident. PAUL. Did she fall or was she pushed? FISCHER. I know them all; it's always by accident,. PAUL. ["Singing"] --- "Give me passion! Give me death!" LORD. But she's not French. PAUL. Ah, you have the English idea of the French. But that's not nearly as bad as the French idea of the English! LORD. Well, I'm gambling on her. I am sure my love will keep her straight. FISCHER. What's rank or fortune after a love among us? There's nothing else; all other love is pale and sick. PAUL. Don't you know the difference between old brandy and ginger-pop? LORD. Oh, that's all over. She doesn't love "him" any more. FISCHER. I tell you it's never over, never! JAJA. What are you men talking about? FISCHER. Love. {301} JAJA. Oh, talk of anything else! Bring some more wine! ["She dabs her face with rouge and powder, and reddens her lips."] MADELINE ["To Lord"]. So it's marriage? LORD. Yes; this is the last night of the old life. MADELINE. Take good care of her! It's not often one gets away from here. FISCHER. Shall I marry you, Madeline? MADELINE. You're mine, silly! What more? FISCHER. You see! PAUL. When you've saved enough, you'll marry and do the fine folk from Paris in your chateau! [FISHER "and" MADELINE "shrug their shoulders. Enter" NEGRO "and" LILLIE.] MADELINE. Hullo, Lillie! Have you learned the Tango yet? [LILLIE "makes a gesture of disgust." PAUL. Cruel! If you understood how we all love it. NEGRO. She loves only her Negro, and nothing else on earth. ["She puts her arms round" NEGRO'S "neck." PAUL "whistles like a railway train, running round the room with his head between his hands."] MADELINE ["To Negro"]. Jaja is here; she is going to be married to-morrow; that's her best young man; and aren't we going to be good --- I don't think! NEGRO. Silly cow! I don't care a pink wart if she's here or in Timbuktu. LILLIE. Oh, do let us go, dear! Where you like; only do let's get out of here. I've got a headache. PAUL. And I've got cold feet! {302} NEGRO. Rot; you've got to dance the Tango. [LILLIE "points to" JAJA, "and makes a face." NEGRO. That was not real love, anyhow; I've forgotten it, and you'd better forget it too! The other was nothing. MADELINE. Lillie wishes she had been that nothing. NEGRO. Women are never content. JAJA. More wine, waiter! Come and drink farewell, Madeline! Here's the dear old life! Fischer, sing "The Tango" again! LORD. No; please come away, my darling; you're getting excited. JAJA ["impudently"]. And for why? Because? LORD. You're not yourself. I don't understand you. ["He takes her by the arm to lead her away." PAUL ["Sings"] --- "They talk a lot o' loving But what do they understand?" JAJA ["Shaking" LORD "off".] Let me be! You promised me this one night, and it's mine! LORD. A man forgives the past, but never the future. PAUL. When you're as old as I am you'll know that the past "is" the future. JAJA. Oh, hang it! No moralizing to-night! Let's drink! [FISCHER "sings." JAJA ["to Pianist"]. So you no longer play the Tango now that I am not here to dance. ["She jumps on a table and waves her glass."] The Tango! ALL. We are all true to you. ["All rise and clink glasses and drink."] JAJA. And I to you! In heart, I'm always here, always, {303} always! How the blood aches! How the heart leaps for joy! What other life is so gay, so entrancing? The reek of the smoke is sweeter than all the flowers of the earth and the incense of heaven. PAUL. Yes! but what price Patchouli? LORD. ["At table below" JAJA, "looking up, and consequently very ridiculous"]. I beg of you to come away. You no longer know what you are saying. If you are to bear my name you cannot talk so. JAJA. This night is mine, mine, mine, mine. Fill my glass! ... So the Tango is dead. Oh, how I'd love to dance it just once more! ALL. Bravo! Come, Negro, the Tango! NEGRO ["To Pianist"]. The Tango! ["He moves towards" JAJA "from old habit;" LILLIE "rushes to him and smacks his face, and makes him lead her out. They dance."] Don't be so nervous. ["She trips."] If you make another mistake I'll kill you; dance for your life! ["He strikes her. She winces."] Damn you! You're not doing your best. JAJA. ["Jumps off table, and tries to drag" LORD "into the dance."] Come, come, come, dance! LORD. I cannot. JAJA. Oh yes, you can! I'll drag you round all right. NEGRO ["To" Lillie]. Do you hear? Dance, I tell you. JAJA. ["Mocking" Lillie.] I hate her; I hate her. [LILLIE "trips." NEGRO "throws her aside to the ground as" JAJA, "throwing her glass down, cries:" "Then I'll dance alone," "and begins." NEGRO "joins her in the dance; as he clasps her she cries:" "Give me passion." "All have jumped on tables to watch the dance, except" LILLIE, "who" {304} "is "stunned by her fall and" LORD, "who wrings his hands piteously, and makes little feeble attempts to rush in and drag" JAJA "away. Finally he gives it up, and throwing" JAJA'S "gloves on the table, walks out." LILLIE "picks herself up, takes a knife, and flings herself on" JAJA "and stabs her." JAJA "falls as" NEGRO "catches her, throwing" LILLIE "aside with his free arm."] JAJA. O God! I am dying. Negrito, Negrito, my own, you have at last saved me from the hell of boredom and respectability. Give me your lips! Kiss me Good-bye! ["She dies in his arms." LILLIE "picks herself up, and tries to flee, but" FISCHER "catches her."] FISCHER. One moment, if you please! ["Every one stands spell bound with horror, except" PAUL, "who walks to the front of the stage, and lights a cigarette."] PAUL. Never dull at Fischer's! CURTAIN. {305} THE BIG STICK {307} REVIEWS SCIENCE AND THE INFINITE. By SYDNEY E. KLEIN. William Rider & Son. WILLIAM RIDER and SON have moved from Aldersgate Street to Paternoster Row, but unless they are very careful they will find themselves in Carey Street. What can have come over the firm that it publishes a book written by a man who knows his subject? For "Science and the Infinite" forms the most admirable sketch of what should surely be a great and important work. Mr. Klein shows clearly and simply the nature of what we call the Infinite, and proves that the great step to be taken is for the soul to recognize its oneness with that. But in Book 4 this conclusion is given as the result of definite experience. "See" pp. 80 and 87. Mr. Klein however, seems to prefer a sacramental solution of the problem, and advocates in almost too unveiled a manner the cult of the Phallus, which he understands, evidently enough, in its best form. We could have wished that he had given us twenty diagrams instead of one. We could have wished that his English were less latinized and his sentences shorter, and --- most of all --- we could have wished that his book had been published in a more important form. The world is deluged with cheaply-got-up books of this kind, and it is difficult for the outsider to distinguish the corner-stone from that which should be "heaved over among the rubbish." Now a book should be a very holy thing. If it be truth, it is that which we most reverence, and it is impossible to expend too much care and loving kindness in its worthy presentation. Considerations of the cost of production are the death of literature. Publishers are so ignorant of the value of books that they issue any quantity of worthless stuff. They have no idea of what will catch on with the public. They produce things as cheaply as possible, with the American philosophy, "It's a good bet if I lose!" Such a book as Mr. Klein's loses immensely by this vulgar presentation. Rising as it does to heights of sublime poetry, it is a shock to be constantly brought back to the twentieth-century illusion, which is the very sham he is trying to expose with its rage for hurry and cheapness, by the inferior paper and inferior printing. A book of this sort should have been produced, if not quite like the Medieval Books of Hours, yet in {309} a form which represents the highest developments of the particular art used in its production. These things do not seem to matter now. They will matter enormously in a hundred years, and it should be for that part of the Now which we stupidly call the Future that books should be produced. This is particularly the case with a book which deals with science. It is the common idea that science is practical. It does not occur to the average man that science is holy. He does not see that the microscope is a magical instrument in the truest sense of the word, as it assuredly is when its use leads one to such results as Mr. Klein has attained. Science has appeared principally practical. People say, "Look, it has given us the telephone and the motor-car!" They have not understood that science may be a religion. To most people, especially so-called religious people, God means one in their own image, the shadow of themselves thrown, enlarged and distorted, upon the background of their own ignorance --- not the image of themselves as they really are, but the image of those vile insects which they think themselves to be. The evangelical Christian asserts God to be mean, revengeful, cruel, huckstering --- a small tradesman in a provincial town. A single blade of grass is sufficient contradiction of the existence of such a monster. Even where the people have had no God their Great Man was fashioned in the same way. Buddha is only a magnified Buddhist. In their fierce life calm seems the only good, and so their Buddha sits eternally smiling on a lotus. Even the most elevated thinkers seem to cling to the idea of a personal God. This is because they are themselves enmeshed in the illusion personality. It is the personal and temporary self to which they cling. They have perhaps got rid of the idea that the body is real, but the highest ideas in their mind still appeal to them. They say (in the best cases) that God is Light, Love, Life, Liberty, but they still suppose him to be a person possessing these attributes. Hardly ever, save by virtue of spiritual experience of a high order, is that conception transcended. Personality is a limitation. As long as one thing is distinguished from another there are two things; and there is only one thing. Such a conclusion Mr. Klein faintly foreshadows. I am not certain whether it is his reticence or his ignorance which prevents him from adumbrating the further conception which we have set forth in Book 4 and elsewhere. It is very well that these conclusions, such as they are, should be restated. There is, of course, nothing new in them. They were stated by myself in almost the same language in a good deal of the poetry which I wrote when I was nineteen years old. Such perception is the birthright of the poet. But even immediate intuition of such truth is of less value than the knowledge obtained by conscious experience. The rediscovery of these truths much later in life had for me all the force of a new creation. {310} We wish that Mr. Klein had gone deeply into the means of attainment. He seems to be of that school which holds that such attainment is the result of miracle, perhaps of accident. He does not seem to realize that there is a perfectly simple and straightforward method of arriving where he has arrived --- a method which is good enough for all, and about which there is no doubt and no difficulty beyond the essential one of sticking to it. I hope that the perusal of Book 4 will enlighten him on this point, and enable him to write a Second Part to his book which shall detail this method in language which may reach those minds to which Book 4 does not appeal. A. C. THE BLUE GROTTO. ARTHUR H. STOCKWELL. London. 2"d." IT is monstrous and iniquitous that a person, however bearded, however resembling Bernard Shaw in name and form, should purport to translate a Rune Stone dealing with the Phrygian Mysteries --- and scan Pandion wrong. The masterpiece of this anonymous author is full of false quantities, but I don't care if it is, for he has some very beautiful lines and a sense of the musical value of words. He writes: "The lovers of a night appear In the unravell'd atmosphere. Phantasmagoria crisp to gold Under Apollo. .." And again: "Caduceator for thy knees' Ophidian caryatides." And again: "And the red ibis in thy grove Feeds poison to the sucking dove." And again: "Under the brown sea-furbelow Anguilla slimes; . . . ." He tells us: ". . . Crassicornis seeks to grab The streamers of the coral-crab.' He says: "I hear the triton-music swell Love-laden in the vulva-shell.' And speaks of: ". . . Corybantes o' the storm Leaping coruscant-capriform." {311} I could hardly have done better myself, and Shelley would have been put to it to do it as well. If the ingenious though fatuous author of "The Blue Grotto" will get a big idea and work it largely out, he will indubitably produce a worthy contribution to the language whose poverty he now enriches with so many admirable new words. A. C. THE CLAY'S REVENGE. By HELEN GEORGE. ". . . equal purged of Soul and Sense. Beneficent high-thinking, just, Beyond the appeal of Violence, Incapable of common lust, In 'mental Marriage' still prevail (God in the garden hid his face)" --- AND well He might! It is on these lines that Bertha and Leonard Hammersley agree to lead their married life. The husband is a delicate, refined, over-sensitive, under-vitalized creature, and the arrangement suits him admirably. For a time Bertha is content, her intellect is satisfied, her senses are slumbering. She is not only content; when she looks around at the married lives of her more carnally-minded friends she feels immensely superior, and prides herself on the purity of the relationship existing between Leonard and herself. She wilfully closes her eyes, and if an inner consciousness whispers to her that this vaunted happiness is incomplete, she refuses to listen. The whisper becomes loud --- insistent. Mrs. George very cleverly shows us Bertha's slow, almost shocked, awakening. Starved Nature revengefully, triumphantly asserts herself. After three years of the Higher Life Bertha changes the joys of the Intellect and Spiritual Love for the joys of the Flesh and Human Passion. But it is to the Man as Father, not as Lover, she at first yields. When, in due course, the Man returns to West Africa, she sees him go without a pang. He has fulfilled his purpose, and she has no further use for him. It is only later, after the birth of the child, that she desires him as a Lover. This change in her attitude is depicted with masterly strength and skill. He returns after two years' absence. Her first feeling is one of annoyance and faint fear rather than rapture. He takes it for granted their old relationship will be renewed, and so she drifts back and changes from the passive Mother-Woman, submitting to the Man's love only as a means to her own and Nature's end --- to a passionate {312} exacting woman, demanding Love for love's sake and love's sake alone, and putting the plan before the child. How the child dies, and how the Lover in terror and revolt flies from his too-exacting mistress, we leave it for Mrs. George to tell in her own vivid and unflinching way. E. G. O. LES FREQUENTATIONS DE MAURICE. By SIDNEY PLACE. One vol: 3 fr. 50 c. Dorbon, Paris. NEVER before has the androgynous male been treated with such cold, cynical, non-moral impartiality. The "hero" is an empty-headed young fop, and concerned only with the fit of his clothes and the colour of his necktie. "We cannot steal, to work we are ashamed"; but though he stops short of actual stealing, he slips through life in luxurious sleekness --- living by his "wits" and a kind of spurious system of blackmail. When he is not concerned in getting money, this mannikin of straw trips from one tea-party to another, lisping the latest scandal and wafting the newest scent. Sydney Place leads us a fantastic dance with these mincing demi-reps. He deals with flimsy people, but his study is neither flimsy nor wanting in interest. It is, we say it with regret, painfully true to life, and represents a sex which is largely on the increase in London Society of to-day. E. G. O. RICHARD CLAY & SONS, LIMITED, BRUNSWICK STREET, STAMFORD STREET, S.E, AND BUNGAY, SUFFOLK. NOW READY SIR PALAMEDE THE SARACEN By ALEISTER CROWLEY "REPRINTED FROM EQUINOX IV" PRICE 5/- "Much vigorous imagination." --- "Times." "...his genius, be its origin celestial or infernal, is considerably to our liking; he can write angelic poetry and devilish good prose, a cloud of exotic scholarship trailing over the whole, and suffused now and then by lightning-like gleams of mirth and snappiness." --- "English Review." "The poet's impassioned imagination and fancy move untrammelled throughout this metrical romance." --- "Publishers' Circular." ------------------------------ "LOOK OUT! FOR THE FORTHCOMING PUBLICATIONS" AHA! "REPRINTED FROM EQUINOX III" ----------------------- LITTLE POEMS IN PROSE By CHARLES BAUDELAIRE Translated by ALEISTER CROWLEY "READY IN APRIL" Price 5/- WIELAND & CO Telephone: 2632 Kensington. {Illustration on center top third by horizontal: This is an equilateral triangle circumscribed in a white ring. The triangle is of wide and white bars. The field within ring and triangle is solid black. To the left: PRICE ONE GUNIEA NET. To the right: To be had of The Equinox, 33 Avenue Studios, 76 Fulham Road, South Kensington, S.W. and through all Booksellers} GOETIA vel Clavicula SALOMONIS REGIS (The Lesser Key of Solomon the King.) The best, simplest, most intelligible and most effective treatise extant on CEREMONIAL MAGIC Careful and complete instruction; ample illustration; beautiful production. This books is very much easier both to understand and to operate than the so-called "Greater" Key of Solomon. -------------------------- ONLY A FEW COPIES REMAIN FOR SALE. NOW READY PRICE ONE SHILLING HAIL MARY! BY ALEISTER CROWLEY The "Daily Mail" says --- this is a garland of some fifty or sixty devotional hymns to the Virgin, in which the author, while not exceeding the bounds of Catholic orthodoxy, fills his verses with quaint and charming conceits, very much in the style of the 'metaphysical' poets of the seventeenth century. Indeed, in turning over the pages of 'Amphora,' as the little volume was entitled when published anonymously two years ago, by Burns & Oates, we feel them to be the work of a recipient of the tradition of Vaughan the Silurist, George Herbert, and Crashaw, although Mr. Crowley is smooth where they are rugged, plain where they are perplexing. "These poems indicate a mind full of earnest aspiration towards his spiritual Queen, a mind of an engaging naivete, untroubled by the religious and philosophical problems which weary more complex intelligences. This little work can be cordially recommended to Catholic readers." Father Kent writes in "The Tablet" --- "Among the many books which benevolent publishers are preparing as appropriate Christmas presents we notice many new editions of favourite poetic classics. But few, we fancy, can be more appropriate for the purpose than a little volume of original verses, entitled 'Amphora,' which Messrs. Burns & Oates are on the point of publishing. The following stanzas from a poem on the Nativity will surely be a better recommendation of the book than any words of critical appreciation: "The Virgin lies at Bethlehem. (Bring gold and frankincense and myrrh!) The root of David shoots a stem. (O Holy Spirit, shadow her!) "She lies alone amid the kine. (Bring gold and frankincense and myrrh!) The straw is fragrant as with wine. (O Holy Spirit, shadow her!)" Lieut.-Col. Gormley writes --- "The hymns ordinarily used in churches for devotional purposes are no doubt excellent in their way, but it can scarcely be said, in the case of many of them, that they are of much literary merit, and some of them indeed are little above the familiar nursery rhymes of our childhood; it is therefore somewhat of a relief and a pleasure to read the volume of hymns to the Virgin Mary which has just been published by Messrs. Burns & Oates. These hymns to the Virgin Mary are in the best style, they are devotional in the highest degree, and to Roman Catholics, for whom devotion to the Virgin Mary forms so important a part of their religious belief, these poems should indeed be welcome; personally I have found them just what I desired, and I have no doubt other Catholics will be equally pleased with them." "Vanity Fair" says --- "To the ordinary mind passion has no relation to penitence, and carnal desire is the very antithesis of spiritual fervour. But close observers of human nature are accustomed to discover an intimate connection between the forces of the body and the soul; and the student of psychology is continually being reminded of the kinship between saint and sinner. Now and then we find the extremes of self and selflessness in the same soul. Dante tells us how the lover kissed the trembling mouth, and with the same thrill describes his own passionate abandonment before the mystic Rose. In our own day, the greatest of French lyric poets, Verlaine, has given us volumes of the most passionate love songs, and side by side with them a book of religious poetry more sublimely credulous and ecstatic than anything that has come down to us from the Ages of faith. We are all, as Sainte-Beuve said, 'children of a sensual literature,' and perhaps for that reason we should expect from our singers fervent religious hymns. "There is one of London's favourites almost unrivalled to express by her art the delights of the body with a pagan simplicity and directness. Now she sends us a book, 'Amphora,' a volume of religious verse: it contains song after song in praise of Mary," etc. etc. etc. The "Scotsman" says --- "Outside the Latin Church conflicting views are held about the worship of the Virgin, but there can be no doubt that this motive of religion has given birth to many beautiful pieces of literature, and the poets have never tired of singing variations on the theme of 'Hail Mary.' This little book is best described here as a collection of such variations. They are written with an engaging simplicity and fervour of feeling, and with a graceful, refined literary art that cannot but interest and attract many readers beyond the circles of such as must feel it religiously impossible not to admire them." The "Daily Telegraph" says --- "In this slight volume we have the utterances of a devout anonymous Roman Catholic singer, in a number of songs or hymns addressed to the Virgin Mary. The author, who has evidently a decided gift for sacred verse and has mastered varied metres suitable to her high themes, divides her poems into four series of thirteen each --- thus providing a song for each week of the year. The songs are all of praise or prayer addressed to the Virgin, and though many have a touch of mysticism, most have a simplicity of expression and earnestness of devotion that will commend them to the author's co-religionists." The "Catholic Herald" says --- "This anonymous volume of religious verse reaches a very high level of poetic imagery. It is a series of hymns in honour of Our Lady, invariably expressed in melodious verse. The pitfalls of religious verse are bathos and platitude, but these the sincerity of the writer and a certain mastery over poetic expression have enabled him --- or her --- to avoid. The writer of such verse as the following may be complimented on a very high standard of poetic expression: "The shadows fall about the way; Strange faces glimmer in the gloom; The soul clings feebly to the clay, For that, the void; for this, the tomb! "But Mary sheds a blessed light; Her perfect face dispels the fears. She charms Her melancholy knight Up to the glad and gracious spheres. "O Mary, like a pure perfume Do thou receive this falling breath, And with Thy starry lamp illume The darkling corridors of death!" The "Catholic Times" says --- "The 'Amphora' is a collection of poems in honour of our Blessed Lady. They are arranged in four books, each of which contains thirteen pieces. Thus with the prologue there are fifty-three poems in all. Needless to say they breathe a spirit of deep piety and filial love towards our Heavenly Mother. Many beautiful and touching thoughts are embodied in the various verses, which cannot but do good to the pious soul." The "Staffordshire Chronicle" says --- "Under this title there has appeared an anonymous volume of verses breathing the same exotic fragrance of Rossetti's poem on Our Lady that begins 'Mother of the fair delight.' There is the same intense pre-Raphaelite atmosphere, the same aesthetic revelling in Catholic mysticism, the same rich imagery and gorgeous word-colouring that pervade the poetic works of that nineteenth-century artist. A valuable addition to the poetic literature on the Mother of our Lord." The "Guardian" says --- "The devotional fervour of 'Amphora' will make them acceptable to those who address their worship to the Blessed Mother of the Christ. The meaning of the title of the book is not very obvious. It cannot surely have anything to do with the lines in Horace, 'Amphora coepit,'" etc. The "Catholic Times" says --- "As far as we can gather from his other works, the author is not a Catholic, perhaps not even, strictly speaking, a Christian; but here we have page after page of most exquisite praise of Her, whom Wordsworth greeted as 'our tainted nature's solitary boast," until one marvels at the fecundity of concept, imagery, and fit expression." WIELAND & CO., 3E Avenue Studios, South Kensington, London, S.W. TELEPHONE: 2632 Kensington. RIDERS' NEW PUBLICATIONS NOW READY --------------------------------------------------------------------------- THE HISTORY OF MAGIC Including a clear and precise Exposition of its Processes, Rites and Mysteries. By ELIPHAS LEVI (ALPHONSE LOUIS CONSTANT). Translated, Annotated and Introduced by Arthur Edward Waite. 8vo., 9 in. x 6 in., 534 + xxxvi pp., with Twenty Full-page Plates. Artistically bound in Purple Cloth, gilt tops, 15s. net. Special Edition de Luxe, Printed on Rag Paper, Bound in Real Vellum, Pounds1 1s. net. "SUMMARY OF CONTENTS IN SEVEN BOOKS" Book I --- The derivation of Magic Book II --- Formation & Development of Dogmas Book III --- Divine Synthesis and Realisation of Magic by the Christian Revelation Book IV --- Magic and Civilisation Book V --- The Adepts and the Priesthood Book VI --- Magic and the Revolution Book VII --- Magic in the Nineteenth Century The most comprehensive, brilliant, enchanting "History of Magic" ever drawn into writing in any language. This celebrated work is now offered for the first time in an English translation. "N.B. --- PROSPECTUS MAY BE HAD ON APPLICATION" --------------------------------------------------------------------------- THE BOOK OF CEREMONIAL MAGIC Including the Rites and Mysteries of Goetic Theurgy, Sorcery, and Infernal Necromancy. By A. E. WAITE. Crown 4to, gilt tops, 376 pp., illustrated with about 180 engravings. Beautifully bound in Art Canvas, with Design in gold. Price 15s. net. "It is surprising we have had to wait so long for a worthy sequel to Michelet's "La Sorciere." MR. WAITE is the first writer who has carefully explored this mass of forbidding and somewhat perilous literature . . . its wealth of well sifted information and many curious illustrations." --- "The Times." --------------------------------------------------------------------------- THE PICTORIAL KEY TO THE TAROT Being an Enlarged and Revised Edition of the Key to the Tarot, with 78 full-page reproductions of the Tarot Cards facing their descriptive matter, and considerable additional matter dealing specially with the subject of Fortune-telling by means of the Tarot. By ARTHUR EDWARD WAITE. Crown 8vo, handsomely bound, gilt tops, 340 pp. Price 5s. net. --------------------------------------------------------------------------- THE OCCULT REVIEW A Monthly Journal devoted to the Investigation of the Problems of Life and Death and the Study of the Truths underlying all Religious Beliefs. "Edited by RALPH SHIRLEY" ANNUAL SUBSCRIPTION: SEVEN SHILLINGS POST FREE "A sample copy of THE OCCULT REVIEW, with complete Catalogue of Riders' Publications, will be forwarded on Application." --------------------------------------------------------------------------- William Rider & Son, Ltd., Cathedral House, Paternoster Row, London, E.C. A. CROWLEY'S WORKS The volumes here listed are all of definite occult and mystical interest and importance. "The Trade may obtain them from" "The Equinox," 33 Avenue Studios, South Kensington, S.W. Tel.: 2632 Kensington) and Messrs. Simpklin, Marshall, Hamilton, Kent & Co., 23 Paternoster Row, E.C. "The Public may obtain them from" "The Equinox," 33 Avenue Studios, South Kensington, S.W. Mr. Elkin Matthews, Vigo Street, W. The Walter Scott Publishing Co., Paternoster Square, E.C. Mr. F. Hollings, Great Turnstile, Holborn. And through all Booksellers. ACELDAMA. Crown 8vo, 29 pp., " Pounds"2 2"s." net. Of this rare pamplet less than 10 copies remain. It is Mr. Crowley's earliest and in some ways most striking mystical work. JEPHTHAH AND OTHER MYSTERIES, LYRICAL AND DRAMATIC. Demy 8vo, boards, pp. xxii. + 223, 7"s." 6"d." net. SONGS OF THE SPIRIT. Pp. x. + 109. A new edition. 3"s." 6"d." net. These two volumes breathe the pure semi-conscious aspiration of the soul, and express the first glimmerings of the light. THE SOUL OF OSIRIS. Medium 8vo, pp. ix. + 129, 5"s." net. A collection of lyrics, illustrating the progress of the soul from corporeal to celestial beatitude. TANNHAUSER. Demy 4to, pp. 142, 15"s." net. The progress of the soul in dramatic form. BERASHITH. 4to, China paper, pp. 24, 5"s." net. Only a few copies remain. An illuminating essay on the universe, reconciling the conflicting systems of religion. THE GOD-EATER. Crown 4to, pp. 32, 2"s." 6"d." net. A striking dramatic study of the origin of religions. THE SWORD OF SONG. Post 4to, pp. ix + 194, printed in red and black, decorative wrapper, 20"s." net. This is the author's first most brilliant attempt to base the truths of mysticism on the truths of scepticism. It contains also an enlarged amended edition of "Berashith," and an Essay showing the striking parallels and identities between the doctrines of Modern Science and those of Buddhism. GARGOYLES. Pott 8vo, pp. vi. + 113, 5"s." net. ORACLES. Demy 8vo, pp. viii. + 176, 5"s." net. Some of Mr. Crowley's finest mystical lyrics are in these collections. KNOX OM PAX. See advt. Collected Works (Travellers' Edition). Extra crown 8vo, India paper, 3 vols. in one, pp. 808 + Appendices. Vellum, green ties, with protraits, Pounds 3 3"s."; white buckram, without portraits, " Pounds"2 2"s." This edition contains "Qabalistic Dogma," "Time," "The Excluded Middle," "Eleusis," and other matter of the highest occult importance which are not printed elsewhere. AMBERGRIS. Medium 8vo, pp. 200, 3"s." 6"d." (Elkin Mathews.) A selection of lyrics, containing some of great mystical beauty. POETRY AND DRAMA (FOUNDED 1912) ------------------- A QUARTERLY Periodical devoted to the criticism and appreciation of Modern Poetry and Drama of all countries, published in the 15th March, June, September and December, at the Poetry Bookshop, 35 Devonshire Street, Theobald's Road, London, W.C. Each issue contains" Articles on subjects relating to Poetry. Original work by modern poets. Criticism of important current books of poetry, biography and the art of the theatre. A survey of American, French, Italian, and German literature, and the Drama. Annual Subscription 10s. 6d. net, post free. Separate copies, 2s. 6d. net each. Every on interested in Poetry should visit THE POETRY BOOKSHOP, at 35 Devonshire Street, Theobald's Road, W.C., three minutes from Kingsway or from the British Museum. There is no obligation to buy, seats are provided, and customers are welcome to inspect the books at their ease. They will find on the shelves copies of nearly every book of English and American poetry published, as well as most of the important reprints and new editions of standard authors and a large selection of foreign books and periodicals. Orders for foreign books or periodicals of any country are promptly and carefully executed. For further particulars 'phone 2248 Holborn, or call any time between 10 and 6 at: THE POETRY BOOKSHOP 35 DEVONSHIRE STREET, THEOBALD'S ROAD, W.C. THE WHIRLPOOL BY ETHEL ARCHER With a Cover specially designed by E. J. WIELAND; a Dedicatory Sonnet by VICTOR B. NEUBURG; and an introduction by ALEISTER CROWLEY. PRICE ONE SHILLING NET "This is a whirlpool, and no mistake; a witches' cauldron wherein suns and stars and souls, and Lilith and Sappho, and 'whispering hair,' and corpses and poppies, jostle one another in a heaving brew of iridescent, quasi-putrescent, ultra-modernity. Quite good reading all the same. Take p. 44: --- .... And we must thank the mysterious V. B. N. for a really inspired line --- 'Thou lyric laughter of the enfranchised male.' .... The naughty new 'male' smashing our windows with this inverted commas ... unless, indeed, as Mr. Aleister Crowley authoritatively hints in his sacerdotal preface, ... But the time, we think, is hardly ripe for such disclosures, although the more intelligent among us may have seen a certain Writing upon the Wall, setting forth, in clearest language, that 1 + 1 = 3." --- "The English Review." "Poems by a new writer who possesses imaginative gifts of unusual quality. Miss Archer's poems are both mystical and realistic, and they bear traces of having been to some extent influenced by the work of Mr. Aleister Crowley, but without losing an originality which is entirely their own." --- "T. P.'s Weekly." "This book has all the defects and none of the qualities of Mr. Crowley's work. ... Miss Ethel Archer misses everything. There is no "elan" in the work. She has none of the happy fluency of her master, and it requires much to carry off the cumbrous apparatus of esoteric epithets with which she is burdened. Miss Archer's mechanical abnormalities are ridiculous; she has mistaken jingle for music and incomprehensibility for passion. ... The world will not willingly let it die." --- "Vanity Fair." "On the cover a naked woman is riding a bat over a whirlpool; craggy white mountains are behind her and a red sky behind all. There is a fine fierceness of movement in the design; it is certainly good. Mr. Aleister Crowley introduces Miss Archer briefly but splendidly, with phrases of this sort: 'We find such rime-webs as abaaab-babbba ..., more exquisite than all the arabesques of the Alhambra." ... It is all very splendid. ... We feel drearily sensible of our outer darkness. Coming to Miss Archer's poetry we are obliged to notice her debt to Swinburne, yet we find it, on the whole, good. ... The colour is very strong; the shades of thought are clear, and often subtle. ... The uninitiated may certainly recognise great strength of conviction in Miss Archer, even if they cannot or do not wish to appreciate it." --- "The Poetry Review." "Several of these unpleasant phantasies are reprinted from the "Equinox," and there is an introduction by Aleister Crowley, in which he says this book is the hell of sterile passion glowing in the heart of the hell of desolation." --- "Times Literary Supplement." "There is a resemblance in much of Miss Archer's verse to the sensuous school of English poetry, and it has the same lyrical power. Love in its various forms is the theme of her songs, and she expresses her thoughts in vivid words. The portrayal of the intensity of personal feeling with an unguarded freedom, is that which a student of pre-Raphaelite poetry would naturally acquire. (Our reviewer's guarded remarks lead us to suppose he means that The Whirlpool' is rather 'hot water.' --- ED.) --- "Publishers' Circular." "Moralists with no pretensions to severity will frown at the sentiments conveyed in the poem 'To Lilith. ...' 'Reverie,' 'Midsummer Morn,' and 'Sleep,' are really beautiful poems. ..." --- "Westminster Review." "Full, at any rate, of high artistic endeavour is Miss Ethel Archer's 'The Whirlpool.' There is a strong sense of classical beauty and of form in these passionate and exotic verses. 'The Felon Flower' is an extraordinary rhapsody, and the 'Song to Leila' is delicate and highly wrought." --- "The Commentator." "The verse is musical and the ideas profound. ..." --- "Light." MR. NEUBURG'S NEW VOLUME OF POEMS. "Imperial" 16mo, pp. 200 ---------------- "Now ready. Order through" The Equinox, "or of any Bookseller." THE TRIUMPH OF PAN. POEMS By VICTOR B. NEUBURG. This volume, containing many poems, --- nearly all of them hitherto unpublished --- besides THE TRIUMPH OF PAN, includes THE ROMANCE OF OLIVIA VANE. The First Edition is limited to Two Hundred and Fifty copies: Two Hundred and Twenty on ordinary paper, whereof less than Two Hundred are for sale; and thirty on Japanese vellum, of which Twenty-five are for sale. These latter copies are numbered, and signed by the Author. The binding is half-parchment with crimson sides; the ordinary copies are bound in crimson boards, half holland. The price of ordinary copies is Five Shillings net; of the special copies, One Guinea net. EXTRACTS FROM FIRST NOTICES. "Not everyone will care for Mr. Neuburg's tone in all the pieces, but he is undoubtedly a poet to be reckoned with, and a volume so original as this is should create no small stir. It is superbly produced by the publishers." --- "Sussex Daily News." "When one comes to the poems ... it is evident that they are written in English.... In a certain oblique and sub-sensible sense, eloquent and musical....Distinctly Wagnerian in their effects...." --- "Scotsman." "It is full of 'the murmurous monotones of whispering lust,' 'the song of young desire,' and that kind of poppycock." --- "London Opinion." "A competent master of words and rhythms. ... His esoteric style is unreasonably obscure from an intelligent plain poetry-lover's standpoint." --- "Morning Leader." "A charming volume of poems... Pagan glamour ... passion and vigour. ... 'Sigurd's Songs' are commendable for dealing with the all too largely neglected Scandinavian theology. ... A scholarly disciple. ... The entire volume is eminently recommendable." --- "Jewish Chronicle." "A gorgeous rhapsody. ... Fortunately, there are the police. ... On the whole, we cannot help regretting that such splendid powers of imagination and expression are flung away in such literary rioting." --- "Light." "Sometimes of much beauty of rhythm and phrase. ..." ---"Times." "Poets who have any originality deserve to be judged by their own standard. ... A Neo-mystic or semi-astrological pantheist. ..." --- "Liverpool Echo." "Love-making appears to have an added halo in his eyes if it is associated with delirium or bloodshed. ... Mr. Neuburg has a 'careless rapture' all his own; the carelessness, indeed, is just the trouble. His versification is remarkable, and there is something impressive in its mere fluency. ... So luxurious, so rampant, a decadence quickly palls. ... On the whole, this book must be pronounced a quite grievous exhibition of recklessness and folly." --- "Manchester Guardian." "...We began to be suspicious of him. ... Hardly the sort of person we should care to meet on a dark night with a knobby stick in his hand. ... This clever book." --- "Academy." "A vivid imagination fostered by a keen and loving insight of nature, and this allied to a command of richly adorned language ... have already assured for the author a prominent place amongst present-day poets. ... An enthusiastic devotion to classic song ... sustained metrical charm. From first to last the poet's work is an important contribution to the century's literature." --- "Publishers' Circular." "This [book] contains the answer to a very well-known riddle propounded by the late Elizabeth Barrett Browning. You remember she asked in one of her poems, 'What was he doing to Great God Pan: Down in the reeds by the River?' Well, Mr. Victor Neuburg has discovered the answer, for he was obviously wandering near the river if he was not hidden in the reeds. ..." --- "ROBERT ROSS in "The Bystander." "There is no question about the poetic quality of much of Mr. Neuburg's verse. ... We are given visions of love which open new amorous possibilities." --- "Daily Chronicle." "Sheer ennui is apt to say 'morbid,' and have done with it. ... But here is Mr. Neuburg, with real literary and temperamental gifts ... but it is not honest to deny that he is actually straying here and there upon the borders of a definite region of consciousness; that the evil and power he acclaims and fears have a phantom existence. ..." --- "Westminster Gazette." EXTRACTS FROM PRESS NOTICES --- "Continued" "A volume of no ordinary ability ... real beauty." --- "Advocate of India." "... His poems are a mystery beyond the comprehension of the uninitiate. But we can appreciate the beauty of their sound, and envy those lovers in distant countries who will apparently enjoy the meaning. ..." ---"English Review." "By a big Pot, no doubt." --- "John Bull." "'The Triumph of Pan' contains poems alive with music and rich in thought. Mr. Neubrug writes with distinction, and the book, from first to last, is one which lovers of poetry will appreciate." --- "Standard." "... full of the throbbing fever of life which one cannot confine into measure on all occasions. "'The Triumph of Pan' is full of sonorous lines, with wonderful word pictures and poetic imagery which has seldom been excelled. ..." --- "American Register." "... Many beautiful passages in the volume ... strange allusions to unpleasant gods, and the imagery is occasionally repellent. "The tremendous conception of that 'world so wide' ... at his best in some of the shorter poems ... stirring rhythm. ... we linger with delight over the splendid line --- "'The murmurous song of the morning star, aflame o'er the birth of day.' "... Melodious and plaintive with a haunting rhythm ... vivid and pictorial ... a painter's vision as well as a poet's ear ... a fine simile in 'Osiris' is all his own." --- "Co-Mason." "... a delirious music ... the majority of them [the poems] trouble the reader by giving the impression that a deep meaning lies behind the embroidered veil of words to which he is unable to penetrate; others again seem to suggest events of too intimate and personal a nature to have a general application or interest ... mixed metaphors --- erratic visualisation. ..." --- "Theosophy in Scotland." "Passion and pain, 'red desire' and 'red roses' are frequent "motifs" in Mr. V. B. Neuburg's 'Triumph of Pan' ('The Equinox' Office), much of which merits the ambiguous distinction of being unusual. Though by no means deficient in originality, vigour or imaginative power, his verse is too often cumbered with the fantastic symbols of a species of erotic mysticism, into which we feel no desire to probe; while the lack of reticence consistently displayed constitutes an artistic blemish not lightly to be excused. The author's serene confidence in the immortality of his lays would be better justified were he to make some attempt to discriminate between the gold and the rubbish, and, incidentally, refraining from penning such grotesqueness as is contained, for example, in 'The Sunflower,' where we are informed how, among other portents --- "'a greater god arose, And stole the earth by standing on his toes And blowing through the air.' "It is difficult to believe that the persons to whom certain poems are inscribed will experience any very lively gratification at the compliment." --- "Athenaeum." "... really notable fluency and fecundity of expression. ... He gives us little of that boring stuff that is usually termed 'strong meat.' ... his dedicatory poem is the one that fascinates me most. It is a tender little lyric, delicate, iridescent, fragrant as a summer dawn. I take the liberty of quoting it in full. ..." --- "New Age." "Fie, Mr. Neuburg! ... a most regrettable collection of songs that deal with unrestrained affection. ... There's no denying they are first-rate verse." --- PERCY FLAGE in "The Equinox." "... We are dizzied and dazzled by a foaming rainbow-hued torrent of impassioned words. We are struck by the wealth and boldness of the imagery, and the facility of mechanical execution. ... It is brilliant work ... one is bound to admire the cleverness of it all." --- "Literary Guide." "... In the author of the present collection of poems ... we have a veritable twentieth-century mystic and apostle of ecstasy who, according to his dedication, gives his songs --- "'By the sign that is black and forbidden, By the word that is uttered no more.' "'The Triumph of Pan,' from which the book borrows its title, is a remarkable sequence of some forty 'philosophic and ecstatic' stanzas ... he would also seem to 'hold opinion with Pythagoras' although we question if even Nietzsche himself could quite fathom the undercurrent of the lay. ... Despite occasional extravagances in thought and in diction his work is that of a cultured scholar, his verbal artistry undeniably inspired with the true spirit of poetry. Whether he sings of 'Violet skies all rimmed in tune,' of red ravens, of purple kisses, of silver stars 'crested with amber melody,' or of the 'rhythmic sway of the idle moon,' he is always musical albeit, like Wagner, whose effects he now and then distinctly recalls, often utterly unintelligible. ... In striking contrast to the chaste and serenely beautiful 'Diana Rides; ... are no less that twenty-two audaciously passionate love-lyrics inscribed not only to one Olivia Vane, but also, curiously enough to her 'other' lover." ---"The Gambolier." "He has arrived. ... "Mr. Neuburg's work is partly mystical and partly of the flesh. ... Quite frankly, some of his work we do not at all understand. This applies notably to his 'Music-Pictures,' which 'were obtained under the direct influence of music.' 'This,' the poet naively tells us, 'may explain their apparent inconsequence.' ... he is much more than a minor poet. He can and will yet accomplish great work. ... His ingenious rhyming capacity sometimes almost startles one. In the choice of some of this subjects he is daring --- greatly daring. ... His genius is undoubted; and the world has a lot yet to hear of and from this gifted singer." --- "Greater London Illustrated." "If he rejects this mask, Mr. Neuburg may become a poet." --- "Rhythm." The Star in the West BY CAPTAIN J. F. C. FULLER "FOURTH LARGE EDITION NOW IN PREPARATION" THROUGH THE EQUINOX AND ALL BOOKSELLERS SIX SHILLINGS NET ===================================== A highly original study of morals and religion by a new writer, who is as entertaining as the average novelist is dull. Nowadays human thought has taken a brighter place in the creation: our emotions are weary of bad baronets and stolen wills; they are now only excited by spiritual crises, catastrophes of the reason, triumphs of the intelligence. In these fields Captain Fuller is a master dramatist. ===================================== KONX OM PAX THE MOST REMARKABLE TREATISE ON THE MYSTIC PATH EVER WRITTEN Contains an Introduction and Four Essays; the first an account of the progress of the soul to perfect illumination, under the guise of a charming fairy tale; The second, an Essay on Truth, under the guise of a Christmas pantomime; The third, an Essay on Magical Ethics, under the guise of the story of a Chinese philosopher; The fourth, a Treatise on many Magical Subjects of the profoundest importance, under the guise of a symposium, interspersed with beautiful lyrics. No serious student can afford to be without this delightful volume. The second edition is printed on hand-made paper, and bound in white buckram, with cover-design in gold. PRICE TEN SHILLINGS WALTER SCOTT PUBLISHING CO. LTD., and through "THE EQUINOX" -------------- Some Press Opinions Dr. M. D. EDER in "The New Age" "Yours also is the Reincarnation and the Life, O laughing lion that is to be! "Here you have distilled for our delight the inner spirit of the Tulip's form, the sweet secret mystery of the Rose's perfume: you have set them free from all that is material whilst preserving all that is sensual. 'So also the old mystics were right who saw in every phenomenon a dog-faced demon apt only to seduce the soul from the sacred mystery.' Yes, but the phenomenon shall it not be as another sacred mystery; the force of attraction still to be interpreted in terms of God and the Psyche? We shall reward you by befoulment, by cant, by misunderstanding, and by understanding. This to you who wear the Phrygian cap, not as symbol of Liberty, O ribald ones, but of sacrifice and victory, of Inmost Enlightenment, of the soul's deliverance from the fetters of the very soul itself --- fear not; you are not 'replacing truth of thought by mere expertness of mechanical skill.' "You who hold more skill and more power than your great English predecessor, Robertus de Fluctibus, you have not feared to reveal 'the Arcana which are in the Adytum of God-nourished Silence' to those who, abandoning nothing, will sail in the company of the Brethren of the Rosy Cross towards the Limbus, that outer, unknown world encircling so many a universe." "John Bull," in the course of a long review by Mr. HERBERT VIVIAN "The author is evidently that rare combination of genius, a humorist and a philosopher. For pages he will bewilder the mind with abstruse esoteric pronouncements, and then, all of a sudden, he will reduce his readers to hysterics with some surprisingly quaint conceit. I was unlucky to begin reading him at breakfast and I was moved to so much laughter that I watered my bread with my tears and barely escaped a convulsion." "The Times" "The Light wherein he writes is the L.V.X., of that which, first mastering and then transcending the reason, illumines all the darkness caused by the interference of the opposite waves of thought. ... It is one of the most suggestive definitions of KONX --- the LVX of the Brethren of the Rosy Cross --- that it transcends all the possible pairs of opposites. Nor does this sound nonsensical to those who are acquainted with that LVX. But to those who do not it must remain as obscure and ridiculous as spherical trigonometry to the inhabitants of Flatland." "The Literary Guide" "He is a lofty idealist. He sings like a lark at the gates of heaven. 'Konx Om Pax' is the apotheosis of extravagance, the last word in eccentricity. A prettily told fairy-story 'for babes and sucklings' has 'explanatory notes in Hebrew and Latin for the wise and prudent' --- which notes, as far as we can see, explain nothing --- together with a weird preface in scraps of twelve or fifteen languages. The best poetry in the book is contained in the last section --- 'The Stone of the Philosophers.' Here is some fine work." Household Gods A COMEDY By ALEISTER CROWLEY Privately Printed by the Chiswick Press and bound in White Buckram with Gold Lettering ---------------- PRICE HALF A GUINEA ---------------- Copies may be obtained on application to the Author at the offices of "The Equinox" --------------------------------------------------------------------- Thirty copies of the Sketch of ALEISTER CROWLEY by AUGUS- TUS JOHN have been pulled on Special Paper, and are for sale, framed, at the Price of One Guinea Net. Application should be made at once to the Offices of this Magazine "To be obtained of" THE EQUINOX, 3 Great James St., W.C. TELEPHONE 8987 ======================= "Crown 8vo, Scarlet Buckram, pp. 64." PRICE 10s. net Less than 100 copies remain. The price will shortly be raised to one guinea net. A.'. A.'. PUBLICATION IN CLASS B. ======================= BOOK 777 THIS book contains in concise tabulated form a comparative view of all the symbols of the great religions of the world; the perfect attributions of the Taro, so long kept secret by the Rosicrucians, are now for the first time published; also the complete secret magical correspondence of the G.'. D.'. and R. R. et A. C. It forms, in short, a complete magical and philosophical dictionary; a key to all religions and to all practical occult working. For the first time Western and Qabalistic symbols have been harmonized with those of Hinduism, Buddhism, Mohammedanism, Taoism, etc. By a glance at Tables, anybody conversant with any one system can understand perfectly all others. The "Occult Review" says: "Despite its cumbrous sub-title and high price per page, this work has only to come under the notice of the right people to be sure of a ready sale. In its author's words, it represents 'an attempt to systematise alike the data of mysticism and the results of comparative religion,' and so far as any book can succeed in such an attempt, this book does succeed; that is to say, it condenses in some sixty pages as much information as many an intelligent reader at the Museum has been able to collect in years. The book proper consists of a Table of 'Correspondences,' and is, in fact, an attempt to reduce to a common denominator the symbolism of as many religious and magical systems as the author is acquainted with. The denominator chosen is necessarily a large one, as the author's object is to reconcile systems which divide all things into 3, 7, 10, 12, as the case may be. Since our expression 'common denominator' is used in a figurative and not in a strictly mathematical sense, the task is less complex than appears at first sight, and the 32 Paths of the Sepher Yetzirah, or Book of Formation of the Qabalah, provide a convenient scale. These 32 Paths are attributed by the Qabalists to the 10 Sephiroth, or Emanations of Deity, and to the 22 letters of the Hebrew alphabet, which are again subdivided into 3 mother letters, 7 double letters, and 12 simple letters. On this basis, that of the Qabalistic 'Tree of Life,' as a certain arrangement of the Sephiroth and 22 remaining Paths connecting them is termed, the author has constructed no less than 183 tables. "The Qabalistic information is very full, and there are tables of Egyptian and Hindu deities, as well as of colours, perfumes, plants, stones, and animals. The information concerning the tarot and geomancy exceeds that to be found in some treatises devoted exclusively to those subjects. The author appears to be acquainted with Chinese, Arabic, and other classic texts. Here your reviewer is unable to follow him, but his Hebrew does credit alike to him and to his printer. Among several hundred words, mostly proper names, we found and marked a few misprints, but subsequently discovered each one of them in a printed table of errata, which we had overlooked. When one remembers the misprints in 'Agrippa' and the fact that the ordinary Hebrew compositor and reader is no more fitted for this task than a boy cognisant of no more than the shapes of the Hebrew letters, one wonders how many proofs there were and what the printer's bill was. A knowledge of the Hebrew alphabet and the Qabalistic Tree of Life is all that is needed to lay open to the reader the enormous mass of information contained in this book. The 'Alphabet of Mysticism,' as the author says --- several alphabets we should prefer to say --- is here. Much that has been jealously and foolishly kept secret in the past is here, but though our author has secured for his work the "imprimatur" of some body with the mysterious title of the A.'.A.'., and though he remains himself anonymous, he appears to be no mystery-monger. Obviously he is widely read, but he makes no pretence that he has secrets to reveal. On the contrary, he says, 'an indicible arcanum is an arcanum which "cannot" be revealed.' The writer of that sentence has learned at least one fact not to be learned from books. "G.C.J." WILLIAM NORTHAM, "ROBEMAKER," 9 Henrietta Street, Southampton Street, Strand TELEPHONE -- 5400 Central ======================= MR. NORTHAM begs to announce that he has been entrusted with the manufacture of all robes and other ceremonial apparel of members of the A.'. A.'. and its adepts and aspirants. No. 0. PROBATIONER'S ROBE . . . . Pounds5 0 0 1. " " superior quality . . 7 0 0 2. NEOPHYTE'S . . . . . . . 6 0 0 3. ZELATOR Symbol added to No. 2 . . 1 0 0 4. PRACTICUS " " 3 . . 1 0 0 5. PHILOSOPHUS " " 4 . . 1 0 0 6. DOMINUS LIMINIS " " 5 . . 1 0 0 7. ADEPTUS (without) " " 0 or 1 . . 3 0 0 8. " (Within) . . . . . . 10 0 0 9. ADEPTUS MAJOR . . . . . . 10 0 0 10. ADEPTUS EXEMPTUS . . . . . . 10 0 0 11. MAGISTER TEMPLI . . . . . . 50 0 0 The Probationer's robe is fitted for performance of all general Invocations and especially for the I. of the H. G. A.; a white and gold nemmes may be worn. These robes may also be worn by Assistant Magi in all composite rituals of the White. The Neophyte's robe is fitted for all elemental operations. A black and gold nemmes may be worn. Assistant Magi may wear these in all composite rituals of the Black. The Zelator's robe is fitted for all rituals involving I O, and for the infernal rites of Luna. In the former case an Uraeus crown and purple nemmes, in the latter a silver nemmes, should be worn. The Practicus' robe is fitted for all rituals involving I I, and for the rites of Mercury. In the former case an Uraeus crown and green nemmes, in the latter a nemyss of shot silk, should be worn. The Philosophus' robe is fitted for all rituals involving O O, and for the rites of Venus. In the former case an Uraeus crown and azure nemmes, in the latter a green nemmes, should be worn. The Dominus Liminis' robe is fitted for the infernal rites of Sol, which must never be celebrated. The Adeptus Minor's robe is fitted for the rituals of Sol. A golden nemmes may be worn. The Adeptus' robe is fitted for the particular workings of the Adeptus, and for the Postulant at the First Gate of the City of the Pyramids. The Adeptus Major's Robe is fitted for the Chief Magus in all Rituals and Evocations of the Inferiors, for the performance of the rites of Mars, and for the Postulant at the Second Gate of the City of the Pyramids. The Adeptus Exemptus' robe is fitted for the Chief Magus in all Rituals and Invocations of the Superiors, for the performance of the rites of Jupiter, and for the Postulant at the Third Gate of the City of the Pyramids. The Babe of the Abyss has no robe. For the performance of the rites of Saturn, the Magician may wear a black robe, close-cut, with narrow sleeves, trimmed with white, and the Seal and Square of Saturn marked on breast and back. A conical black cap embroidered with the Sigils of Saturn should be worn. The Magister Templi Robe is fitted for the great Meditations, for the supernal rites of Luna, and for those rites of Babylon and the Graal. But this robe should be worn by no man, because of that which is written: "Ecclesia abhorret a sanguine." ---------------------- "Any of these robes may be worn by a person of whatever grade on" "appropriate occasions." A GREEN GARLAND BY V.B. NEUBURG --------- Green Paper Cover . . 2s. 6d. net. "As far as the verse is concerned there is in this volume something more than mere promise; the performance is at times remarkable; there is beauty not only of thought and invention -- and the invention is of a positive kind -- but also of expression and rhythm. There is a lilt in Mr. Neuburg's poems; he has the impulse to sing, and makes his readers feel that impulse." -- "The Morning Post." "There is a certain grim power in some of the imaginings concerning death, as 'The Dream' and 'The Recall,' and any reader with a liking for verse of an unconventional character will find several pieces after his taste." -- "The Daily Telegraph." "Here is a poet of promise." -- "The Daily Chronicle." "It is not often that energy and poetic feeling are united so happily as in this little book." -- "The Morning Leader." "There is promise and some fine lines in these verses." -- "The Times." ---------- TO BE OBTAINED OF PROBSTHAIN & CO. 41 GREAT RUSSELL STREET, LONDON, W.C. And all Booksellers ------------------------------------------------------------------------------ WIELAND & CO. SIGNS AND SYMBOLS OF PRIMORDIAL MAN BY ALBERT CHURCHWARD "The book is in every sense a great book." ---"Equinox." PRICE 13/6 NET A. COLIN LUNN, Cigar Importer and Cigarette Merchant. 3 Bridge Street; 19 King's Parade and 31 Trinity St., Cambridge Sole Agent for Loewe & Co.'s Celebrated Straight Grain Briar Pipes. YEVIDYEH CIGARETTES, No. 1A. --- "A Connoisseur's Cigarette." These are manufactured from the finest selected growths of 1908 crop, and are of exceptional quality. They can be inhaled without causing any irritation of the throat. Sole Manufacturer: A. COLIN LUNN, Cambridge. ---------------------------------------------------------------------------- WEILAND & CO. Beg to announce hat they can now supply the various OILS, PERFUMES UNGUENTS, ESSENCES, INCENSES, etc., and other products useful to members of the lower grades of the A.'. A.'. "ALEISTER CROWLEY'S SPECIAL PREPARATIONS" OIL OF ABRAMELIN . . . . . . 2/6 per oz. ABRAMELIN INCENSE . . . . . . 10/- per lb. SALEM INCENSE. . . . . . . 8/- " VENUS INCENSE. . . . . . . 18/- " DITTANY INCENSE . . . . . . 7/- " OPOPONAX INCENSE . . . . . . 16/- " UNGUENTVM SABBATI . . . . . 17/6 per oz. ---------------------- RUTHAH, the Perfume ofImmortality, 2/6 & 4/6 per bottle ---------------------- The special Incense always used by H. P. Blavatsky. Prepared from the receipt given by an intimate friend and colleague. 11/- per lb. Cash in all Cases must accompany Order "ALL GOODS POST FREE" MR. NEUBURG'S NEW WORKS "IN PREPARATION" ---------------------- SONNETS FROM THE SPANISH A Contribution to the Personal Note in Literature ---------------------- THE NEW DIANA A History. With other Poems, and some Translations ---------------------- THE CHANGELING A Fairy Play ---------------------- ROSA IGNOTA An Essay in Mysticism ---------------------- HEINE'S LYRISCHES INTERMEZZO A Complete Translation, with a Prose Preface ---------------------- SONGS OF THE DECADENCE New Lyrics LIBER CCCXXXIII "NOW READY" THE BOOK OF LIES WHICH IS ALSO FALSELY CALLED BREAKS THE WANDERINGS OR FALSIFICATIONS OF THE ONE THOUGHT OF FRATER PERDURABO WHICH THOUGHT IS ITSELF UNTRUE "Break, break, break At the foot of thy stones, O Sea! And I would that I could utter The thoughts that arise in me!" CONTENTS o o : o : 49. WARATAH-BLOSSOM 1. The Sabbath of the Goat : 50. The Vigil of St. Hubert 2. The Cry of the Hawk : 51. Terrier Work 3. The Oyster : 52. The Bull-Baiting 4. Peaches : 53. The Dowser 5. The Battle of the Ants : 54. Eaves-Droppings 6. Caviar : 55. The Drooping Sunflower 7. The Dinosaurs : 56. Trouble with Twins 8. Steeped Horsehair : 57. The Duck-Billed Platypus 9. The Branks : 58. Haggai-Howlings 10. Windlestraws : 59. The Tailless Monkey 11. The Glow-Worm : 60. The Wound of Amfortas 12. The Dragon-Flies : 61. The Fool's Knot 13. Pilgrim-Talk : 62. Twig? 14. Onion-peelings : 63. Margery Daw 15. The Gun-Barrel : 64. Constancy 16. The Stag-Beetle : 65. Sic Transeat --- 17. The Swan : 66. The Praying Mantis 18. Dewdrops : 67. Sodom-Apples 19. The Leopard and the Deer : 68. Manna 20. Samson : 69. The Way to Succeed --- and the 21. The Blind Webster : Way to Suck Eggs! 22. The Despot : 70. Broomstick-Babblings 23. Skidoo! : 71. King's College Chapel 24. The Hawk and the Blindworm : 72. Hashed Pheasant 25. THE STAR RUBY : 73. The Devil, the Ostrich, and the : Orphan Child 26. The Elephant and the Tortoise : 74. Carey Street 27. The Sorcerer : 75. Plover's Eggs 28. The Pole-Star : 76. Phaeton 29. The Southern Cross : 77. THE SUBLIME AND SUPREME SEP- 30. John-a-Dreams : TENARY IN ITS MATURE MAGICAL 31. The Garotte : MANIFESTATION THROUGH 32. The Mountaineer : MATTER: AS IT IS WRITTEN: AN 33. BAPHOMET : HE-GOAT ALSO 34. The Smoking Dog : 78. Wheel and --- Woa! 35. Venus of Milo : 79. The Bal Bullier 36. THE STAR SAPPHIRE : 80. Blackthorn 37. Dragons : 81. Louis Lingg 38. Lambskin : 82. Bortsch: also Imperial Purple 39. The Looby : (and A PUNIC WAR) 40. The HIMOG : 83. The Blind Pig 41. Corn Beef Hash : 84. The Avalanche 42. Dust-Devils : 85. Borborygmi 43. Mulberry Tops : 86. TAT 44. THE MASS OF THE PHOENIX : 87. Mandarin Meals 45. Chinese Music : 88. Gold Bricks 46. Buttons and Rosettes : 89. Unprofessional Conduct 47. Windmill-Words : 90. Starlight 48. Mome Raths : 91. The Heikle PRICE ONE GUINEA WEILAND & CO., 33 Avenue Studios, South Kensington, London, S.W. MORTADELLO OR THE ANGEL OF VENICE A PLAY IN FIVE ACTS BY ALEISTER CROWLEY PRICE TEN SHILLINGS NET "A little master piece." --- "The Times." WIELAND & CO. 33 AVENUE STUDIOS, SOUTH KENSINGTON, LONDON, S.W. TELEPHONE: 2632 KENSINGTON BOOKS RECOMMENDED FOR STUDY ------------------- "All Visitors to London, Interested in Occult Books, should call and inspect the large stock kept by" FRANK HOLLINGS, No. 7 Great Turnstile, Holborn, W.C. CLOSE TO THE INNS OF COURT AND FIRST AVENUE HOTELS. ------------------- "Catalogues post free on application. Send me your list of "wants," I have special facilities for acquiring rare and uncommon Books. New Publications supplied to order. Carriage paid within United Kingdom." ------------------- "THE HISTORY OF MAGIC." Including a clear an precise Exposition of its Processes, Rites and Mysteries. By ELIPHAS LEVI. Translated, Annotated and Introduced by Arthur Edward Waite. With Twenty Plates. Large Demy 8vo, 9 in. x 6 in., 572 pp. "Handsomely bound, Cloth Gilt extra, Gilt Tops." 15"s." net. EDITION DE LUXE. Printed on fine quality Rag Paper. "Bound in White Velum, Gilt Tops. 21s." net. "THE BOOK OF CEREMONIAL MAGIC." Including the Rites and Mysteries of Goetic Theurgy, Sorcery, and Infernal Necromancy. By A. E. WAITE. Crown 4to, gilt tops, 376 pp., illustrated with about 180 engravings, beautifully bound in art canvas, with design in gold, price 15"s." net. In Two Parts. I. An Analytical and Critical Account of the chief Magical Rituals extant. II. A complete GRIMOIRE of Black Magic. The two chief sections are subdivided as follows: -- ("a") Studies on the Antiquity of Magical Rituals; ("b") The Ritual of Transcendental Magic, so-called; ("c") Composite Rituals; ("d") The Rituals of Black Magic; ("e") The descending Hierarchy of Saints;<> ("f") The Lesser Key of Solomon the King; ("g") The Mystery of the "Sanctum Regnum"; ("h") The Rite of "Lucifuge"; ("i") The Method of Honorius, etc., etc., etc. "TRANSCENDENTAL MAGIC." By ELIPHAS LEVI. Translated by A. E. WAITE, "with the original engravings." 10"s." 6"d." Postage 5"d."; abroad 10"d." "Contents:" -- Doctrine of Transcendental Magic: The Candidate, The Pillars of the Temple, Triangle of Solomon, The Tetragram, The Pentagram, Magical Equilibrium, The Fiery Sword, Realization, Initiation, The Kabbalah, The Magic Chain, The Great Work, Necromancy, Transmutations, Black Magic, Bewitchments, Astrology, Charms and Philtres, The Universal Medicine, Divination, Summary and General Key of the Four Secret Sciences, Ritual of Transcendental Magic. Preparations, Magical Equilibrium, The Triangle of Pentacles, The Conjuration of the Four, The Blazing Pentagram, The Medium and the Mediator, The Septenary of Talismans, A Warning to the Imprudent, the Ceremonial of Initiates, The Key of Occultism, The Triple Chain, The Great Work, Necromancy, Transmutations, The Sabbath of the Sorcerers, Witchcraft and Spells, The Writing of the Stars, Philtres and Magnetism, The Mastery of the Sun, The Thaumaturge, The Science of the Prophets, The Book of Hermes. "WAITE" (A. E.). The Mysteries of Magic, a Digest of the Writings of Eliphas Levi, with Biographical and Critical Essay. Second edition, revised and enlarged, cr. 8vo, "cloth extra, uncut," 1897, 8"s." 6"d." "BIBLIA CABALISTICA," or the Cabalistic Bible, showing how the various Numerical Cabalas have been curiously applied to the Holy Scriptures, with numerous Textual Examples, collected from Books of the Greatest Rarity, with Introduction, Appendix of Curios, and Bibliography. By the Rev. WALTER BEGLEY. 4to, "cloth extra, uncut," 1903. 7"s." 6"d." "BOOK OF THE SACRED MAGIC" (The) of Abra-Melin the Mage, as delivered by Abraham the Jew unto his Son Lamech, A.D. 1458. Translated from the Original Hebrew into French, and now rendered into English from a unique and valuable MS. in the "Bibliotheque de l'Arsenal" at Paris; with copious Notes and Magical Squares of Letters. By S. L. MACGREGOR-MATHERS. 4"to, black cloth, Magical Square on side in gold." 1900. 10"s." 6"p." "SPECIAL OFFER OF THE KEY OF SOLOMON" "S. LIDDELL MACGREGOR-MATHERS, Author of "The Kabbalah Unveiled," "The Tarot," "etc." THE KEY OF SOLOMON THE KING (Clavicula Salomonis), the true fountain-head and storehouse of Cabbalistical Magic and the origin of much of the Ceremonial Magic of mediaeval times; hitherto a closed book to all but the most learned Hebrew scholars, now made accessible to all in this "the first translation."<> Carefully edited and collated from various ancient MSS. in the British Museum. Illustrated by 15 full-page plates containing "the Mystical Alphabets, the Knife, Sword, and Other Instruments, and the Holy Pentacles or Medals." Quarto, buckram back, cloth sides, pp. +1 26 (pub. Pounds 1 1"s. net"). London, 1909, 10"s." Inland postage, 6"d."; Abroad, 1"s." An important feature of this work is that the Editor, who is well known as a skilled Kabalist, has corrected as far as possible the many errors in the Hebrew names, etc., which have crept into the various MS. recensions, due to careless copyists. This renders the work of the greatest value to Students of Ceremonial and Talismanic Magic, as the use of correct formulae in magical operations is an absolute necessity. "MAGICAL MANUSCRIPT." -- THE CLAVIS OR KEY TO UNLOCK THE MYSTERIES OF MAGIC OF RABBI SOLOMON; THE BOOK OF MAGIC SCIENCE, and several other Magical Treatises, clearly and neatly written on more than 200 leaves, thick 4to, "very many cleverly executed drawings (several in colours) of pentacles, sigils, talismans, etc., old hf. calf, gilt," N.D. ("circa" 1830). 3 guineas. The "Clavis" is of exceptional interest. It has apparently been transcribed from an UNPUBLISHED ENGLISH VERSION, translated from the French by EBENEZER SIBLEY, M.D., the famous astrologer, as it bears his name on the Title page, and at the end of a long preface. The first edition of the Key of Solomon "published" in English, is that edited by Mr. S. L. M. Mathers. SENT POST FREE TO THE READERS OF "THE EQUINOX" "THE LITERATURE OF OCCULTISM" Being a catalogue of books ON SALE relating to Ancient Worships, Astrology, Alchemy, Animal Magnetism, Antiquities, Behmen and the Mystics, Buddhism, Clairvoyance, Dreams, Demonology, Freemasonry, Folk-lore, Gnostics, Gems, Ghosts, Hermetic, Indra and the Hindus, Kabbala, Koran, Miracles, Magic, Mithraic Worship, Mesmerism, Mythology, Mysticism, Phallic Worship, Phrenology, Psychometry, Rosicrucians, Spiritualism, Symbolism, Serpent Worship, Secret Societies, Theosophical, Witchcraft. In all, close upon 1000 volumes. The largest collection for sale in Europe and now offered at reasonable prices at FRANK HOLLINGS' BOOK SHOP, 7 Great Turnstile, Lincoln's Inn Fields, close to Chancery Lane and High Holborn, London. {Illustration to this page described: The top 1/5th of this page has a black and white rendering of the Khephra scarab beetle. It shows a scarab beetle holding a sun disk between its hind legs at top and a smaller moon disk between its front legs at the bottom. The body of the scarab is upside-down, even though the legs are as described. Horizontally to left and right are two wings, very stylized, with primaries, secondaries and coverlet feathers depicted.} THE WINGED BEETLE By ALEISTER CROWLEY PRIVATELY PRINTED: TO BE HAD THROUGH "THE EQUINOX" 300 copies, 10"s." net 50 copies on handmade paper, specially bound, " Pounds"1 1"s." net ---------- CONTENTS ROSA Coeli --- Abjad-i-al'ain --- The Hermit --- The Wizard Way --- The Wings --- The Garden of Janus --- The Two Secrets --- The Priestess of Panormita --- The Hawk and the Babe --- The Duellists --- Athor and Asar --- After Judgment --- The Five Adorations -- Telepathy --- The Swimmer --- The Muse --- The God and the Girl --- Rosemary --- Au Bal --- Disappointment --- The Octopus --- The Eyes of Dorothy --- Bathyllus --- The Mantra-Yogi --- The Poet and his Muse --- Lilith --- Sport and Marriage --- The Twins --- The Convert --- The Sorceress --- The Child --- Clytie --- A Slim Gilt Soul --- The Silence of Columbine --- The Archaeologist --- The Ladder --- Belladonna --- The Poet at Bay --- Ut --- Rosa Decidua --- The Circle and the Point --- In Memoriam --- Ad Fidelem Infidelem --- The Sphinx --- The Jew of Fez --- The Pentagram --- Song --- An Hymn --- Prologue to Rodin in Rime --- The Camp Fire --- Ave Adonai --- The Wild Ass --- The Opium-Smoker --- In Manu Dominae. Mr. Todd: a Morality. TRANSLATIONS: L'Amour et le Crane --- L'Alchimie de Douleur --- Le Vampire --- Le Balcon --- Le Gout de L'Infini --- L'Heautontimoroumenos --- Le vin de L'Assassin --- Woman --- Tout Entiere --- Le vin des Amants --- Le Revenant --- Lola de Valence --- Le Beau Navire --- L'Invitation au Voyage --- Epilogue to "Petits Poems en Prose" --- Colloque Sentimental --- En Sourdine --- The Magician. {WEH NOTE: On the back cover in black on dark blue. Includes text graphics as noted} PART II READY SHORTLY BOOK {large block letters, extending 3/5 across the page from left} 4 {very large, extending over 3/5 of the vertical page, with top of numeral just above "BOOK" and to the right. To the right of the riser in Greek Caps. and numerals vertically down until reaching the horizontal bar: "GR:Tau GR:Delta GR:Mu 4 4 4". Below the horizontal bar to the left until reaching the vertical drop, in two horizontal lines: "BY:FRATER:PERDURABO:" "AND:SOROR:VIRAKAM::" In the rectangular space defined by rightmost tip of horizontal above and lowest tip of vertical to the left. "AB" centered above "A"} A TREATISE ON MAGIC AND MYSTICISM FOR BEGINNERS "Of all Booksellers" PRICE TWO SHILLINGS NET WIELAND & CO. 33 AVENUE STUDIOS 76 FULHAM ROAD, SOUTH KENSINGTON, S.W. Telephone 2632 Kensington