chinjap.txt Ben Blumenberg Reality Software P.O. Box 105 Waldoboro, ME 04572 February 8, 1992 Mytho-poetics in China* . . . . . . . . . . . . . . . . . . . i Mytho-poetics in Japan* . . . . . . . . . . . . . . . . . . . .ii Did the Great Goddess Exist in China? . . . . . . . . . . . . . 1 Goddess Fragments in Early Taoism . . . . . . . . . . . . . . . 2 The Primordial Couple and the Goddess . . . . . . . . . . . . . 6 Nu-kua as Primal Creatress . . . . . . . . . . . . . . . . . . 6 The Goddess in Chou Culture . . . . . . . . . . . . . . . . . 8 Goddesses in Shamanic Myths of the Manchu . . . . . . . . . 12 The Goddess Amaterasu in Japan. . . . . . . . . . . . . . . . 15 <>The Temple of the Goddess of Orchid Fragrance . . . . . . . . 20 Bibliography . . . . . . . . . . . . . . . . . . . . . . . . . 21 *See files chinmyth.dos & japmyth.dos for the flow charts which can be viewed/printed with any ASCII text editor. __ Yes, She does exist in China, but finding Her is difficult and involves questioning some basic assumptions about early Chinese philosophy and society. My personal pursuit of the Great Goddess involves several assumptions, but the one that concerns us here goes as follows. {If} her origins lie with Paleolithic era (30,000-12,000 B.C.) hunter-gatherers, and they certainly do (Gimbutas 1989), then she must have existed in the Neolithic of China (c.10,000 B.C.-c.2,000 B.C.) and the succeeding Mesolithic and Classic Dynastic Periods. The presence of Paleolithic hunter-gatherers in China is beyond dispute. There is a great deal of fossil and archeological evidence from numerous sites (Chang 1977). Because she followed humanity into the Agricultural Revolution throughout Eurasia, there is no reason to suppose otherwise in East Asia. I have no wish to entertain unusual hypotheses for her post-glacial extinction in China. Nonetheless, this what many scholars and interested New Age adherents have done without realizing their unspoken assumptions. Some deny the very existence of mythology and the gods in China while others see the goddess everywhere in East Asia. In their eyes, every Buddhist bodhisatava, every female, Taoist immortal or shamaness becomes a manifestation of the Goddess. Either view is extreme. In the latter case, which is the particular affliction of that portion of the New Age movement, which is feminist oriented, every contact with the sacred that involves a female becomes a manifestation of the goddess. Hogwash! Such a viewpoint speaks only to a lack of respect and integrity, as well as the historical and religious ignorance of those involved. I leave the cartoon reinvention of tradition to those whose infatuation with their own egos precludes serious connections with the sacred in a manner that takes the multiple planes of human history {seriously.} The former viewpoint has characterized the academic Western view of early Chinese religion for well over a century. Impressed by the {_I} {Ching}_ and the philosophy of Confucius, as well as the absence of long mythological narrative so characteristic of post-Neolithic cvilizations in the West, Western scholars quickly identified the brilliance of the Chinese mind at creating succinct, abstract philosophy and finding the essential, secular truths in the world about us. Granted, there is the prevalence of ancestor worship, but this became the model for a tightly woven system of ethics and morality that was applied both to the family and the society at large in the hands of Confucius. Where were the Gods? Where was the Goddess? The evidence of gods, narrative myth and, more specifically, the Goddess herself is hard to find and is unlike the encyclopedic data that exists in the West. Our eyes and perceptions are just beginning to become attuned to the search and the evidence is just beginning to come in. Two discoveries laid the foundation for unveiling the Goddess in ancient China. Giradot's (1983) breakthrough study of mysticism in early Taoism has firmly established the existence of complex mythological fragments in one of the earliest surviving Chinese texts. The gods are there, although in a disjointed and incomplete form. We can assume, I think correctly, that the corpus of full-fledged mythological narrative has been lost because it existed only in oral form and antedated the first written texts of the first millenium B.C. (Chou Dynasty). We will never know the 'flesh and blood' Great Goddess in China as we know her in the West. The second pioneering effort is Gimbutas' (1989) study of the iconography of the Goddess. Drawing upon virtually all available materials for Europe and the Near East, she has systematically catalogued the pictorial symbolism of the Western Great Goddess and interwoven it with ritual, myth and folktale. Gimbutas' (1989) well organized schemata provides a 'field guide' with which to search elsewhere for the Goddess, assuming of course that her symbolism is archetypal and therefore a commonality worldwide. That assumption may not be justified, but at least the search allows it to be tested. All good scientific hypotheses must be subjected to scrutiny in the light of available and relevant data. Such is one of the many objectives I have set myself. So let us begin. The discussion is at first abstract and difficult; it will then proceed along more concrete lines. Taoism could not be more unlike Confucianism. Taoism took form several centuries before Confucius lived (551-479 B.C.), the exact date is impossible to determine because it likely arose before 1000 B.C. when the Chinese script had not been created. Taoism believes in a single underlying cosmic unity of indescribable nature, yet endlessly creative (much like the Void or Great Bliss of Buddhism). The goal of Taoist practice is mystical; it is to contact the 'One' and be thereby enriched. As with Buddhism, the gods can be of great help in such an endeavor. __ China often appears to be lacking in complete mythological narrative, especially in creation myths, but upon close examination this proves not to be true. By the time of the Eastern Chou Dynasty (770-450 B.C.), a rich mythological lore is apparent and a central cosmogonic theme can be discerned. In the beginning, the cosmos was dark and without boundary or structure. Mythic themes cluster into two categories. The first category is